northern electronics back with beautiful new release

scuderia is back with a killer compilation: techno bulldozer. 4 brand new tracks that prove labels devastating attitude devoted to straight raving techno.

for 100% pures 74th release we welcome emmanuel.
with his coffee shop ep 100% pure gaining heavy play from the dj likes of ramon tapia, dubfire, karotte, richie hawtin, deetron, riva starr ... we are happy he is come back in full force with 2 more quality tunes:
octopus: this juicy groove is packed with big room vocals and suction cup snippets that will suck you into an ocean of clubbers with its techhouse tentacles.
bulldozer: just like the machine, this heavy power tool cuts through the crap and makes you want to dance hard and heavy. so … come on!

excellent second release on remain.. further support comes from the advent & wehbba

already played by: steve bug, karotte, argy, djulz, marc romboy, mathias schaffhäuser (#1!), wighnomy brothers, martin eyerer,…

with *my love is a bulldozer*, venetian snares first new album since 2010s *my so-called life*, aaron funk surprises yet again, drawing on new ideas and on moods that have only been touched upon in his previous work. the album seems to have a flowing sense of narrative, something akin to an opera, and unusually aaron sings songs on it, which reinforces the sense of an emotional journey. sonically he meshes together sometimes thunderous yet complex drum programming with delicate musical structures, creating, in places, a sense of haunted, atmospheric jazziness, as well as spiky autumnal strings recalling the gothic orchestral beauty of his previous work.

good vibes longplayer from berlins tropical bass pioneer

limitededition of 3000 numbered copies on coloured vinyl, housed in a pop-up gatefold sleeve.

deecoy .. directly from chicago!

the seminal iggy pop album from 1982 remastered and reissued on 180 gram vinyl.

the seminal 1982 iggy pop album is back - remastered and pressed on limited orange coloured vinyl.

• sixth and final part in a series of first-time vinyl editions of early rse material
• originally released on tape in 2012 in a run of 16 copies
• remastered by paul corley, cut at d&m, berlin
• 500 copies
• riyl coil, demdike stare, prurient, brian eno / jon hassell’s fourth world...

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

elektronische tanzmusik aus afrika, gekoppelt mit bass-musik der nördlichen hemisphäre.

brutalist techno beat-down from the heart of the canary islands, gilmer galibard finally comes through with a massive techno four-tracker for the lt black label series. showcasing a rugged production style, gg manages to simultaneously sound like a palm tree-crushing bulldozer whilst keeping the rhythms and grooves undulating under booted foot.

cromie s bubbling, spacious house sound first drew critical acclaim last year on the sold out 12- vines / pyrex (peach001), a collaboration with fellow la producer sage caswell. now, peach is thrilled to present cromies solo debut ep inner knows, a revved up set of idiosyncratic dancefloor weapons. how to stop a bulldozer, a rotating helix of synth stabs, warped vocals and low-end torque warrants it s epic title. elsewhere, flan functions like a potent concentrate of 22nd century funk. inner knows kicks off side b with a swirling late night house jam that flirts with the deeper corners of the genre. another fixture in la s electronic scene, suzanne kraft (running back, esp institute, pharoahs) closes out the record with a cubist reading of flan. on his solo debut, cromie s creative depth and attention to detail belies his freshness to the game. regular sets at las club called rhonda and various underground happenings in the sprawling southland have taught him some valuable lessons. if he can deliver this many distinct sounds on a single record, we cant wait to hear what’s next.

the a side contains the cut of n.phect called cascade. you can instantly hear that its light years ahead of the competition. like a bulldozer itll come at you only to change into hoover mode and fly over year head like your in the year 3060.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

vol.2 with remixes from robag wruhme, reboot, martinez !! hailing from berlin norman weber and marco resmann released an album in autumn 2009 that can be easily called a success. this is why there were no problems at all to find an illustrious circle of remixers. jena-based robag wruhme already contributed one remix to matthias tanzmanns >bulldozer< in 2006. the old partnership was now revived and robag wruhme was asked for a reinterpretation of another moon harbour track. his version of >mr. jack< captivates you with its mix of funk and darkness and has an overwhelming effect on the dance floor

with evil concussion mutekki welcomes yet another rising star on the techno horizon. his mutekki debut single >tak tak< is a bulldozer of a track! a massive drumming, an accelerating bass line and tricky little breaks get combined with a piano hook, which will immediately make you raise your hands into the air. sounds cheesy, but if you dont believe us, just check and try! ziel100, known for his remix works for the likes of the horrorist and gloria gaynor as well as for his label zielscheiben, strips down the groove to its basic elements and turns his version of “tak tak” into a real freak show.

two of the hottest producers around did some fierce remix work: mister >love dose< argy of pokerflat fame and matthias >bulldozer< tanzmann, head of moon harbour and dj all around! argy delivers two superb mixes: the >horserider mix< is very close to his pokerflat material and works with different layers, whereas the >morris audio mix< is a more stripped down pumpin club tool! matthias tanzmann turns >apply to peopley< into a real minimal monster

atlantic a.k.a. king unique, are two guys called matt who make rough-edged dirty house music, matthew roberts and matt >watkins< thomas, a pair of studio junkies with a taste for bulldozer beats and sick synthesizers. dj support from – pete tong, tall pall, hernan cattaneo

nice price deal !!! gerade noch am futtertöpfchen bzw. bulldozer, jetzt schon wieder am remixen. frank martiniq (boxer) & pan/ton geben gas

good price for good music! da allerorts die begeisterung Ÿber die kauzig-effektiven, elektronischen orgien in remixform nicht abriss, ist es nur gerecht, ein zweites mal eine werkschau auf einer cd zu prŠsentieren. mit den remixen fŸr: depeche mode, underworld, ellen alien, ršyksop, fsol, ...