after his recently, well acclaimed balearic adventures as “jane in palma”, don froth makes a welcome return to the wncl fold. he comes out fighting with the bass and bleep heavy “hr22”, nicely juxtaposed with the equally quirky but altogether more soulful sounds on “joint loose”. flip to the b side for more jump up adventures with -docs- and, by popular demand, his previously bite-sized cut “a broad range” gets extended into a full on acid squelch “widescreen mix” to close the show.

don froth follows up his debut release of foam with shakedown, a monster bass, heavy snare filled 12 inch ready to light up the dance floor.

don froths >10.000cc / holiday (dubbed out)< is phonica whites sophomore release and it couldnt be any more different to ioris stripped down dub techno. don froth initially appeared on our radar last year with >foam< û a laidback, dubby disco number that effortlessly got us all in summer mood, practically teleporting us to his native venice ca. forget about such nicetiesà >10.000cc s< is >foams< rowdy sibling. a twisted, bass-heavy stomper of a track, that takes disco, dub-step and punk-funk, spins them in blender and spits out one of the rudest basslines weÆve heard in a while. weare talking big here û even giles peterson is a fan. on the flip >holiday (dubbed out)< returns to more familiar territoryà laidback, dubby disco that instantly brings to mind >foam< without being a carbon copy. its breezy, summery and very organic in an analog sort of way. very limited vinyl pressing of 300 copies û hand stamped and numbered. special artwork by pedro carvalho de almeida

nice release from venice beach california produced by don froth who is making his debut with this record! ultra cool slow paced and super sexy disco track with phat vocoder vox and undercooled bass lines.b-side is a more thumping version. dont sleep on this one!!

inclusivefour locked grooves! long running label dont presents 2 beast tracks from minneapolis techno legend paul birken making his 5th appearance on the label. paul has been in great demand the last few years regularly touring the usa and europe with his incredible live set up. these tracks both feature his trademark heavy crunch and literally pummel any sound system theyre played on. also included are 4 rock solid locked grooves featuring beats from the tracks. this release is presented on clear 10inch vinyl and is strictly limited to 300 copies.

days of being wild releases # 004, 005, 011 & 015 all bundled up for one special price!

2 releases from days of being wild plus one from their metise sublabel for one special price:
- wild004: catalepsia - dope menace
- wild015: club bizarre - la mort du petit cheval
- met001: catalepsia &#8206,– i m not from chicago

wncl recordings enters the next phase of its release programme. having issued a neat collection of ten 10 inch singles, the label now launches a series of 4 track 12 inch eps. first up is a showcase featuring 4 new cuts by 4 of the labels cornerstone artists. l.a.s don froth comes out fighting with the hard-as-nails liftin weights, while milyoo from kentucky gets frantic on the raucous pancake. se27s own west norwood cassette library offers up what it is (mah vip), originally created for mz. hobbs radio 1 show. rounding things off from toronto, knowing looks gives us cytal fink, angular funk for all discerning discotheques. we hope you will enjoy our show.

this is a special release to us at days of being wild, firstly because it s the return of catalepsia and he s in a mighty form, secondly because we felt very privileged to have artists of the calibre of sean and don getting involved and lastly the quality of the remixes they delivered left us speechless! so dope menace is an energetic dance floor stomper, centred around a very heavy beat and is indeed quite a menacing affair. built around a hellish, relentless string riff, the track is a dramatic, cinematic, dark mid tempo house number that could induces as much fancy foot work as it would head banging. jerome bazzanella, the man behind catalepsia has been releasing techno / house records for the last 3 years on various labels and compilations (synewave, remute, métis recoordings...) he likes to keep the tempo roughly between 110/120 bpm, favouring a heavy, efficient sound, with subtle sound effects and movements, in the tradition of the records from chicago and detroit.