next cadenza masterpiece by reboot! beginning his relationship with cadenza back in 2008, german production wizard reboot has since frequented the label, his solid tech house soundscapes and innate ability to keep his musical structure moving forward being catalyst to his reputable name. following the incredible shunyata album on cadenza in 2010, reboot is back on the imprint with the beautiful parasite ep, including two remixes from robert dietz and cesar merveille.

having been wowed by tinis dissonant debut,label chief marc antona returns with his first new work since the november release of his fantastic long-player,rules of madness.a brand new double-header from the frenchman is lead by in flagrante. joining forces with aber costa, the pair present yet another joyful example of marcs innate ability to harness the most exotic of grooves whilst showering us with a dizzying array of sounds and samples.its nordic conversation is wrapped in beautiful organic percussion,as handclaps and rubbery basslines ripple throughout before ghostly chains ring out the closing beats.ipso facto on the flip is a pure example of stripped back house.beats, hats and an elasticated filtered riff open the show before the snare rolls usher in from the depths a throbbing wave of bass.

more vinyl remixes from psychemagik with the long awaited official > dancehall days< remix sanctioned by jack hues from wang chung himself. jack liked psychemagiks re-edit of dance hall days so much he contacted the duo and offered them the parts for an official remix. the result is a monster dancefloor friendly beast that is true to the original edit but with some extra magik! limited edition white vinyl release limited to only 500 copies, dont sleep! psychemagik stand out from the crowd with high production values and innate musicality. i usually find remixes tedious, but this takes you on some off-world journey – very cool. jack hues (wang chung)

the name dachshund is one immediately associated with experimantation, an innate feeling for ryhthm and good dose of tongue and cheek. the swiss dj, producer and label founder can scarcely hide his musical roots in reggae. the sunshine feeling from those days still shines through in his current productions and gives them a touch of dub. his latest ep for highgrade records is no different. this leads to the first track >extensive talk< with its reduced beginning sounding something like a false start. gloomy voices implore us to >come, sit down, forever<.this delusion establishes itself in a musical theatre, while simultaneously becomming more pressing as the track winds its way into the legs – moving inexorably towards the second groovy track, >asymmentric love<, with its sprinkle of varied and original sound ideas. the final offering, >octogone< goes even further and weaves original loops and straight edged percussion into a compelling carpet of sound.

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

like two sides of the same coin, paris and los angeles share a certain savoir faire – an enthusiasm for creativity and the arts plus an innate sense of hedonistic fun. to that list you can now add another, as currently both cities are home to some of the most exciting young labels, parties and musical talent in dance music. collectives that are defining the future sound of underground music, not just in their respective cities, but across the globe

seuil makes a storming entrance into the offbeat world of supplement facts with his >ultravision< ep. his immaculate track record for house music that pierces the soul with its energy and drama remaining firmly in tact with yet another dream collaboration with dop vocalist jaw. parisian seuil has fast become a pillar of the deep house and techno community. the innate organic quality that courses through his productions is allied with an ever-evolving style, always rich in substance, drive and atmosphere. >ultravision< is no exception. the mesmeric progression of liquefied bleeps, deep chords, and truncated rhythms is heightened by the poignant, husky drawl of jaw that bleeds through this enveloping track. the >dub mix< allows the bubbling percussive energy to shine through in a dubbed out, darkly populated soundscape. on the flip >in the moon< is a moody tech masterpiece of floating grooves and creepy fx. breathy vocal snippets intercept with notions of mortality as seuil traverses rusty sonic terrains and upholds his ability to feed both the soul and the feet. even when stripped back to its barest bones >in the moon< captivates with a driving energy punctuated by crisply formulated drums and a sparse bass line bounce...

with a number of tracks already under his belt in 2011, including a remix of vector lovers on soma records, andreas returns to ideal audio with his latest work, >tenses<. the title track is a combination of bubbling synths and abrasive strings, yet these are kept at bay by the tracks innate underlying deepness. on the remix, another ideal artist - sebrok - keeps thing deep. his relentless beats are consistant throughout as he builds a frantic synth to its peak, before falling away into those beats once again.

one sided limited edition single featuring cascading afro-latin vibes of badagry beach, the unquenchable fire of bens innate musicality surges to the fore on this cut.

with this new ep tom clark makes an impressive return to the highgrade release program. following a collaboration with marcus schatz and most recently with benno blome, he now comes back as a solo artist. after only a few beats, you’ll be sure to recognise his signature sound. tom needs surprisingly few elements to build a unique atmosphere and his matchless grooves. on the title track “scorpio“ we find a deep, rolling bassline and a slightly orientally influenced vocal, combined with the typically unique clarkish synth leads, and we’re ready to go. it’s a track that continually keeps the excitement moving while never letting the cat out of the bag, and more than deserves the a-side. then we come to “albino“, also featuring sparkling synths and rolling drums that create an impression of fluidity and an unhurried beginnings, but we also end up in a waterfall… who would have known!? in conclusion comes “sand flea“, as lively as a box of fleas, but not nearly as aggrivating! mister clark is again at his best, with a love for detail, an innate sence for strange sounds and an a significant quantity of leisurely energy, this tune also really hits the mark. this is not the work of a newbie who produces an aggressive sound to prove his talents. the result is the feature of this ep: seldom has an understatement sounded so fresh. + digital-only bonus track “12 notes“!

keezako records is proud to present his third release, machine divine ep, composed by hypnobot. two tracks made for the dancefloor offering a fresh and mind blowing approach of electronic music. hypnobot presents his last two productions. he is active on the underground techno field since 15 years but also in the contemporary classic music arcanes. his productions have a unique taste mixing electro-acoustic approach and techno efficiency. hypnobots music describes the fall of an effete world with violence, melancholy, and an innate dance floor sense!! already supported by dj skurge (underground resistance / detroit) and nomadico

massive new collaboration between john graham aka quivver and rowan blades here a wonderful melodic and atmospheric progger that leaves no wishes left flip over for a innate remix not to be missed

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

with the release of fourth album crown posada, smoove & turrell cement their position as one of the uks most exceptional soul acts with their innate ability to deliver hard times social commentary in a dancefloor friendly medium. proudly working class as a band this album celebrates love, life, politics and the lows and the highs of growing up and raising families in the north east of england. gritty and powerful, the band make no attempt to sound or look like anyone else not for them the sharp suits and trumpet twirls of some of their peers. instead you get a wildly talented and vital crew of larger than life geordie lads taking their rightful place on the international soul scene having already become figureheads within the uk.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

>patio de juegos<, which translates as >playground<, is a wonderful multi-genre journey through the mind of an artist who is both on top of his game, and on the rise towards the stars. lashings of his ever-present south american heritage infuse with incredibly intricate and perfectly simple house structures that give the whole album its almost >child at play< ethos that is rarely found in electronic music. future club hits such as >wanna be<, with its nod to the historical upbeat lineage of house music, and >all the girls<, with its chugging rhythm, trickling piano loops and erotic vocals sit effortlessly alongside more experimental and jazz inspired tracks such as the explorative >still here<. another fine example is >sun<, with its deep bass line punctuated with the sun-soaked synths and summer high-hats that export listeners away to a warm utopia. guti produces a number of tracks with high profile artists from both within and outside the dj fraternity - a sign of his increasing popularity within electronica, and also his innate ability to collaborate with more mainstream artists.