spiritual peanuts sorting priorities

25th anniversary reissue of ice cube’s iconic 2nd album on double vinyl, including 3 previously unreleased tracks.

lo priority grooves volume 1 sees oh so coys first foray into the vinyl market afterconsistently releasing quality house music digitally since 2010. the label has been on the rise ever since garnering support from the likes of quentin harris, grant nelson, mark farina, mario basanov, nathan g

fear of flying regular leif provides the 4th release for fofs revitalised limited label. a supa slick slice of modern vocal house, priority sees leif up his game with supremely tight production, a killa funked up b-line and sensual vocal from new recruit donna lea. for remix duties we opted for the up & coming talents of young un ethyl along with production partner flori. they come up with an altogether different take, coaxing elements of the vocal into a bigger sounding deep house experience. finally we thought we opt for a little bit of a curve ball in the shape of daze maxim. upon hearing dazes installment in the excellent story series we knew he was someone we needed to get on board - here daze strolls into tough tech house territory with a groove slightly reminiscent of rick wade at his most dance floor

fifth studio album from kae tempest.

new album from french rapper ninho.

limited pink vinyl, 1 per customer

remastered!

propper techno tracks, if you like jeff mills techno this is soimething for you :)

alex troubetzkoy releases for the first time on his own label, with 3 personnal tracks. still picking on his jazz influences, while keeping texture and sound quality as a priority, the music we are dicovering is full of personality. denis kaznacheev joins him for the remix

“- see fee? what’s that? - just the chemical symbols for the elements carbon and iron, elijah. carbon is the basis of human life and iron of robot life. it becomes easy to speak of c/fe when you wish to express a culture that combines the best of the two on an equal but parallel basis. - see fee. do you write it with a hyphen? or how? - no, elijah. a diagonal line between the two is the accepted way. it symbolizes neither one nor the other, but a mixture of the two, without priority.” (the caves of steel, isaac asimov)

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material. from heart to techno, picotto s ninth studio album features a number of collaborations with regular partners in crime riccardo ferri and devid, who both throw in extra measures of italian flair to the mix.

slamming drum & bass sampler

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material. from heart to techno, picottos ninth studio album features a number of collaborations with regular partners in crime riccardo ferri and devid, who both throw in extra measures of italian flair to the mix

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

rock the box is a hand picked selection of grooves to shake a stick at. inkswel and benny badge asked their homies for a taste of the finest. deep soul grooves, lo fi house and 80s funk in its purest form.

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

now in its third instalment, eyepatch delves into the vaults to deliver another ram packed exclusive vinyl filled with top quality deep house grooves. four top class tunes with tracks and remixes from some of the best artists eyepatch has to offer. a must have for any vinyl junkie and your decks are gonna love it!

limited reissue of this highly sought-after and extremely heavy electro-boogie cut from serena. originally released on tiny nyc label tnt unlimited in 1983, this super-rare gem was produced by the great james terry who was also responsible for other top boogie classics of the era such as >boogieland< by ike strong and true images >keep me dancing<. the instrumental gets all the attention here with super-funky basslines, cool vocoder chorus and ultra-crisp percussion and synths but the vocal is pretty damn strong too. top priority for all boogie fans - dont miss this!

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist who is consistently changed the face of techno.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts, he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whoi&#769,,,,,,,s consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

in all of his years of being a certified veteran in the world of techno - from his beginning days in napoli in the early 90s to his celebrated status around the world today - marco carola never once lost grip on his main priority: letting the music speak for itself. throughout his leagues of vital releases and endless stream of dj dates, his focus always steered clear of sensationalized press angles, or ranking up the charts he chose to instead keep his head down and his passions high. carola retains a rare sense of integrity, despite being an artist whos consistently changed the face of techno. he shrugs it off modestly, claiming only to always try to do something new.

a lot has happened to blm since his last solo ep back in 2008, fatherhood being the main factor for his absence. thankfully the nappy changing musical magician didnt stop tinkering with his synths in that time has come back with a string of forthcoming productions that mark a real step up in quality for him. so, first up blm releases on home soil on his own fof label. garage is back keeps things silky smooth – simplicity is the key here, the percussive elements building slowly before the evocative vocal of suz brings a hypnotic sexyness to the whole affair. step to this is the logical progression from his last fof release (believe in love) with its skippy beats and uplifting stabs being a sure winner for the coming summer. mulletover promoter / dj / all around sexual dynamo geddes provides a rather splendid dub remix of garage is back on the flip. cleverly using key elements of the original to keep the flava but dipping the tempo to give it more of a groove based feel. we think its a high watermark for the man.. check it

detroit inspired bleeping techno ep. original cut brings back the accelerate synth bloop with modern pulse drums. damon wild kicks in the tight acid and xpansul makes this a big room summer hit. steve parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. counting on a long career as dj his style in a dj set goes from tech-house and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority

perspectiv records has a very distinct and specific vision : to give new producers and music makers an alternative opportunity for long-term self-expression. the sound of perspectiv is definitely electronic and atmospheric but most of all intelligent and very dancefloor orientated! the owners of perspectiv are raphaël ripperton & sam k. for our first release we are very pround to present the brilliant >connected ep< from young producer ndru a.k.a andre gansebohm. after his incredible >a pony named clipklop< on liebe*details, ndru is back with an amazing 3 track ep.

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.