rockin electro house with a well known guitar hook. incl mixes by fenek human and dandi & ugo vs. alex d elia

second part of >the party< from the loose headz comes in a more technoid way !! incl martin eyerer remix

el flavoured genre crossing mix by satoshi tomiie on the a side flip for a minimal journey with ercole

bangin uk acid hardtechno !!!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

super hypnotisch und grooviger techhouse mit detroit einschlag ... schön fluffige sommer platte

sasso returns to the reedit with killer versions of the jacksons and roy ayers for the newly established edit series kat. heartbreak hotel is an almost forgotten gem that was originally released in 1980 as this place hotel, with sasso putting his brazilian influences to one side he lets the groove loose and turns this into a modern day boogie masterpiece with a sweeping string swept intro that had us hooked from the off. flip the record and you ll find another soul legend, roy ayers. we all know that we live in brooklyn baby is one of roy ayers most atmospheric and attitude packed tracks, here sasso has dubbed it out and toughened things up, ripping the original harry whitaker arrangement to pieces and leaving us with a synth led, bass heavy edit that is sure to win any dancefloor over

big room electro vocal dj mashup

minimal groovin electro flavoured tech traxx

the loose cannons return with a killer new cut entitled raw. the original mix finds the cannons dropping their trademark electro disco funk that is not that far away from superthriller. mixes come from cagedbaby who deploy a freeform five sounding mix while kissy sell out drops an almighty bass monster.

audiofly aka rekleiner & ibiza shooting star scarlett etienne schütteln ein deep pushendes versorgungstool aus dem Ärmel. wird nicht nur auf ibiza für freude sorgen.

excellent hypnotic electrohouse with cass & magan remix

parallel sound are tim lloyd and musa hove. with 15 years of dj and production experience between them, their unique blend of house, electro and breaks is a style all their own… their crisp, up front production and original sound has cemented them as a favourite for many of the worlds greatest djs, with fans like sasha, nic fanciulli, sander kleinenberg

nice techhouse two tracker with a cool harmonica flip for an acid flavoured wsl re edit

kosovo floats in with a liquid, subtly swinging beat, bubbly bassline and gentle key chords creeping in slowly: first sounding sweet but later on changing on into a beautiful yet haunting and slightly sinister melody from a grinding musical box. the intense, slightly unsettling atmosphere - as in an italian 70s horror flick - is further enhanced by the permanently nagging acidline and horn lick synth pads. for more manic dancing check orange feels: totally insane chopped up beats and f*d up string loops challenge you for some advanced electronic boogie

huge first release on this manchester based label featuring four big club tracks to rock any floor produced by redsoul aka dave wareing and craig c from the pound boys !!! tracks

pounding funky house rework of this 1977 released song check the g men dub mix this is devils funk !!! tracks

hottest king unique remixes !!

kool groovin house trax

2 x cd boxset, double-walled cd slipcase with spine, 2 x cd card wallet (uncoated stock),40 page booklet (uncoated stock), marketing sticker

produced by brian eno and fred gibson, 4th april 2020 - 23rd december 2022, mastered by kieran hebden, artwork by loose , gatefold photograph by brian eno

each box includes the cd, a t-shirt and a sticker

each box includes the cd, a t-shirt and a sticker

clamshell box , cd sized with 1.9cm depth, printed on uncoated stock. 68 page deluxe booklet , 4 x cd in printed cardboard sleeve

incl. tracks by 3 teens kill 4, alan vega, david byrne, dinosaur l, edwin birdsong, george kranz, gray, james white & the blacks, john robie, johnny dynell & new york 88, loose joints, material, peech boys, quando quango, rammellzee vs k-rob, tuxedomoon

gits album -imagination- could be described as an experimental design with roots in underground hip hop. gits musical style may be hard to pin point. his love of drums set the foundation for his sound: driving, percussion heavy productions anchored in traditional hip hop, with an experimental streak. his sound has many flavours and is not to be boxed in one label. one of the goals of this album is to fill the void that pop music has left. -imagination- will remind us that talent and emotion can still be found in music today and one not always needs a million dollar budget to make good music. if you like music that is raw, pure and speaks from the heart then you will love this project.

dj diamond is 24 year old karlis griffin from the west side of chicago. he has been producing music since the age of 13 and djing since 20, heading the -flight muzik- clique of footwork producers. you might recall his two tracks from our -bangs & works vol.1- footwork compilation of last year. in addition hes also released several mix cds in chicago, but this, his first international album showcases his unique style of footwork music. dj diamond is a unique producer with his own distinct style and an unusual ear for unexpected sonic and rhythmic combinations within the footwork template. often he thoroughly edits samples into tiny trance-inducing, techno-like stabs. combining this with a penchant for neon synths and loose, broken drums (that are often more effect-laden and freeform than those of of his peers) and you have a sound which has an intriguing, deeper, dreamlike feel. the breadth and quality of his production is clear when you listen to this album. take opener -rep yo clique-s woozy drawling synths and tribal tom patterns next to -speakerz n tonguez- with it-s snapping snares, minimal, repetitive voice samples and martial, detailed drum work. then a track like -torture rack- which is like grime in outer space: a minimal bassline and some samples from a computer game, while a bass kick stumbles at half time, swarms of percussive detail giving it drama. its a brilliant exercise in wonky tension. the extraordinary -decoded- comes across like a kind of amalgam of trance and prog rock bombast at 160bpm while -wreckageÕs- high pitch saw noise is like a strange metallic bird-call, over light cymbals, gabba-like kicks and metallic claps. -digimons- harmonic microedits could even be an snd track transported to chicago. finally the albums closer -i choose you- rolls out over a heavily edited and processed soul sample, its drums rolling off at odd angles to almost seasick effect.

compiled by legendary producer arthur baker, “breakers revenge” is a near-definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970-1984.

axis of time is the stunning debut album from philadelphia mallet percussionist and poet angelo outlaw.

reissue

hip hop 7 inch

limited blue vinyl pressing in a deluxe plastic sleeve.

series of taboo records präsentiert seine dritte veröffentlichung, eine split-ep mit zwei künstlern.

90s infused deephouse

reissue of the 1982 debut album from producer, songwriter and saxophonist james dallas. limited edition of 500 copies on 180 gram vinyl.