original & carl cox mixes

ultimate disco weapon , classic

es ist kein geheimnis, dass montreal eine übersprudelnde disco-szene hatte, aber es gibt immer noch einige perlen, die unter dem radar liegen. sophie stanké ist eine von ihnen. die charismatische québec-litauische schauspielerin, radiomoderatorin und sängerin verkehrte mit einigen der angesagtesten disco-leute der 80er jahre und arbeitete an dem sexy boogie-song -l amour d une diva- mit keiner geringeren als geraldine hunt. damals ein skandal, wurde er zu einem lokalen disco-hit. der berühmte französische sänger daniel guichard wurde auf sie aufmerksam und nahm den song - leicht umarrangiert - in frankreich auf seinem label kuklos unter vertrag. hier ist das seltene kanadische originalarrangement, das stima wiederveröffentlicht hat, in seiner ganzen pracht.

bernd kunz war einst als a forest mighty black einer der downbeat-pioniere. diese zeiten sind längst passé. unter dem kürzel afmb veröffentlicht der mann clubmusik, auf deren stirn ganz groß hit geschrieben steht. auf den enorm erfolgreichen piano-house-mover >back up days< folgt nun mit >in my life< ein großartiger vocal-tune, der die besten momente von inner city ins gedächtnis ruft. die rückseite hat mit >the far side< einen düstereren underground-house-track zu bieten

1996 classic!!

next slammin techno bombs.. the a-side comes in collaboration with dj geraldine

on the 20th bound, henry cullen aka dave the drummer is back after his succesful bound 02. this time he teams up with dj geraldine, delivering two pumping and driving peak time tools..

a double vinyl collection of great songs from french female artists.

veryone loves -why can t we live together- by timmy thomas: how could one resist such a strong music vibe coming with a message more relevant today than ever! it has been covered by the most creative artists more than a few times… recorded in paris and kingston, the soul sugar crew & leonardo carmichael make it their own with a sultry reggae groove. jahno on drums and syndrums, thomas naim on guitar, and guillaume -gee- metenier on keyboards and production duties, are delivering the classic hit in all its majesty, in the superior categories of both extended discomix, and dub version under the spell of dubmaster extraordinaire dennis bovell! what to say about the breathtaking interpretation of leonardo carmichael? growing up in jamaica, leonardo learnt many a song from his father glendon joseph mcfarlane, who would sing to his mother geraldine, who sang in a choir. leonardo grew up as a drummer and a singer in churches. through a mutual friend, he met nastassja hammond, daughter of beres hammond, with whom he started writing and releasing music for various artists including courtney john and kreesha turner. leonardo has a wide appreciation for diverse genres but keep an international reggae and dancehall feel at the core of his music. it can be said leonardo has faith & soul to the bone

afmb - a forest mighty black , with a slamming deep 3x12 inch vinyl, including cd (in a cardboard sleeve).

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

fresh from his epic and celebratory focus on album, daniel dexter returns to poker flat with a bang. this release pulls together some blistering remixes of tracks that originally appeared on focus on - supplied by some of the hottest producers from the underground.

daniel dexters reputation as party starter extraordinaire keeps on growing a result of his punishing touring schedule and consistently exceptional output of some of europes top electronic labels.

electro rapide is a collection of rare and unreleased archive material from the studio archives of legendary french orchestral pop composer jean-claude vannier. taken from the period before and during his revered creative relationship with serge gainsbourg (reaching their halcyon with 1971s histoire de melody nelson) these tracks reveal a rare glimpse of vannier’s self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of frances most in demand arrangers and composers of the post mai-68 generation...

after the huge success of h track1, containing one of the edits of the year - punkin machines i need you tonight, h track return with number 2! vol. 2 sees pure energys love game put through the mixer, tidying up the original and giving that classic bassline more oomph. on the flipside theres an extended re edit of geraldine hunts seminal worldwide hit cant fake the feeling and finally a nod back across the atlantic with a superb take on fun boy threes our lips are sealed

top-disco/boogie-compilation mit zwšlf raren extended versions, kompiliert von lotus disco, der neuen dj-sensation aus vietnam, die 2015 beim horse meat disco event im uk ihr europŠisches debŸt gab. intro und outro sind exclusives von suzy q, einer band aus dem lotus disco-umfeld. dazwischen finden wir disco/boogie-perlen von u.a. geraldine hunt, dee dee sharp, grace jones, shawne jackson und claudia barry in raren mixen, die teilweise erstmals auf cd erscheinen.

2008 mini lp sleeve reissue of this album from serge gainsbourgs right-hand man jean-claude vannier, originally released in 1972. recorded during the same sessions as gainsbourgs highly acclaimed masterpiece melody nelson it follows in a similar avant-garde rock-opera vein. lenfant assasin des mouches (the child fly-killer) is a supernatural tale written by gainsbourg depicting the journey of the young child travelling through a nightmarish -fly kingdom-. vannier narrates the story with sparse music concrete sounds coupled with choirs, funky beats, cowbells, wah-wah guitars and ethnic strings. comparisons could be made with some of frank zappas hot rats material and alain goraguers creepy le planet sauvge.