2007, is nu tropic new label launching year : jazzmin records. afer the two first 12 inch from the combo released early this year, nu tropic asked their friends to remix their first album >vocé sabe< songs. the result >vocé sabe remixed< is a perfect combination of their tracks optimized for some dancefloor action.you will find on this album >la creme de la creme< of french trendy producers such like playin 4 the city, franck roger, l aroye & ky…nu tropic brazilian flavours are then transformed into highly danceable house tunes. nu tropic love japan & japanese famous artists jazztronik, yukihiro fukutomi & soul source (who remixed jackson 5 few years ago) also joined this project to add their typical jazz beats >savoir faire<

this new detroit label starts with a wonderful 3 tracker of atmospheric house music by label head keith worthy himself. thumpin, percussive detroit house with an early morning touch a must have

after his first solo ep on kling klong arnaud rebotini continue to expore out of the black strobe area on goodlife !! here s his tribute to the techno detroit godfathers .the wood is dedicated to early jeff mills and robert hood tracks with some weird >doepfler< hypnotic bass line and on top a tweeky sequence for a maximum impact on the dancefloor! on the other side leviathan it s more influenced by america minimalist as steve reich or terry riley and will give to the clubs a groovy melancholic vibe

the main joey negro mix of trampoline sounds like, quirky early 80s dubby leftfield fun, maybe like an early sleeping bag or pow wow release. steve sabito turns out a cirez d styled tougher electro mix and akabu go deep and acidic, with shades of eddy grants timewarp

this was on promo one of the biggest hits of the summer. up north fave thomas gold gets hold of a cheeky sample from ce ce peniston s >finally< which you will spot early on in the track, then gets special permission from roger sanchez to use his wicked acapella from the animal, which was released under his neanderthal guise. whether you like tribal, electro or funky house this hot new vinyl has some major mixes to keep you occupied...

rmxs by vitalic & david carretta, crash course in science (ccis) is an electronic musical group that was formed in 1979. the band was formed as a way to explore performance art and music, which the members desperately needed to express. .. this 12inch contained the songs >cardboard lamb< and >flying turns< which are two of the bands most recognizable tracks. this record has been regarded as influential to the techno industrial genres and was an early inception of what is now known as the >electro< sound.. one remix made by the crash course in science band themselves in 2006 !!! amazing uptodate remix done by the original member, which sound incredibly music of now. another remix made by vitalic , which gonna be a classic hymn for clubs as always when vitalic rework a track. and the last remix done by david caretta who give another dimension to the original track. this crash course in science band have been many times sampled by artist of today, now you know from where comes the original

early 70s signature tune from legendary soul group gladys knight & the pips gets a big house remake from timmy regisford and quentin harris

with big rui da silva rmx !! phil stumpf is back on triple-o after his storming release earlier last year. this time we are treated with a contemplative but bouncy motor-city serenade. warm pads, a lively, jumping rhythm and that beautiful melody makes you want to play this >cut< more than once. …. on the remix-tip we are proud to present rui da silva, yet another producing legend that has been around since the early days with big releases as underground sound of lisbon on danny tenaglia s notorious label tribal amongst others...

still music is proud to present its first division past due. past due is a very special reissue label dedicated to the boogie down sounds of the 7ts and the 8ts. here is our first offering visions of tomorrow galaxy, a super funky, synth lad early 80s instrumental tune.this 12 comes with two stunning reedits by charles webster (miso) & francois a (buzzin’ fly, deeply rooted, still music) more to come soon

remastered!! the aphex twin early gold

great dubby techno tracks. comes in a dub version for the rhythm and sound fans! and beatless version which reminds a bit of early carl craig works and a rocking beats version which kills it on the dance floor

smooth deep grooving funked up house tune made in hungary incl jeff bennet & daniel d mixes! not to be missed

japanese super-producer duo dj kent and kza aka force of nature drops two new gems between italo disco, melodic 80s electronica and early detroit sounds. rekid joins in with a stunner of a remix, a haunting and epic slo-mo ride into darkness

morris audio celebrates the 50th release with a superb 2-tracker fully swiss made !! shaka (floppy funk), one of switzerlands finest producers when it comes to detroitsh sounds, presents >the coming< – a track catching a detroit/chiacgo/sheffield vibe of the early days tuned for 2007! bleeps, strings and basslines. the remix on the flipside comes from one of the hottest guys around, deetron.

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

fantastische dj platte, 1x prime time (mekong) und einmal 7am early morning atmo

the 2nd release of carsten schorr s label on records is prod. by micha klang, the nürnberg based dj legend. this is minimalbut nevertheless melodic. a special highlight is the remix of tony rohr (cocoon/hidden agenda/dipolter records), one of the most popular live acts of the world, which will brighten up the early morning hours in the clubs! a comment of speedy j: track is the bomb… been hammering it last few weeks!

wow. another great piece of great techno by one of the brightest talents from germany! this is so nice... this would fit perfectly on a label like planet e or transmat. must have for all fans of carl craig, b12, evolution, early speedy j works and of course derrick may. also check out arne weinberg s path of the gods album forthcoming on aw records (aw006lp) released in januar!

here are the long awaited restless soul remixes of one of the biggest soulful tunes released early 2006 by still music. isoul8 & paul randolphs on my heart did the rounds this year with amazing support from ame, jazzanova, bugz in the attic, charles webster, alex from tokyo, needs, llorca, ralf gum, fabrice lig and many others

the early releases by tekel on initial cuts. long awaited repress on these sought after bangin stuff, ltd numbers

pulsing warm and deep house with a sparse production that allows for maximum appreciation of a beautiful flute and organthat solo through most of the record, with narration on the a-side by ill-bosstino. flip for the even better instrumental with a sound that falls somewhere between early spiritual life and ferrer & sydenham

vol 3 of the excellent dark side of disco compilation feat some long lost dancefloor gems from the nu wave early 80s periode including soft cell, david byrne, the police, david bowie and many more a must have

fabrizio and marco d arcangelo share their love for synth generated music. fond of electronic music since the british new wave invasion of the 80s, the two brothers were keen on embarking onto early experimental music through the aid of affordable samplers and pcs. in the early 90s they joined dj max durante in the asu project on hot trax, a hard techno venture which saw the release of three eps, culminating in their live act at the zurich energy 93. in the following years, two deliberately distinct projects were born, centuria city and automia division, dividing the techno and melodic edges

the restart of the legendary evolution/universal language label! the first 3 mind blowing releases (re-mastered) and presented as a limited 3x12 package (the reload ep, the autoreload ep and the biosphere ep). mark pritchard and tom middleton released in the early 90s some highly limited records on their evolution label which later became universal language. all records were groundbreaking releases and tom and mark continued to produce many great records as reload, global communications, jedi knights, harmonic 33 and several other projects. these 3 records represent the beginning of the electronica movement which they started with like minded artist such as aphex twin, the black dog, autechre and some others. deep raw and forward thinking techno in the same style as aphex twins early releases, as one or balil. mark and tom were strongly influenced by derrick may, juan atkins, carl craig, kraftwerk, mike dunn and richie hawtin to name a few and they produced some amazing records which still are not outdated almost 15 years after their original release. among their fans of their releases is a huge list of big names who all recognized the quality of the music made by these two guys. this is a great package with all three of the ultra rare original releases together. must have

hypnotic and deep, but always funky, stuart li takes the listener on a journey back into time to early days as well as providing us some classical techno groove. instead of just utilising tools to create sounds, he is a good deal more telling us little, well selected stories.with his elaborate and sophisticated arrangements, his melodic loops and the seductive, pushing bassline, he delivers three different, sometimes minimal, but always melodic new pieces on this second vinyl on versatile records

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

following up the massive debut of lets pet puppies, marcus mixx returns with a two tracker of straight up classic chicago dancefloor mayhem. t.a.p. is nasty. you thought you were nasty? sorry charlie, nasty s over here. marcus drops the vocal on this track thats either a precursor or the end point for ghetto tech, and most likely simply in a class by itself. psychousic is somewhere in between classic robert armani / armando, and the best of the early relief stuff. can you say beat track? if your floor doesnt jack to this, you need a new one.

double 12 special release includes the original mix plus 2 mixes by paul harris and a mystery & matt early remix

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

theodor zox is one of denmark s upcoming producers. he has already released on well-known labels like tic tac toe, 3rd floor, textone, thinner and morris audio citysport. >dark liquid<, the flollow up to his much acclaimed >crystalized< (m.a.citysport 27), is a proper deep techno & house minimalism release in a alex under vein, where harmony, texture and propulsive rhythm are the most important ingredients! his love for music started at a very early age, when his father, a disc jockey of the 70s, exposed him to jazz, funk, disco, dub - and kraftwerk. theodor zox uses all his creativity in exploring, experimenting and refining the minimal music

excellent driven and atmospheric minimal techno with early support from ricardo villalobos, guido schneider, steve bug, sammy dee, troy pierce, miss fitz, shaun reeves, bart skils, lauhaus, andre galluzzi, luciano, tobi neumann

new label on the map comes with an efficient club house title using the famous in my house vocal sample from the early 90s.already huge reactions from the promos.

after samuli s great techno-ep,pakkas levyt returns to more deep sounds. hypnotic and floating tracks for fans of maurizio, basic channel, poro and early aphex twin..

bass invaderz fourth release sees a debut pairing of tear out regular and label boss distortionz with hardcore producer and promoter enzyme. having seen releases grace labels such as hardcore beats, mechanoise and unstable, distortionz has earned himself a reputation for breakbeat of the harder variety, with enzyme known for his involvment in the early 90s hardcore scene with his efforts now firmly directed towards the hardcore breaks and nu rave scenes

deep, tribal, warm acid house, an inf ectuos summer groov e, on the f lip loco dice returns to the label with a special >chunk the funk< remix, smooth deep jazzy house remix. beautif ul deep tribal & hy pnotising that builds and grows into a deep acid head banger ... on the f lip locodice returns to the label he begun his career with of f ering us a lazy disco esque remix, inf used with touches of jazz, sunset, lounging or in the early hours of the morning, this will work

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

brandnew remixes of the this release from the early 90s by dj puku and t & f and deep groovers

apendics.shuffle has been tearing through clubs for the last few years on labels such as adjunct, resopal red and orac, but it is here on leftroom that he has hit top form. 3 tracks of twisted trademark hooks, and crisp production make this a must. our very own szenario turns in an eerie remix for those early hours also!!! label support now from richie hawtin, ricardo villalobos, luciano, craig richards, magda, troy pierce, matthew dear, need we say more....

with a phenomenal timing, milan based soundplant records new catalogue number is a release by two of the hottest artist in the underground dance music world today julian sanza from 2020 soundystem, silver city and ciudad feliz and simon baker, head of infant records and half of liptrick. with >pasadena groove< he offers a solo production that goes deep in the musical and melodic territory with a phenomenal irresistible disco-y and new wave-y bassline and a strong synth and lead line reminding 80s dance music fused with early techhouse.. simon baker comes with a more electro techhouse infected remix

ultracool futuristic breakish electro with vocodered vocals... robo style, for fans of early anthony rother or also kraftwerk !!

saucooler deep house mit einflüssen aus disco , jazz, gospel... oder was f freunde von theo parrish, moodymann, jimpster oder early chez damier, ron trent... tipp !!

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

brill deep dubby minimal track for the early hours...

the first single on kanzleramt from their newly signed dutch artist peter horrevorts !! two harmonic and affectionately tracks for those great dancefloor feelings through the early morning dancing hours

evelyn champagne kings 1977 smash i dont know if its right gets the rework on side a check the bassline and brass section and you ll know you ve heard it somewhere else before, on side b jeffrey osbournes superb vocal delivery from 1976 gets the extended cut up courtesy of the group he was in at the time l.t.d. an original block party classic with bambatta, grandmaster flash, kool herc and all the originators of hip hop cutting up the break for the b boys back in the bronx in the late 70s early 80s

mash aka martyn henderson based in glasgow is known from releases on blue black, glasgow underground and his own tracktion and distracktion labels.. here on players paradise he delivers 3 hot tracks!! >dreech< is a crazy journey into disco space, >electrique< is a rocker in best dfa tradition and >bada bing<, an old school house track that reminds us of early todd terry productions

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

automatic is a new direction fusing electro, funk, and two-step. the first of a fresh batch of music producedin the new wagon repair studios. focus on the dancefloor. beach party - a summer track for the early morning open air festivals. inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. oh yeah, and there are big fans blowing my hair around !!dj support : anja schneider (mobilee rec.): >thx is nice and hot<, funk d void - lars sandberg, karotte, troy pierce (minus, underline)