t.b.s. (initials of the bloody sisters) is a band based in paris and, unlike the appearances, exclusively composed by men. they&#146,re about to release their first ep >time machine ep< on the label sismic music. already supported by new scene names such as mr flash, naive new beaters, this first ep with a definite electro-funk groove will feature the track time machine already available on the compilation ever better released by emi and an exclusive remix by alyoa aka guillaume manbell a half of teenage bad girl band.

transparent purple vinyl.

dedicated to conlon nancarrow design thomas brinkmann / david hilbert how many can get a personal sound out of a fucking piano?! lee konitz.

(vinyl part 1 of 2) slum jazz punk and full moon is the return by opsb (one piece session band) in two separate singles, remixes by tokyo black star and righteous (tadashi yabe of ufo & dj quietstorm).

following the great reception of hiverned 01 here is the second installment of hiverns edit series. in the a side, tbs >invitation to love<, a highly anticipated track that is finally released after becoming a fixture in john talabots sets. based on twin peaks osts >laura palmers theme<, the track rephrases angelo badalamentis clas- sic from an acid house perspective. adding analog rhythms and a crispy bassli- ne to the ethereal chords of the original composition, this refix manages to keep the dream-like atmospheres of the song while transforming it into dancefloor- ready groove. the idea is simple, the results are magic. on the flip, marc pinol repeats appearance on the series revamping some lost australian minimal-wave track. in the vein of his previous >wheels< edit, the track conjures gloomy atmospheres and sparse rhythms with gritty synth melodies. on the top of it, the barcelonian producer adds dialogues from spanish cult art-house film >arrebato< (hence the title) multiplying the obscure ambience of the tune. once again, the release comes in a limited edition 10 inch wrapped in a handmade silk-screened sleeve. no digital and no-repress.

the track bandits series continues with legendary us house music producers diggin through the crates and adding new life, to lost forgotten disco/funk tracks, from the 1970s and 1980s us underground. the tbs this time dig that lil bit deeper to provide two more disco classics, cut up, extended and re arranged in an old skool re edit style especially for the dancefloor. first up we have the genius that is curtis mayfield with what is my woman for, taken from the 1979 album heartbeat on rso records us. the track gets the track bandits treatment turning it into a cosmic disco/boogie gem, whilst the flip sees lenny williams with please dont tempt me originally released on 12 in 1977 on abc records us. the track also appears on the album choosing you released in the same year on abc. this again gets the old skool edit treatment with the dancefloor in mind, making this another essential release by the track bandits

>a 1000 keys< is a fatal hommage to minimalism and a consequent denial of virtuosity and the idea of creative genius. paraphrasing the romantic idea of human perfection, brinkmann found a way to create sonic algorithms of tenderness and brutality, establishing dramatic expressiveness in his constructivist analytics. the result is of radical beauty.