dancefloor monster.a highly infective hook which makes you humming the record instantly after a first listen. already big ibiza support all summer by all the known big players out there includes milk & sugar dub and remix

kavinsky envisioned zenith as a sequel to nightcall, his 2010 breakthrough hit that became an integral part of the iconic drive soundtrack

mademoiselle is a typical french disco hit (cerrone, telex… ) which comes with a bonus play paul remix (gigolo records).this remix is a extended 7 min dj mix devoted to hypnosis and dance-floors worldwide. hypno love will deliver their debut album later this year

im basement des legendären westlondoner flamingo clubs gab es den weniger bekannten americana club, wo jimi hendrix 1966 erstmals in england live auftrat, paul mccartney seine spätere ehefrau linda eastman kennenlernte und mitte der 1950er jahre ein mod-allnighter mit r&b, blues, jazz, calypso und ska stattfand, dem dieser gleichnamige lp-sampler mit 16 erfrischenden tracks gewidmet ist.

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though ‘everyday wondering’ for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing ‘none shall escape the judgement,’ which was written by the singer earl zero, it became a massive hit that launched the ‘flying cymbal’ craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee’s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice ‘none shall escape.’ clarke’s satisfaction lp was recorded at harry j for lee, voiced at king tubby’s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons’ ‘riding for a fall,’ the title track adapting their rock steady hit ‘my satisfaction’ in a post-rockers style. better still is the hard-hitting ‘reality’ tune, ‘play fool, get wise,’ which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

house hit makers mother recordings are back with another tight two track package. this one comes from the label boss nhan solo, a real house talent with plenty of great singles and eps in his back catalogue, most often on his own great label.

alborosie the on a mission reggae warrior licks back the dread at the controls rod taylor classic from 1978 his majesty (produced by mikey dread) to stunning effect. the latest production of mr. alberto d ascola aka puppa albo aka alborosie showcases established hit-makers gentleman (in combination with clay), mr. vegas, alborosie, etana, christopher martin, sizzla kalonji with all new exclusive tunes, alongside young lions like dann i, yung j.r., skygrass, sandy smith and martei corley, with all great voices and excellent performances. eleven superb tunes plus alborosies instrumental riddim version makes this a standout longplay release! run the rhythm!

gatefold + innersleeve + album sticker!taken under the wing of kyambo hip hop joshua. after releasing revolution rising mixtape in with just blaze and collaborating with crystal castle on a split lp, first album is finally out on owsla (skrillex label) for the us and kitsune for the rest of the world. album written, composed and produced by heartsrevolution. mixed by chris zane(passion pit, friendly fire…) but also rock mafia hit makers (no doubt, green day…)

a new label from some of the decision makers at juno arrives in the shape of love interest, promising a release schedule that eschews genres in favour of seeking out international talent that piques their fancy. minneapolis-based nyteowl is at the helm for the first release with >love of mine<. this clear vinyl twelve inch edition sports two fine remixes from boy 8 bit and mighty mouse, which naturally take the 80s swagger of the original in differing directions. boy 8 bit calls on all his studio trickery with a remix that constantly shifts sonically before dropping into an excellent final detuned synth passage, whilst nu-disco troupe mighty mouse are on soaring form, adding some meat to that beat, whilst nyteowls vocal hitches a ride on an upwards arpeggio.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

donovan is a french parisian duo consisting of david saïd and nicolas nekmouche, formed in 2007. influenced by black music, french touch and techno as much as contemporary artists, donovan created an original sound, melodic and also very club, with tracks like >breakin, released on work it baby, a track featuring jessica rizzo released on gigolo records etc. so combining their respective influences, they obtain tracks full of energy and depth. the band hits the bulls eye and remixes requests start to pour in. among them two tracks of sebastien tellier for record makers, teenage bad girl, arnaud rebotini and several rock bands. dont pass on this one !

>it is the time ep< is the first solo release by sabbo, sought after dj and producer, one of the busiest beat-makers in israel, and one fourth of dj/producer team, soulico. sabbo describes his style as bounce-hall: a lethal combination of reggae and dancehall riddims, infused with heavy bass and a party bounce feel, informed by club, dubstep and electro.
the vocalists on this ep were recorded in jamaica by sabbo and his long time partner (on many other projects), kutiman. also featured are vocals by zulu, chicagos leading dancehall artist. sabbos tracks have received heavy support on many blogs and websites such as discobelle, mad decent and pitchfork media.
sabbo has worked with some jamaica s finest - steven marley, damien marley & turbulence, to name but a few. locally, he collaborated with some of israel most notable musicians, while producing many chart topping hits for a new breed of artists, refreshing the stale israeli airwaves with a much needed dose of b o o ta y.

infadels are back. two years on from their acclaimed debut, we are not the infadels, new album, universe in reverse is the bands youth produced crossover masterpiece. bursting with energy, huge guitar melodies and hooks in abundance, it is, in short, the definitive infadels record and potentially a huge crossover album. universe in reverse is an album packed with soon to be hits reflecting the bands heady year and a half on tour, where they were able to discover the sounds that they would grow to become a re imagining of the new infadels sound. produced by youth (verve, guns n roses), and perfected by the mixing skills of ever dependable cenzo townshend (bloc party, pigeon detectives, reverend and the makers), this is a dynamic ten tracker of lyrically insightful everyman pop.

for over a decade, defected miami mix albums have brought together the best new underground house music, championing upcoming talent and highlighting material from established artists. defected miami 2018 continues the tradition of forecasting the records that will soundtrack the miami winter music conference and go on to remain playlist fixtures for tastemaker djs throughout the summer. diving right in with the sunshine-ready beats, riton & kah-lo fake i.d., the collaborators follow-up to their grammy nominated rinse & repeat, sets the tone for the opening quarter, maintaining the high energy through to first lady sam divines joint effort with cassimm, what god has chosen. it wouldnt be a miami album without some soaring vocals, delivered by kandace springs on the latest kings of tomorrow anthem ÔfadedÕ (sandy rivera classic mix) and by the gospel-powered dames brown on sophie lloyds calling out. more direct club-focussed highlights include rapson featuring nathan thomas heat (scott diaz remix) and claptone featuring ben duffy in the night, taken from the berlin hit makers forthcoming album fantast. mella dees future hit techno disco tool provides jumping tech with a cheeky disco nod while the glorious new york-styled the people by eli escobar off his acclaimed album shout ensures that the album takes a trip through the full house spectrum. spread across two expertly constructed mixes, defected miami 2018 is an essential collection that brings the florida vibes to wherever you may be.