debut release on the new kaleidoscope jazz chair reissues label. first release contains some beautiful and well crafted dubbed out techno by kit clayton with his 1998 deadlock tune originally released as the b2 on the 4-track unreliable networks ep (on silent servant s label cytrax ), it slipped under many a record buyer s radar. nearly 20 years later, now that electronic musical tastes have matured and expanded, the time seemed right to re-present, this lush, atmospheric, percussive work out to the heads, deservedly pressed on a full side of 12- vinyl. pussy clap was originally released on the remote label, set up by charles webster, and featured house music predominantly written by charles and neil tolliday, better known as nail. jorge felucca was the alias that neil used when creating the more dubbed out, techy tracks for the label. sounding somewhat like a deep house take on maurizio, pussy clap was also released in 98, but had since fallen into obscurity, and the time had come for it to be rejuvenated and polished with an amazing remaster by pole for the modern ear that is a dramatic improvement on the original

rawax proudly welcomes kit clayton the the family! were happy to represent you his epic album nek sanalet! more to come!

san francisco electronic/techno pioneer kit clayton as the first in a series of new electronica releases under the banner microsolutions for mega problems. kit clayton has been releasing music on labels such as mille plateaux, seventh city, plug research for the last few years as well as his own orthlorng musork label. he is the producer of the current left-field hip-hop faves gold chains which is also released on his label in the us. kit clayton is at the front of a movement of lap-top electronic artists such as herbert, bola, sutekh, pole etc. these two tracks are firmly in the electronic dance field and have been specially recorded for soul jazz records.

funky minimal from 1999.. one of the more dancfloor friendly releases by kit clayton

remixes by dan curtin & 2000 and one !!

mit kit clayton & sutekh, teilen sich zwei geniale soundtüftler eine platte. wem es bei aller dancefloortauglichkeit immer noch zu krumm ist, der wird mit den jorge savoretti und dem dilo mix bestens bedient !!

zuckerbrot & peitsche ! kit clayton schmeisst sich einmal wagemutig ins angeknarzte geschehen um beim zweiten track den dubbig verkifften nerd raushängen zu lassen. zweimal anders, zweimal sehr gut

neues label von safety scissors mit kaputtem funk aus san frisco.

the squirrels are back. their second platter comes courtesy of kit n c.l.a.w.s. (say it out loud), the cheekily-named collaborative project from squirrels on film co-founder brian hock and veteran san francisco producer kit clayton, and just like the label s first record, it s a woozy, wobbly trip designed for dancefloors drifting between dimensions. savvy techno heads will recognize kit clayton s name from his decades of experience at the avant-garde of electronic music. in the late 90s, he and partners tang tran and juan mendez (now better known as silent servant) launched cytrax, a groundbreaking minimal techno label that paved the way for the clicks n cuts sound of the early aughts. his debut album — nek sanalet, first released in 1999 on stefan betke s seminal label ~scape and reissued in 2015 — remains one of dub techno s most enduring documents. meanwhile, brian hock moonlights as the drummer for deranged bay area post-punk outfit bronze while recording murky electro-techno excursions as c.l.a.w.s.

mit der neupressung von -loop-finding-jazz-records- als doppel-lp (inlusive downloadcode) ist 16 jahre nach der erstveröffentlichung ein meilenstein deutscher minimalelektronik wieder verfügbar. das stilprägende album erschien 2001 auf dem wunderbaren berliner label scape, wo es zwischen den knister-, hall- und frickel-klängen eines pole, kit claytons und burnt friedmans hineinpasste, wie die faust aufs auge. mit jazz hatte das ganze natürlich nichts am hut, vielmehr mit clicks & cuts und glitschenden microsounds, die seinerzeit hoch im kurs standen. das szenemagazin -groove- nahm -loop-finding-jazz-records- 2013 in die liste der besten 50 elektronischen alben auf. kollege tobias thomas von kompakt schrieb in seiner laudatio: -seine clicks und cuts waren wie funkelnde fragmente, die man aus einem großen diamanten herausgelöst hatte. umhüllt von digitalem sternenstaub, dabei nie kalt, sondern geschmeidig und feinstofflich dahingroovend, bewegten sich seine tracks wie ein amalgam von ambient, freier elektronika und sehr tiefer, sehr reduzierter house music.- die neuauflage von -loop-finding-jazz-records- enthält die beiden bonustracks -moiré (guitar & horns)- und -poren-, die ursprünglich b-seiten-stücke der 2000 ebenfalls bei scape erschienen -tendency ep- waren

* superb analogue improvisation by tujurikkuja (kit clayton / chris dixon) backed with a rrose version
* first 500 copies on white vinyl
* printed disco bag

soul jazz records subsiduary electronic label microsolutions to megaproblems celebrates two years of releases with this new album. microsolutions to megaproblems brings together many of the finest experimental electronic artists working in their respective fields today – whether it be electronica, avant hip-hop, twisted disco, deep jazz and more. this album features tracks from all the earlier 12 inch releases plus unique exclusives for this album. established electronic-pioneers such as kit clayton, kid 606 and sutekh are present alongside west-coast left-field hip-hop/beat-heads daedelus and ammon contact. from the uk, underground remixer to the stars radio slave, a/k/a rekid (kylie minogue, paul macartney!), tech-disco artist secondo (with a unique to this album acid mix), a.greenman are featured alongside exclusive new music from tim exile.

winning signal is bells sixth release. managing to mix up acid, disco, electro and funk the group continues to gain fans that include andrew weatherall, gilles peterson, trevor jackson and more. >winning signal< is classic electrofunk style, >mode 3 sounds like kraftwerk via detroit. all in all, a quality electro release! following on from soul jazzs recent electronic releases from the likes of sutekh and kit clayton, this is more new electronic dance music on soul jazz records.

yo la tengo have worked with a huge variety of artists from different genres over the years. in 1997 they released the >autumn sweaters remix< ep, featuring remixes from tortoise, kevin shields and ?-ziq. in 1999, they released the >danelectro remixes<, with remixes by kit clayton and nobekazu takemura. during the early 2000s, the band performed with members of legendary free jazz combo other dimensions in music as well as members of the sun ra arkestra. in 2010, the band presents an ep of remixes of >here to fall<, the lead track from last years >popular songs<, by de la soul, rjd2 and pete rock.

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

als pigeon fink haben die west coast electronic veteranen sutekh & kit clayton uns eine durchgeknallte version ihres futuristischen tech-funks vor die tür gestellt. robotermusik mit tollen dave aju mix

3 x lp with finest soundscapes, clicks and cuts by reinhard voigt, dettinger, skist, jake mandell, farben, alva noto and many more. for fans of earlier kompakt releases

all original tracks written by sutekh and twerk classic 2000 double 12 compilation with cool reconstructions by kit clayton, stewart walker mick harris and many more

interessante pärchenbildung für mehr spass am experiment. klunder vs. wang inc, murcof vs. twerk, ben nevile vs. safety scissors & wang inc vs. kit clayton

6 fach lp mit von sven väth ausgewählten und teilweise unveröffentlichten tracks ..>> mix1: kit clayton > sutekh > dacz maxim > pantytec, mix2: steve bug > glove > justin berkovi > dj rush , mix2: sikora > gaetano parisio > stewart walker > richard bartz

total verspulter knuspertechno. sutekh, murcof, kit clayton, twerk & portable remixen sich in den wahnsinn

bpitch control / in recording moderats self-titled album, the three men began by renting studio space at the legendary berlin hansa studios (where bowie recorded heroes) in order to record the album in analog with the help of the studios vintage tube technology and an old emi console from 1972, restored especially for moderat. american software designer, joshua kit clayton, was hired to program a superb reverb algorithm specifically for the recording process of this album