sound of the 16th season people have their personal rituals. leaving the international space station russian space travelers left some bread and salt as a welcome gift for their american colleagues. tennis star serena williams bounces the ball exactly five times before her first serve. our beloved master of ceremony of techno music, sven vath, has a ritual as well: when the shadows on the island ibiza grow longer and the noise of the summer is about to fade away, he takes a couple of days off and reminisces the passing season, the parties, the crowds and the music: what were the craziest, the most outrageous, most beautiful moments? which situations, which encounters inspired me? what did we laugh about? and of course: what was the best music? which tracks accompanied me and my cocoon people during those intense weeks? vath assembles those magical tracks for the sixteenth time this year merging them into two and a half hour set.

is the truth out there? with the truth 2008 - 2013 anthology, solar one music presents a refine selection of some of the exaltics greatest tracks from 2008-2013, reviewing in this cd. five years of a highly prolific career. this future classic retrospective gathers together the very best of the jena located artist on labels such like transient force, bunker, clone or last known trajectory just to name a few.

jonas wahrlich feiert gleich 2x geburtstag!cd 1 mixed - cd2 unmixed

fokuz recordings presents fifty five a release that displays a wide variety of drum and bass styles by various artists around the globe! expect the freshes beats from fokuz residents command strange, dj clart, incident, talented newcomers like soligen, type-2, joakuim and rising stars hybrid minds, paul sg, pennygiles & mr joseph.

fourth album, is an album labeled, engineered, mixed and mastered by steve albini. and its pretty obvious: fourteen tight songs, full-on (faithful to the motto hammered by albini: feature it, or fuck it), carved in eight days, by five people (drums, guitars, keyboards, bass), without ever leaving the studio.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

nachdem kris needs mit den beiden -dirty water- compilations die geschichte und einfluesse auf die punk musik aufzeigte, widmet er sich mit dieser neuen reihe der fluechtigen magie new yorks und dokumentiert dabei bedeutende musikalische entwicklungen und wendepunkte. der erste teil ist auf die 40er und 50er jahre fokussiert und enthaelt jazz, blues, latin, rock n roll und doo wop songs von kuenstlern wie miles davis, duke ellington, dizzy gillespie, harry belafonte, john cage, cab calloway, nina simone oder billie holiday. die 2cd enthaelt 32 songs und beinhaltet wie -dirty waters- ein 72 seitigiges booklet.

2lp, gf, with five bonus tracks from the original screaming gun cd ep and new photos.

marc brauner makes his return to the label, this time collaborating with fellow berliner, ulrich harrison - better known by moniker tender games - on five summertime sweeteners.

nice price

first time reissue in 15 years, japanese obi-strip

reissued on vinyl for the first time, lp with japanese obi-strip

lp with japanese obi-strip, originally self-released in 1969

experimentation in early electronic music in the sahara from the singular mamman sani.

nearly twenty-five years after disbanding, gastr del sol have unpacked their archive, stringing together an alternative view to their genre-melting 1993-1998 run.

black decelerant is the second installment of reflections, a series showcasing contemporary collaborations orchestrated by rvng intl., recently inaugurated by steve gunn and david moore.

gentle ben and his sensitive side is now gentle ben and his shimmering hands: a new line-up means a new album!

back on black records are set to reissue the d.r.i. greatest hits album, originally released in 2001.

a jazz tribute to woody allan and his movies on double vinyl.

“starsdust” is an ambient album composed from the fragments of runnner’s 2023 album “like dying stars, we’re reaching out”. limited pressing on red coloured vinyl.

what is not strange? is the first full-length album by los angeles-based composer tashi wada in over five years, comprising his most far-reaching and impassioned music to date.

regular pressing on black vinyl.

limited pressing on transparent yellow vinyl.

rock

limited pressing on red coloured vinyl.

metal

after a five year hiatus luke slater reanimates his l.b. dub corp alias for a dynamic, vocal-led ode to the club featuring robert owens, paul st. hilaire, miss kittin and more.

flight modes second release of the year has arrived. get ready for a powerful v/a that brings together the artistic visions of four producers rooted in switzerland, the labels birthplace.

2023 reprerss! / binary digit’s second ep on new label zeitnot. five club-ready cuts encompassing acid, electro and techno. on the a side you have two fast paced 135+ acid electro tracks in the form of crook acid and sneaking out of the club. untitled 38490 conjures up images of euphoric rave house whilst untitled 2 goes for a straight up dmx krew electro vibe. zeitnot is a collaborative project between anil lal (furthur electronix) and jordan carnall (seven hills). our ethos is simple: to showcase/release quality electronic music on hand stamped, white label vinyl. from electro to acid techno, breaks to braindance, these cuts were pressed with the club in mind. dark rooms and smoke machine required.

translucent light blue coloured double vinyl.