track from *thoughts from chicago vol. three* 7 inch on eargasmic gets a rearrange by tang, & a dubbyman remix. a mid tempo goover called *slight* rounds out the ep.

lft has already made a sizable impact on his gnarly, muscular brand of weathered electro and techno, and now hes been snapped up by zement to deliver another four rowdy roundhousers. nucleon channels the best of minimal wave and gives it a deadly dose of modern acid revelry that will incite fevered responses on the floor, while wounds takes things in a spookier b-movie direction without shaking off those powerful 303 demons. the cure for my kind manifests as a kind of nightmarish electro, and hypno haniwa takes another route into machine funk for malevolent souls, with stunning results.

2018 reissue featuring defari, killah priest, smif n wessun, ill bill (la coka nostra), outerspace, c rayz walz, r.a. the rugged man, apathy, edo g, sabac red (non phixion), reef the lost cauze, main flow, el da sensei, pacewon...

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

third root is a central texas hip-hop collaborative that focuses on black and brown overlapping culture and identity. the group consists of charles peters (easy lee), marco cervantes (mexican stepgrandfather), and dj chicken george (djcg). peters is an accomplished poet and educator, cervantes is a producer and ph.d. who teaches at the university of texas at san antonio, and djcg is a world-renowned dj, musicologist, designer & jazztronica! peddler. their latest album, libertad, produced entirely by grammy award winner adrian quesada (grupo fantasma, brownout, echocentrics, spanish gold), reflects today�s current mobilization among black and brown communities in the face of debilitating cycles of police brutality, ?awed educational systems, privately owned prisons and detainment centers, corporately owned politicians, and racist judicial systems. the album delivers a mix of social justice and jam session with each song designed to raise questions, incite discussion, and promote healing and liberation. �reflection of the times� and �soul force� are the leading singles from libertad.

thomas hessler returns with his second full ep for imf, with four tracks further establishing the on-the-rise german producer s talent for sleek, agile techno. ep opener push is the record s most intense cut, brimming with a powerful intent that s barely contained by the track s dramatic surging synths. it s followed by rise, which matches its rhythmic urgency to an escalating melody that teases while it builds towards its cathartic house lights up moment. the record s b1 track, the aptly-titled reflections, is the ep s most contemplative, with an unwavering pulse underpinning a subtle rising-and-falling melody that always threatens to burst into technicolour before dipping back into darkness. finally, ep closer the hope may be optimistically named yet is conversely the track most likely to incite dancefloor panic, with a drum rhythm that bucks like a rodeo bull, to which your best course of action is to hold on tight and enjoy the rid

argument #03 is the third instalment in cage suburbia�s series of argument ep�s, as well as their first 12� vinyl release. it shows the duo of haunter records� co-founder daniele guerrini (also in heith) and matthias girardi (aka weightausend) raising the confrontation level to a new high. mixing their technoid barrage with jungle breakbeats, noise and dub techniques at various bpm speeds, they do not fail to deliver the usual amount of radical acid distortion. as with the other two �arguments�, this ep represents a heavy anti- authoritarian stance in both sound and concept. �rob the bank. kill the guards : sampling klaus maeck�s pirate cult classic �decoder�, cage suburbia openly call for cultural infection and street-wise spiritual resistance. this is punk rock for the paranoid age, insurrectional party music, intelligence research for the funnier side of destruction. as always, it�s been cut and edited from a series of improvisations on hardware samplers, drum machines and various sound sources, recorded live from a stereo output. comes with a set of stickers to incite riots in your neighbourhood.

deep dark industrial ambient. a slowly evolving soundscape with boiling buzzing sounds, resonating through the dark world.the berserk was perhaps one of the world s best fighters, which in old norse time sworn allegiance to the norse god odin. before a battle berserkers excited each other up and occurred in bearskin or wolf skin, hence the word berserk. in the beginning of the battle they performed exceptionally talented, indifferent battlers, but in close combat they fell into berserk. then they howled like wild beasts, probably to frighten the enemy and incite their comrades and themselves, and then get into rages. a berserk in battle were said not to bother about any injuries, and was therefore until the enemy, or they died.
pressing on translucent orange coloured & black splattered vinyl.

double 12 inch vinyl plus cd-copy of the full album.
following two acclaimed eps on kompakt and more than a year of meticulous preparation, the bar has been set high for marius bubat and georg conrad aka coma whose much-anticipated album debut in technicolor will see the light of day via kompakt. you will hear them answer all expectations with an ingeniously composed collection of triple a tracks constantly shifting from club to pop culture and back. spiked with brilliant guest performances from the likes of vimes, roosevelt, ada and also mits frontman edi winarni, comas debut full-length gives you an panoramic view over cologne new school revamping the citys sonic skyline. purveyors of fine cologne stomp since 2007, coma knows how to incite a crowd.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

volume 3 from eargasmics thoughts from chicago series features 2 amazing tracks on a limited 7 inch. side a sees bjaks nujazz group velophone getting an ultra deep beatdown mix of we re all the same from daryl cura. steven tang as obsolete music technology kills it with the techd out incite.

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement � he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove