limited & numbered 7 inch vinyl.

two cover versions of sunny & the sunliners classics.

previously released in 1987. lp, 180 g vinyl!

the 2017 billie eilish release back on red vinyl.

reblok aka goran paradinja

mastered & cut by andreas kauffelt , artwork by alex solman, pressed by intakt / berlin

repress in special edition smile cover.

blazin grooves from house topboys dj cream & black loops.

orson bramley founder of transparent sound returns now under his new project name empty orchestra. transparent sound will be brighing some of the finest electro techno there is this year and have a new album due for release on billy nastys electrix label, as well as multipul release with remixes coming from so of the hottest emerging talents from around the globe. this release features show cases brighton bases electronic producer alero may and maltese based 303 master acidulant.

lonesome hereo comaback after 5 years

strong acid house record!

jazzy and folksy dub disco-influenced synth-pop

upcoming french producer matthieu faubourg, who has worked extensively with guys like dj boring and black loops, is firing up this heavy 12- on -smile for a while.- stripped down house bangers all the way - from more laid-back, synth-oriended stuff over to some 90s-tingled house groover, ending up with a frantic 6 a.m. anthem on the b-side this ep is all you need to keep your floor dancing till the end of the year...

killer smile is an independent multi-genre record label, created by uk-based producer john morrow (foul play, 4 horsemen of the apocalypse, johnny halo, skeleton army) and lifelong friend and electronic music veteran darran juzyk. the first release on label killer smile comes from its founder and ex foul play member john morrow aka skeleton army. the -catchy schisms ep- features four eclectic tracks firmly rooted in leftfield territory. vague pads, swarming electronics, deep bass tones and off kilter drum tracks mark a distinct change in style from previous house based skeleton army releases. this is john back in experimental mode, not afraid to take a few risks and avoiding traditional dance floor constraints.

the second record on pen & paper contains two session victim original tunes, demonstrating the duos trademark taste for sublime sample composition.the second record on pen & paper contains two session victim original tunes, demonstrating the duos trademark taste for sublime sample composition. smile is dominated by a heavy drum set that paves the way for an assortment of smaller and bigger funk loops, eventually joined by a vibrant lofi chord. mourn sees a moody blues sample float on top of the creamiest synthpad, echoing in and out while telling its dark, old story.

smile&stayhigh is label based in bologna and founded by dj cream. pure house music for da blazers

first release of label la casa tropical, two south african nuggets. especially smile is a sought after tune by satari. the flip might even be better. tip! synth heavy south african disco boogie from the mid 80s. first issued near the end of the synth-pop era that gave boom to the local record industry, this release takes the b-sides off the mysterious groups first 2 singles recorded at johannesburgs legendary satbel and ovation studio. combining live instruments and an embrace of the electronic gear that was already standard in all studios city wide, the newly formed supergroup was able to create a unique sound at a time the word disco was starting to be associated with a different emerging movement.

smile for a while s sublabel - all that jelly comes up with another sampler containing dancefloor-oriented house music with oldschool flavour and some black magick.
frankfurt local heroes c-rock and franksen drop a percussive house bomb with some well-known samples. please don t sue!
jesse para is a youngster from kassel who s doing high-profile parties in berlin s prince charles with his luvthang crew. - that luv is his debut tune - a reminiscence of 90s jersey house. bangin stuff!

the brother s leeb are releasing their first limited, vinyl only e.p. on smile for a while. now, who are those guys? one of the bros - dj eb-clectic - helped building germany s hip hop scene during the late 1980s and 1990s in frankfurt / main, but also did some chicago house tunes with deskee and gene farris on force inc. in the 1990s, as well. this brother is a real keeper! the other bro - leander janik - is in his mid 20s and quite an avid home composer on his little roland synthie. he s a long term member of the s4aw crew, and has shared a studio with all the other guys. needless to say the brothers are hell of a dj duo, too...

finally a fresh mcde is announced! new one from long time deep house/broken producer, pablo valentino... . its been four years since label co-founder pablo valentino became a daddy, and almost as old is the idea of him releasing a record on our imprint. so what makes more sense than to dedicate this record to hugo-joão, his son? on -my son s smile- we can hear a recording of hugo-joão s laughter over a mellow, summery house track that has been a big favorite of danilo over the years. with a little help from lyon producer patchworks, who played bass on the track, valentino pulls off one of his most sophisticated productions yet.

after a short hiatus to axe on wax and his return to tieffrequent records monosoul is coming back to s4aw, too... monosoul s signature sound is still there and yet has changed a bit. more bouncing basslines, more deepness and more synth textures... on remix credits we ve got atlanta s very own byron the aquarius. 2016 was an exceptionally good year for him in the biz with releases on wild oats, sound signature, etc. in 2017 he will totally go big with his unique, deep - no frills jazzy impro style. so we re more than happy with his own chord jams making up a top notch remix. what s left to be said well like michael brody put it: nothing is more important than friendship. not money, not fame, not death. crew love is true love!

hidden project with roots in house and acid. a side from a houseband, house modern style with roots in the 60s and 70s, after a long time on promo supported by several djs finally it ends up on a wax. b side is a completely different story with 303 acid line over 909, jam and roll.

die schwarzwälder jungs von liquid phonk liefern hier mit in the end there is a smile den summer-jam 2017, eine wahre beach-hymne mit erfrischenden remixversionen von den maestros lovebirds und truccy aka rainer trüby und corrado bucci.

smile&stayhigh is label based in bologna and founded by dj cream.
pure house music for da blazers!

nice price deal !!! electro house peaktime bomb / incl mouth to mouth remix

smile for a while has recently moved to berlin and calls for jana falcon, a local, emerging house music producer . -falling (again boy)- is an intricate fusion of garage and house textures, it s a sultry, catchy tune with stunning spoken-word vocals and a bed of fuzzy beats that give it a really contemporary gloss. things then go off in another direction with the brilliantly named, -contemplation of inadequacy-. this one is crafted on another hypnotic tip, drawing the listener in with another bevy of atmospheric vocals and a bassline that s pure fire. in -petrias house- jana goes for a more upfront house sound. simmering piano keys lend this one a sun-soaked flourish, precisely the tonic for the fast-approaching summer. the release closes with a thoroughly banging remix by we play house man, dynamodyse. a tune that s thoroughly engaging and is sure to get your head in

parisian dj and producer kiddy smile embodies the lifeblood of house music past and present. his music flashes with nostalgia for those mid-80s new york basements where house music first came alive. ‘teardrops in the box’ pulses with the intoxicating energy of a ball in kiddy’s native paris, with its deep-rooted traditions but its intensely forward-focussing culture. following up on his fearsome debut ‘let a b!tch know’ on defected, kiddy smile has deployed the well-established remixing capabilities of mystic bill, a house champion from the underground schools of detroit and chicago. his ‘jersey dub’ eases back on the tempo for a syncopated strut to the garden state, while the ‘vocal mix’ is a bulkier prospect, emphasising kiddy’s growling vocal with some serious attitude bass. finally, his vinyl-exclusive ‘acid mix’ is specifically designed for getting twisted on dark, underground floors. cowbell and raw synths give ‘teardrops in the box’ unadulterated dancefloor credentials but this is more than a club record, the layers to this track run deep.

after his widely appreciated debut ep on s4aw kolja remixed cassius & pharrell williams on ed banger (yup!) and released some original stuff on suol and kakudo.

remix come courtesy of philpot honcho soulphiction.

-christos mavridis is a many of many guises. he s done an ep on - house is ok , some tech house on noir music, kindisch or get physical and right now he s preparing a tier-1 techno career...for s4aw he delivers a dancefloor-heavy house music ep showing of

ltd to 225 copies , the smile for a while crew turn to italian producer andrew soul for their latest transmission, resulting in a loud and proud record of house music histrionics tapping into an old-skool sensibility. soul enlists hard ton for vocal duties on the a side tracks, which range from the emotionally charged deep house depth charge -sweet love- to the grinding dirtiness of -take me higher-. on the b side, nico lahs gets to work on -sweet love- and turns it into an irresistibly funky shuffler with plenty of new jersey garage flavour rubbed into its bones. -your breath- then rounds the ep off with a freaky cut perfect for the after party

transmitting out of birmingham and representing the cream of the sleek tech house crop, adam shelton s one records continues to forge valuable connections with the global scene while staying true to the label s roots. shaun reeves and tuccillo have been doing their thing for long enough to know how to throw down a surefooted deep groover, and that s just what you get with -smile-. meanwhile the mole does a sterling job of working some complex percussion into the bones of the track and creating a hypnotic, understated version that will appeal to the freakier end of the floor.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

(first pressing on coloured vinyl) remastered reissue of microworlds classic debut ep on transmat.played by sven väth, ricardo villalobos, baikal, jonas kopp, ame, o phase and much more.

some more uncut diamonds by s4aw... robert nedelcu aka lecsicu from rural romania is only 26 but already a skillful and dedicated producer of oldschool-flavoured house music with a tek-edge. on top we ve got vocals by berinika van wyk a singer born in south africa. robert was inspired by guys like rick wade, mr. g, kerri chandler, and of course moodyman. his trademark are strong percussions, little harmonies every now and then and a “tracky” atmo to his tunes that sound very chicago-ish. all three original tunes are pure, vintage-style house music a little on the tech side. so this clearly is an ep for the dancefloor and for early morning sessions when the sun s coming up again... “route to 95” received a groundbreaking rework by detroit house music veteran gari romalis. with incredibly deep subbass sequencies he makes this tune a deep jam like you never heard one befor

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.

the second outcome on retrograde signifies the first release of head-honcho marlon hoffstadt on his and natureboy golds new imprint.

janis is hell of a frankfurter. born and raised that is. his bold imprint -house is ok-,being run with two friends was started 1 year before -smile for a while-, so there was surely some kind of inspiration coming from that end.

vinyl only! after solos-steps as lounge 44 on uncanny valley & film recordings mille (mille & hirsch) drop a three times deep house action on his own imprint. this release on apollo krieg comes in black unlimited wax only.

smile for a while is going into the next round. this time with some long-time friends of ours, hailing from different parts of germany

with this new four-track ep by rai scott the slowly emerging producer moves away from being the enigma that appeared on a split 12- with brad peterson that launched the inner shift imprint in 2012. and by the sounds on this ep, she s someone to be noticed. preceding her forthcoming debut on ornate, scott provides another four-track called reason to smile for inner shift music. it s the fifth release for the label this year and -we love you- certainly earns its place as the record s a1, sweet and meaningful deep house. -keep on- is a dubbed out, bassline driven tribal journey of drums and low-end rhythm completed by emotional chords that eventually takeover, while -cats and water- is on a funky, stripped-back and loopy 90s techno tip. and for some ambient fun that then turns house: -sky in the clouds- is a perfect b2. an exciting producer house communities worldwide should be talking about in the second half of this year.

killer kenny larkin release on kms from 1999. 2 choice vocal cuts on the a side and an absolutely essential kl re work of inner citys good life on the flip... tip

for the second chapter in the smile for a while story, label heads daniel and david call on a veritable host of frankfurt-based producers, with the ffm vol. 2 ep one thats very much deserving of its vinyl release.