electronic album

including remixes by mind enterprises, brothers in lows and flavia lazzarini.

fresh newcomer minds&machines on solomuns label

pressed on limited clear vinyl.

hot on the heels of the storming >from london with love ep on ellen alleins bpitch, mark broom turns his attention closer to home with king of the snakes tenth release >silenced< thats already been rocking the boxes of select djs across the globe..

gatefold 2lp-set

gold vinyl / gatefold

2022 repress - invisible city returns with the hotly anticipated reissue of amajovi jovi by durban’s o.g. kwaito giant, sandy b. originally self-released on cassette and a white label 12”, rumour has it sandy had to remake the tracks from memory because even he couldn’t find a copy. . in its original post-apartheid context, amajovi jovi was a sign of youthful subversiveness, rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. while the pantsulla hustler nods to house legends like jamie principle and pal joey, its hip hop breaks and interludes show a clear affection for snoop dogg’s doggystyle. at its slowed down tempo however, this low-fi kwaito masterpiece turns away from its american influence and looks towards baldelli and his cosmos. best of all are sandy’s vocals— deep, melodic zulu rap, sung flippantly—the way that only a true gangster could. it now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the south african townships. a huge fave of jamie tiller, tako and ice, we are proud to present a limited vinyl and cassette reissue from one of the godfathers of kwaito. remastered and restored from the original cassette tape. designed by zeitype.

the best of keane available on vinyl for the first time. pressed on 180 gram double vinyl, housed in a gatefold sleeve.

third album from lisbon duo camila fuchs on limited sunshine yellow vinyl.

limited edition of 1000 copies on white vinyl.

the original video game soundtrack from “blood & truth” on limited translucent double vinyl, 1x clear & 1x pink coloured.

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

how many people would have believed such a thing could work? would diva-like vocal grace and cool, calculated club sound efficiency not react like matter and anti-matter upon contact with one another? yet perhaps this is where the secret of her distant charm lies, the glamorously crafted cool, the vague elusiveness of aérea negrot. last year the venezuelan vocal wonder silenced any doubters with her first single >all i wanna do<, creating a new platform for her boundless range of musical expression alongside her career singing with hercules & love affair. now her second 12 inch is coming out on bpitch - just in time to set the tone for her coming solo album. the berlin sound wizard tobias freund is on hand once more to produce and mix ìright body, wrong timeî. he has commanded the mixing desk for a whole host of artists and labels from minus to warner over the last twenty years or so and made himself a regular fixture in the bpitch sound cosmos with his production work for ellen allien, dance disorder, heartthrob and indeed aérea negrot

phat old schooling looped techno banger by jay denham, defenders of the ghetto, vice, roberto q ingram, wj henze/toni rios, bios, dirk jones, flatner/ingram project

hot on the heels of their brilliant album, silenced, released in september, the black dog have collected two tracks from it, asked vince watson and carl taylor to remix 4 3s 555 and the stele of revealing respectively while they reshaped d.o.g. style, which featured on the band’s recent trojan horus ep. dj support -terry mitchell, trevor rockliffe, vince watson, tomaz

a pinnacle of achievement within electronica. taken from the forthcoming album 'silenced' 'remote viewing'. it delivers northern electronic soul climax. remote viewing demonstrates that 'the black dog' genius for combining great artistry with listen-ability that remains intact

here is a teaser for the forthcoming 'silenced' album, due in september. while the original version of 'trojan horus' is announced as the stand out track of the album, this 2 part version shows the dog in rather dark and oppressive mood.. dj support – rob da bank, paul thomas, tomaz, mixmaster morris

as the next curator of dj-kicks, elkka is voyaging through rave euphoria with an intoxicating journey through chicago house and disco, leftfield techno, uk bass and electro-punk,

tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.