excellent modern house / techhouse / electro album feat matias aguayo & superpitcher... vinylversion comes including cd

somewhere up in the sky… thats the spirit, good and bad, for legends and other space-cowboys. the space for original characters like elbee bad, who did his thing back in new york in the 80ties with his early house ep on nu groove- with just a big bang and elbee was there, from the very beginning to now. by now he lives and works in berlin and yet remained a true school house pioneer that even dj hell couldnt resist to capture his talent for a retro-perspective release of his on >international deejay gigolo< & peepz like matias aguayo and his cómeme-posse recall on him.

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

pional alias miguel barros ist wohl spanien am besten gehütetes geheimnis in sachen elektronischer musik. der junge multiinstrumentalist, der auch sein eigener sänger ist, eroberte die welt aus dem stand weg mit seiner debüt-maxi. die erschien auf dem in barcelona ansässigen, von seinem freund john talabot betriebenen label hivern discs. die drei tracks der >last house on the left ep< erforschen eine house-musik, die von krautrock, moodymann, miguel aguayo, caribou oder grizzly bear beeinflusst ist. mehr als nur empfehlenswert!

having opened 2011 with the splendid debut by young and talented ana helder from rosario (argentina), comeme is back with its third release this year and is as usual a display of unpindownable style that demonstrates once again these musicians have a firm understanding of rhythms and dancing and, most of all, want to communicate to very different people and not just to a certain musical context. chilean pop is a true special ep that digs up comemes connections in santiago de chile and sees some of the most beloved artists of the label remixing a couple of bands from the current and awfully exciting underground chilean pop music scene, a real breeding ground of young music talents at the moment.

synchronize is discodeines 5th ep, a perfect disco-pop song featuring a britpop cult hero, jarvis cocker, who provided the lyrics and a perfect vocal performance that turns this song into an instant classic. this very limited release (500 blue 10inch vinyl copies) feature an unreleased extended version of singular feat. matias aguayo ! please note that this unreleased track is a vinyl exclusive and wont be available digitally. synchronize will be part ot discodeine self titled debut album, to be released early 2011 on dirty / pschent.

minimal techno which is primarily made with expensive soundsystems in mind, these tracks are about chunky rhythm, melody and colour, built to cut through under any circumstances without pandering to cliché

beginning january 18th, tiga will release a series of remix 12inches for sex o clock, overtime, gentle giant and love dont dance here anymore, songs from his 2009 album ciao! the ambitious project features some of the most respected and sought after producers in dance music.

chantals tracks are tinged with a hazy, nocturnal sadness, a touch of sexy, decadent disco glamour and a retro palette of sounds that reminds the listener of the synthesised soundtracks to john carpenters horror films. diegors & the dons (aka m. aguayo) tracks are testimonies to this fact. built simply but well, in the comeme style for maximum dancefloor power. the overall strangeness plus the syncopated melodies are distinctly latin and couldnt have come from any other label. cÓmeme is hot right now and this is definitely the best record they have done so far

supported by laurent garnier, trevor jackson, michael meyer, pilooski, tomboy, arnaud rebotini, tim sweeney, todd terje, dj mehdi, the glimmers, x-press 2…

das zweite cómeme release stellt weitere künstler des lateinamerikanischen dancelabels vor. diegors, rebolledo, matias aguayo und petro bieten eine mixtur aus verschiedenartiger dancefloormusik & rhythmischen südamerikanischen grooves. shake it

brand new mixes of 2008s anthem by mark pritchard (harmonic 313 / warp), matias aguayo (kompakt) & ikonika (hyperdub)! der track des jahres 2008, der afrika auf die landkarte des techno setzte, erf?rt den remix! dj mujavas simple wie infiziere fusion aus dubstep und bleepsounds der warp-geburtsstunde, dessen youtube-clip bereits vor dem warp-release knapp 100.000 klicks verzeichnete, bekommt von leuten wie mark pritchard (warp), matias aguayo (kompakt) und ikonika (hyperdub) ein nagelneues gewand verpasst!! von deep über dubbigem house zu rassigem dubstep !!

african roots< ist ein perkussives minimalstück das harmonisch aber druckvoll die feinheiten sichtbar macht bevor es im rodriguez jr. mix eine gehörige portion pop-appeal verabreicht bekommt, während die flipside den eindruck erweckt als würde matias aguayo mit abe duque einen saufen und danach im studio verschwinden. prost

recht düsterer, cooler housetrack der smarten pariserin mit aguayo & roccness aka broke remix

closer musik aka dirk leyers und matias aguayo mit 7 eindruecken nach der liebe ...

während matias aguayo auf superpitcher s seite noch die flöte spielt, muss er mit kollegen rossknecht auf der b-seite schon wieder ran um einen killergroove zu dressieren. starkes ding

dem duo aguayo/rossknecht macht in sachen sexyness so leicht keiner was vor. quasi das table-dance duo des techno s mit geilem remix plus der electro techhouse interpretation von gommas munk...

wie gewohnt gibt es ein farbenfrohes doppelvinyl mit ausschliesslich neuen tracks der kompakt familie: superpitcher, thomas/mayer, köhncke, koze, r. voigt, aguayo, bering

exclusive tracks and remixes by voigt & voigt, michael mayer, jürgen paape (feat. bruno), jörg burger, perel, jonathan kaspar, matias aguayo & rebolledo.

limited nice price action !!! excellent tiefschwarz dj mix !!

limited nice price action !!! bpitchs ellen allien and watergate release the mix cd of the new year, following up to sebo k and sascha funke...

>my third solo album is coming out april 1st! its a really big deal to me, as this album was finished during a difficult time of my life. i am very happy to see it coming out and to have worked with some really talented people in the creating process. even the record cover is very special to me. its designed by the marvellous trevor jackson, who you should know for his amazing artwork for lcd soundsystem, the rapture, soulwax, chromeo, mattias aguayo etc. i cant wait for you to see it and listen to it.<.

gloss drop ist ein faszinierendes, hypnotisches album, das sich jeder kategorisierung & schneller analyse entzieht. der battles-sound vereint so unterschiedliche richtungen wie hardcore, tonaler minimalismus, neo-klassik, techno & post-rock. wŠhrend dance-acts wie chemical brothers oder massive attack regelmŠ§ig gastsŠnger einladen, sind battles der erste gro§e rock-act, der dies tut. ihre gŠsteliste ist beeindruckend: der pionier des dunklen synthie-pops gary numan im muskulšsen tribal-rhythmus, der chilenische techno-minimalist matias aguayo wird auf seine stimme reduziert, kult-indierockerin kazu makino (blonde redhead) mit zŸndendem dance-punk & yamantaka eye, messianischer dreadlocks-frontmann der japan-radikalkombo boredoms, betŠtigt sich als interstellarischer mc im schamanen-chant. es sind diese ŸberschŠumenden und unerwarteten momente, die battles von allen anderen zeitgenšssischen bands unterscheiden