producer, vocalist and multi-instrumentalist dead seal aka derrick boyd has been on the scene for a number of years, releasing a debut album on maverick west coast label auralism and building a reputation for his energetic live performances. but it seems that his time in the international spotlight is about to arrive with some of the coolest labels around flocking to him for remixes and productions: boyd has recently been drafted in by damian lazarus for remix duties on crosstown rebels, is set to record a full length album for jonny art department whites no19 music label and has been snapped up by kings of canada, my favorite robot for this superb new single. more quality from the team at my favorite robot records and a single from an artist who we are certain to be hearing a lot more of in the months to come!

drain is build around a thick skankin, percussive riddim joined by a phletora of exotic chirping sounds, haunting chorus bits and dirty laughter resulting in a mystic, slightly scary atmosphere: a true voodoo funker. flip over for a deeper ride with hypnotizing cut-up vocals and thick chords that will push you along up to the grand finale were the beat picks up and intensifies. comatizing dope on wax for ya dj box

high roller records, reissue 2024, 180g black vinyl, ltd 500, lyric sheet, poster, specially mastered for vinyl by patrick w. engel/ temple of disharmony, 100% original sound, no remaster!

deluxe edition pressed on triple vinyl housed in a wide spine jacket with full color picture sleeves., ltd to 1000

1lp 140g marble black/white, lp sleeve, printed inner, sticker

the schnitzelbeat goes on!

first full length album - fate worlds

metal hammer

volbeat return home and make history as the 1st danish band to sell out telia parken and deliver the biggest danish rock show ever! the 180 gram triple vinyl is housed in a gatefold sleeve with booklet and download code inlcuded.

jackson & his computerband entstand im dunstkreis der letzten disco-funken der french-house-bewegung, aus dem auch daft punk und phoenix entsprangen. jackson zerlegte den filter-house seiner vorgänger und vermischte orchestralen bombast, techno und gothic-hiphop zu einer eigenwilligen mixtur, die einen hauch von post-millennium-barock in den rave zurückbrachte. doch im gegensatz zu daft punk und phoenix verschwand jackson danach in der versenkung, um nun endlich - als neuberliner - den langerwarteten nachfolger abzuliefern. *glow* ist ein lustspiel aus musikalischen obsessionen und furiosem vergnügen, das nur jemand erzeugen kann, der mit hardcore-techno sozialisiert wurde, aber im laufe seiner entwicklung zeitlosen pop und den unklassifizierbaren funk eines prince lieben lernte.

jackson & his computerband entstand im dunstkreis der letzten disco-funken der french-house-bewegung, aus dem auch daft punk und phoenix entsprangen