schon der opener und titeltrack des albums »walk the earth« ist eine hymne, und gleich geht es weiter mit dem heavy »haze«, die sofort ins ohr gehende melodie von »election day« bis hin zu dem lyrischen »kingdom united«.
mit »walk the earth« spielt die band ganz oben mit. die wundervollen melodien zusammen mit der stärke und eindringlichkeit von joey tempests stimme, kombiniert mit der starken rhythm-sektion, das hervorragende gitarrenspiel von john norum geben dem album eine besondere stärke.
erscheint auf weißem 180 gramm vinyl im klappcover.

having impressed on the home grown ep, released in march of this year, london modular alliance return to hypercolour with the 5 track wolves ep. once again, a heavy arsenal of modular synths and analogue hardware were deployed in the production of these tracks, each once packing a punch and aesthetic that will appeal to many. ôbrockie detö fires out the blocks with on point electro beats and melancholic pads, whilst militant continues the theme, with dusted drums and thick washes of bass for a real futuristic funk moment. elsewhere on the ep, the disassembled arrangement of advance & proceed gives off a cold and discordant atmosphere, but remains firmly in groove and sonically tight, theres a distinct jazz flare in the mix also! tremors hits hard and heavy, giving the detroit electro cats a run for their money, whilst the ep title track, wolves is a busy and inspired slab of british idm at its very best.

die essenz des dennis brown auf einer vinyl-lp ist in limitierter auflage für kurze zeit wieder erhältlich. mit zwölf ausgesuchten hits auf einem longplayer, ist die zusammenstellung von “love & hate” ausnahmslos gelungen. hier finden sich die besten stücke des sängers, die mit den produzenten sly & robbie (taxi productions), joe gibbs, niney the observer, derrick harriott (chariot productions), tad a. dawkins (tad records) oder in eigenregie für das eigene label yvonne s special entstanden sind - auf der rückseite der lp-hülle sind die wichtigsten textzeilen abgedruckt! dennis emmanuel brown (geb. 01.02.1957 / gest. 01.07.1999) war bob marleys lieblingssänger und wurde von ihm zum “crown prince of reggae” ernannt.

fjaak teasern ihr lang erwartetes, selbstbetiteltes debütalbum mit einer gleichermaßen abwechslungsreichen wie in sich geschlossenen single an. die zwei tracks wolves und pray for berlin- deuten bereits an, was von der monkeytown-lp des berliner trios zu erwarten ist: hartes, kompromissloses dancefloor-futter auf der einen, düstere beat-magie auf der anderen.

eyetone returns with 005 which deviates away from the exploratory vibes probed in the previous release which was well received and instead shifts right back with intent for the dance floor. an ep which is very much a greek affair, featuring two deep, dubby cuts from la based greek producer maheras and a special extended techno piece by newcomer to the scene artemis soy. maheras sound spits a hybrid of sounds that range from dark techno, groovy disco and soulful house. expanding his personal style by working under new aliases with talented vocalists and collaborating in projects such as cazion and plastic love, maheras continues to explore the vast sphere of electronic music without any limits.

first pressing of 1000 numbered copies on purple & gold mixed 180 gram audiophile vinyl.
dances with wolves is the original soundtrack of the 1990 academy award and golden globe winning film dances with wolves, produced, directed, and starring kevin costner. the original score and songs were composed and conducted by john barry. barry won the 1991 academy award for best original score and the 1992 grammy award for -best instrumental composition written for a motion picture or for television.- john barrys fifth oscar-winning score is a profoundly moving body of music.

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

arts is aiming for the future of techno music, this is the debut of infektion, key to the body and mind movement. 3 perfectly crafted cuts, with the vision of the label boss emmanuel.

tim green is back and presents his 3rd release for cocoon recordings. with the two predecessors in mind these three records make a really cool trilogy as all of them are ultra deep, electronic, emotional and (again) perfectly programmed!
pressing on white vinyl.

the rattler proxy, a sonic duo from athens, greece, release their second single featuring two original songs - company of wolves and death machine - along with two remixes of the latter by antoni maiovvi and jokers of the scene.

sound monsters. after the fantastic debut on the prologue portefeuille 3 mod21 comes back with his first own 12inch and shows us his massive talent for complex deep techno journeys. the italian have produced 6 galactic sound bombs and delivers exactly what prologue speaks for. instinctive, hypnotic rhythms with multi dimensional techno beats and ambient structures. lets meet together in the dark space.

ellum audio are back for another killer release with a double sided, two track bomb which sees shall ocin take the a-side and fiberroot take the b-side. shall ocins lurking wolves hits with a thundering bass and driving force with trippy melodies and sonic fx zooming through the atmospherics with powerful impact, while fiberroots space localizer rumbles and grumbles in the lower end, building into emotive warm keys before kicking straight back into the deep groove.

ever since digitalism played boiler room at 2013s !melt festival the internet has been asking what this track might be. there have even been bootlegs made from the audio, but the version we release on vinyl was the one that lit up dancefloors from i love techno in belgium to genban in tokyo, output in new york and razzmatazz in barcelona.

even if an order of rank could be seen here, it wouldnt make the least bit of difference, not even to the lone wolf. without wasting any time following his zealous declaration of dedication to the horde with run with the pack on wolves (code is law 002), the young stuttgarter janzon is putting forth his very own ep, the primal scream. four tracks designed for the peak time – luvox, fluid access, alpha pulseand genetic defect— daringly travel along the branching paths of the traumatized psyche. the act of overcoming a primal suffering – perhaps dancing can prove to be helpful after all.

a long over-due return to the edits series. 3 fresh re-works from the stupid human crates.

after highlighting two young french talents for its first releases with madben and oniris, astropolis records now invites two french techno legends for its third release. the driver, techno aka for french rave key figure manu le malin and techno veteran electric rescue join their forces for a first 12 inch * the wolves * : a dark fang strike, fierce, beastly. the encounter of these two french techno activist couldnt have result in anything else than an explosiv termination : two raw and nagging techno tracks blending up both artist proper musical background.

vinyl only release on red coloured & subtle white marbled wax.

for the second release on his young label, code is law, moerbeck has brought together four producers who all in different ways converge on the idea of >wolves<. eomac demonstrates his exquisite sense for harmonies, sawf spirals into the convolutions of your brain with his vocal track on >system< and the newcomers janzon and hound scales slip in their take on industrial sounds. four tracks with emotional depth that create a powerful pressure on your chest that you cant evade. … the wolves are coming

in little over a 2 month campaign valentina has been so very received by radio with online press and print press too. she has crept into a couple of radio shows thus far with wolves being dropped on the phil & alice (radio 1) show already her online presence has grown from strength to strength since we launched an exclusive stream with gorilla vs bear. since that launch we have had such amazing feedback not only in the uk but europe and the row.

following on from the success of the way of the samurai 2 >code of honour< compilation, we have been persuaded by popular demand to release one more of the tracks from the compilation on vinyl. tokyo prose >raised by wolves< has proved to be the most popular selling digital track from the entire compilation so it is only fitting it gets immortalised to vinyl. >status anxiety< is a brand new track from tokyo prose that has been getting dj support across the full spectrum of dnb djs. once again proving his versatility, this release leaves the world waiting patiently for the debut tokyo prose lp in 2013. released on limited, hand stamped, multi coloured vinyl (transparent, red & black smokey marbled) in an edition of 250 only.

john heckle (undisputed king of da real scouse house and fast becoming one of the most prolific young techno producers from the uk) deviates ever so slighty from his trademark sound to paddle his little raft down the mersey and run wild with the wolves. the result is epic and mystic (and 100% organic) and opens a doorway into a mythical world of wicker men, hill figures, druids, witch covens and early 90s sunrises off the m25, when ever-e-thing seemed possible. excellent new artwork as well by godspill, who is also into naked chicks that float and stuff. a deadly combination!

nice price deal !!!

the german band the audience was founded in 2003 in nürnberg and released their first album >celluloid< on the cult independent-label hazelwood in 2007. soon after the five-piece was signed by one of the biggest german booking agencies fkp-scorpio, which sent them on tour throughout europe where they proofed to be one of germanys most incredible and exciting live acts. their current album >hearts< was recorded in a big music hall over the period of one year. the aim was to catch both energy and emotions of an authentic live-on-stage situation. the recordings document the audiences most intense, dynamic and sophisticated moments, without losing their very own feeling for catchy melodies.

für ihre songtexte, die von sexualität, drogenmissbrauch, liebe und sehnsucht handeln. ihre musik wird häufig mit der von la roux, ladytron, lily allen und kate nash verglichen.

release no. 4 on the german important corestyle label, this time presented by two major artists of the industrial core scene: unnatural selection & forsaken is dead, well known for their great releases on labels like meta4, hard kryptic records, industrial strength, six feet underground and many more! this top producers offer in total 6 slammin tracks which vary from hard techno influenced sounds to raw & dark industrial pounders. the track >waking the tyrants device< was already part of the latest symp.tom compilation (life below 20hz) and the massive track >twilight of the idols< is currently rockin the hard floors with dj support from broken rules, stormtrooper, catscan and the relic. again a terrific 12 inch, this label is getting stronger with each release!

great new release from the man behind initial cuts label. here including remixes from remain and french lady dj chloe.

zwischen arcade fire und beirut: grosse gefuehle und grossartiger folkrock im dezember 2006 gruendeten jamie, rory, dave, andy, arne, ian und gill im schottischen edinburgh eine band - broken records. ihr sound verbindet traditionellen europaeischen folk mit modernem alternative rock made in scotland. bereits die erste 7-inch-single if the news makes you sad don?t watch it erschien auf dem coolen londoner label young turks und wurde von den ueblichen verdaechtigen gefeiert - von radio 1 bis nme. letzterer erklaerte broken records zu one of the countrys most exciting new bands. das albumdebut auf 4ad entstand im monnow valley studio in wales, wurde von ian caple produziert und vereint grosse gefuehle mit grossartigem folkrock zwischen arcade fire und beirut.

invaders must die is the prodigys 5th album, and is 40 minutes of having your head battered by future nostalgia, serotonin levels twisted by feel good horrorcore and your synapses snapped by whiplash attitude. its the sound of the prodigy mixing up genres, contorting the past and rewiring the future, ram raiding through the tranquility of musics status quo like a blot on the landscape of englands dreaming.

in 2024, vredehammer, the mighty force from the deepest north returns. vredehammer explore the depths of darkness and despair, painting a chilling sonic landscape that captures the essence of true black metal.

limited edition of 500 copies on red coloured vinyl.

loser edition on transparent yellow double vinyl.

metal