hannover based producer and dj sascha wallus comes here on the 7th dinner with varying string lines, cathy melody pads and a wee soundtrack atmosphere.

the red giants ep is the missing soundtrack for blade runner: a post futuristic techno 12 deeply rooted in knowledge, sound and soul. irfan brings us back to kraftwerk, planet e, transmat and kms in an intro that defies gravity.

asylum seeker + padded cell rmx blackpool refugee, cycling fiend and house music-machine magik johnson joins curfew for obviously his finest piece of music ever. imagine dj sneak, switch and jesper dahlback all kept hostage in a small room under orders to make something really good or be shot. filtered electro riffs build the pressure over a huge rumbling bass-end, then it drops into a techy hook that sounds like richie hawtin remixing a john carpenter soundtrack. paranoid and minimal as you like - and then back to the earth shattering beats & bass..

big tune who has achieved an enormous worldwide acceptance and hype as soundtrack of a citroen spot. mos in the uk! incl john dahlbeck mix plus a germany only new jürgens rmx

the a-side, >slap back< is a peak time, funk packed rave destroyer with all the right moves. shuffled grooves, doubled kick drums, slick edits and a monster hook equals a prime time bomb. tried tested and true, this cut is sure to raise the roof. >fridge funk< takes things slightly deeper on the b-side but follows suit to >slap back<. in its ability to peak and burn a dancefloor. layers of swinging percussion build up to a deep melody that breathes and filters up to the essence of funk, purely expressed in the monster bassline. to cut it short, this selection is simply massive and is sure to be part of your soundtrack to many a summer night sessions . dj support by tom clark, jeff milligan, laurent garnier

born in australia but moving to japan in 2000, luke le mans is the main organizer of the night >quop< in osaka which focused on bringing big international djs and contribute to create a scene in the roughest japanese city. after releasing his debut ep on trapez luke is back with this 2 tracker ontrenton. much more mature, his talent as a producer are undeniable and we hope that this will be the beginning of long series of old school but yet modern minimal material for trenton. >dark helmet< has dry beats and a funky bass line with a crazy chords pattern that has some sort of a b horror movie vibe… like a minimal techno version of a dario argentos soundtrack, dark helmet will bring you out-there! the second track called >lisa< is a bit more old school but still rules and the endless loopy bass ramp that just keeps on building up will make your legs feel a bit less heavy and your mouth a bit thirstier… slg is back on trenton, but for a remix this time. after is very first ep on our label we are proud to have him back. his version of >dark helmet< is just outstanding… pure slg style, it has it all: detroit, minimal, forward, groovy… if you are still sitting in a clubs corner after hearing that on the p.a…. means that you have serious issues with being able to feel the funk!!

4 smooth disco and boogie tracks in the remix, re edit versions by amplified orchestra. the title tracks is a crazy driving disco house track (kind of motorbass). the original version comes from a bollywood soundtrack. discotrippin is a great boogie track with a nice party feeling. a duck on my truck is a strange cosmic disco ish track which is really cool

deep dark disco tracks from unit black flight. slow driving and scary soundtracks that can be compared to legowelt his squadra blanco project. comes including a legowelt remix which sounds very much like a morricone soundtrack. limited edition of 500 copies

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

a heavyweight collaboration between vocalist lyric l & producer musician mark de clive lowe in the form of the future hip hop soul nugget ever (after), a soundtrack for the summer with a big crossover appeal. from west london to philly via tokyo and nigeria, lyricl is reaching the ears of the soulful masses

after his dessous debut >bona fide< in spring 2006 st. sebastian aka gamal sebastian kaba returns with a new two-tracker. on >genetics< the young talent from manchester perfectly manages to produce stripped down and dark techhouse tunes. both tracks spread a rather dark atmosphere with their vocal samples and an elaborate choice of sounds set in the right spots, but still manage to make the hips shake. the title track >genetics< convinces with a sparse but very effective build up with synthie stabs and a wafting bassline. just as well and cleverly arranged is >backwardsman< on the flipside. the mumbled vocal sample and some spooky laughter hide in the dark behind a punchy kick, a deep deep bassline and some strange chords which make this the perfect soundtrack for your techy ghost train

rmx by audion (matthew dear), fresh from mixing the third installment in the >body language< series, uk dj/producer in berlin jesse rose puts out his debut ep for get physical and he opens his account with a timeless house track. >didn t i< is a seductive, dubby piece of music with a niggling vocal sample and warm, jazzy chords. as the sun rises over scenes of decadence in the panorama bar at jesse s monthly residency there, this is the musical soundtrack that will give the weary party goers some relief. jesse goes in a more daring direction for his own >made to play< remix. it starts to the sound of an orchestra tuning up, retains the vocal sample and makes the jazzy hooks more tripped out. rose s shuffling, twitching rhythms are a welcome relief for any dj who is sick of having to stick to straight 4/4 tracks all night. on the flipside matthew dear delivers a remix of >didn t i< in his audion guise.

mexican breakbeat super hero neztic has been dubbed one to watch by a stunned breaks community. his remixes have earned him a reputation that has been surpassed by his own productions by far. his release on mob earlier this year got him on the soundtrack for a nike ad, and it looks like nothing can stop him as he uleashes his first 12 on sound of habib

>für den garten< is perfect for the peaktime on minimal dancefloors. its huge, jittery riff in addition to cleverly crafted beats and well arranged drops definitely deliver every time. >(nichts) für den garten<, on the other hand, shows the duo from a more comtemplative, spaced out side. this track is the perfect soundtrack for gliding into blissed out mornings. we are chuffed to work with this very talented outfit and are already looking forward to releasing more of their lovely tunes. played by karotte

combining sams love of house, classic techno, electro, latin and jazz influences, >twisted< is a beautiful journey through an electronic landscape littered with orchestral sweeps, delicate pads, sublime robert owens-esque vocals, dancefloor beats and heart tugging strings. featuring guest appearances from subject detroits dj bone, la based singer ovasoul 7, vocalist and guitarist justin chapman, who is also onehalf of the atlanta-based dj/production duo kemeticjust and the one and only paris the black fu from the detroit grand pubahs. deetron shows us that techno can still conjure moments of beauty whilst still keeping us on the dancefloor !!

12inch version of new miami vice soundtrack. house, r&b vocal mixes! hit

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

breaks reworking of prince – future (taken frtom the batman soundtrack) by mr potato head aka rennie pilgrem.

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

this 12inch on cache marks sebastian kramer s departure from a close-range sound that was defined by the labels he was assigned to until now, pure plastic and coda records. tracks on this 12inch cover different flavours of 4/4 beat dance music, with a strong reference to detroit techno. the single kicks off with >m-51<,a dark and deep techno monster track which could be taken as an alternate >matrix< soundtrack, followed by >blue cell<, a chord driven floorburner. on the flip the title track >sunwarriors< – a nice blend of analog shuffle and basslines, think of kms and f-com in the best sense. closing with >rain< a gem with haunting keyboard action

despite the title >never coming back< they are back! back with the >stamina< and this time here to stay! stereo 8 hail from bristol, the town once described as the >graveyard of ambition< a corner of the united kingdom oozing with so much talent but overshadowed by so much lack of motivation. finger lickin are very proud to present this aa sided anthem >never comin back< – it is the official soundtrack to the summer festivals 2006

kinder country is the theme to a summer that never happened. its warm texture and subtle funkiness provide a soundtrack for warm mornings and long lazy days subdued by a melancholic cloud that dampens the brightness. matt johns vollbart remix accentuates that mood, by stripping down the elements and locking them down over his own, unique groove..

the new tombone brings you two fierce detroitish electro banger by michael ford.reminiscent of a dark futuristic soundtrack, in >gallowgate< gnarly and sizzling cascades of synth chase each other over a choppy, skanking break-beat stewing up a more and more pressure before bursting into a full frenzy with a punchy 4/4 beat. >bellgroove< on the flip keeps it nasty with its anarchistic bombardment of dirty, raw synth noises over a hard-hitting electro groove

this promising single has already become the soundtrack of a tv commercial by a well known car brand and features an unmistakable blend of electromagnetic waves phase sounds merge perfectly with the old fashioned bass guitar played by the talented gabriele salvador and generate a unique musical contrast the track has such a power that it is easy to understand why volkswagen chose it for the launch of its fox this electro/house track will include three remix all of them feature a powerful sound that will penetrate peoples mind and turn into sheer energy

>the trip< sees wil moving away from his usual late night house gear on this percolating analog-fueled winner, with great percussion, drifting atmospheric synth lines, bubbling analog hooks, and a fuzzy analog bassline all combing for some textured late night techno. on the reverse, >the gravity soundtrack< combines a soulful vocal from wil with some very detroit-esque late night techno backdrops, with warm chords, shuffling beats, and more vibrant analog keys all playing a part..

the music by soda inc. dives deeply into the body and flushes the most intensive feelings without indirection right to the surface. soda inc. purveys with <inner vision> a 10 minute soundtrack for your emotional self-awareness..

the long awaited debut album of duplex. produced in the suburbs of rotterdam, duplex are suppliers of deep inner city techno of the highest quality. 8 timeless tracks perfect for the dance floor or as a late night soundtrack for driving through the city. people who heard previous duplex releases know their quality and their love for true techno. atmospheric tracks with several layers of sounds... deep driving bass lines, beautiful synths and smooth but dirty drum machines

dub kult aus london liefert einen originellen 'twilight zone' soundtrack ab.. spooky & kickend zugleich !!!

after the well received 'ladies and playboys ep ' warmup, phonogenic audio is ready to take things to the next level with this 3-track monster piece of wax titled 'synth ethics ep'.. 'syntine' is a true crowd pleaser with it's strong emotional bassline and on point beats, huge floor reactions guaranteed, 'clonely' is all about the energetic beats and synthesized harmonies.. taking a dash of the past and throwing in two fistfulls of future, it manages to create a perfect soundtrack for the urban nightscape.. the room shaker hammered by the likes of ivan smagghe, j.dahlbäck, mr.c, ralph lawson, jori hulkkonen. huge crowd reactions!

well deserving of the title 'symphony electrique', the song starts off subtle with a thick 'tick tock' time keeping rhythm and moody science fiction sequence which could have been a lost soundtrack session for the x-files. the broad and melodic themes here are soaring and strong, the painstaking drum programming is intricate with its deceptively 'live' sounding traps. an engaging electronic exercise that spreads out extensively like a warm blanket on a chilly night, and yet offers enough meat on the bone to urge a bump or two in sound systems and home listening headphones alike

2 superfresh dancefloor attacks on this ep entitled motorist. no wonder that the a-side monza really could the soundtrack of a stock car race! excellent slighty 80ies influenced monster basses over true huntemann drum program action! for the b-side the 2 producer buddies engaged the supernatural vocal talents of hamburgs xenia beliayeva, who runs the up-starting danced outfit! she wants to do it in your car! this ep will make you step on the breaks and on the gas at the same time already played by blackstrobe, laurent garnier, timo maas, malente, misc

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

the successfull releases of purple tracks continue with this new track that has been the 'soundtrack' of the purple music night parties @ penelope club in ibiza during the summer. play it loud: and see the reaction on the floor! amazing !!

legowelt starts his own label! venom 18 is a new 5 tracks release of the hard working danny wolfers and this is the 1st official release on strange life records. there is more in the pipeline including a chicago project by salamandos and legowelt releases. venom 18 is ranging from up tempo rocking electro disco to obscure soundtrack kind of pieces. this is great record and a must have for everybody into electro and disco!!

buster keaton's film - original soundtrack & remixes by jeff mills

the perfect summertime soundtrack with 3 superb mixes for a long hot summerday and even hotter night

andre ist wieder unterwegs mit schad privat & anderen freunden im kosmos zwischen club, jam & liebe zum detail. ein sommergeladener soundtrack zum fingerschnippen & hüftkreisen

strong raw styled funky house !! theme well known from kill bill -soundtrack!! huge dj support !!

a/w loops for excessive clubplay, b/w exciting deep soundtrack-ish music

second 12inch of the trilogy offering the roman age's soundtrack version + 3 remixes by jeff mills himself . think purpose maker, think hypnotic dancefloor stuff

part 1 of 3 !! superphat detroit tribal tech !!!

the a-side with dark chords, busy detroit style beats with occasional loose percussion sounds filled in between and a filthy electro bassline - a haunting and intense late-night soundtrack. james taylor counterattacks with swinging, bouncing, masterly chopped up beats and rhythmic voice cut-ups that will surely help develop and improve your swift footwork...

a four track slice of breaks soul and new age soundtrack spookiness. already being supported by jerry bouthier with essential record of the week in mixmag update, hitting all the quality dj charts in the top 5.

hard punches with dry, rattling beats and mean distorted torture chamber synth sounds. frankie revisites the track himself starting out with a nice shuffle before moving into some hyper-futuristic ska riddim with a quirky bizarre melody that sounds like a sped-up circus organ soundtrack to a slapstick silent movie.

phat excellent miss kitten debut album

nice price deal !!! nice price deal !!! ambitiously varied 2 track mini lp - miles of smiles is like a 4-stage soundtrack of klf meets barry adamson meets glenn branca. flip it for a trippier intro and a sonically forceful middle (a la branca) followed by a streetwise percussive ending. black dice prove yet again that no record of theirs ever sounds the same

could be a great soundtrack!!!

soundtrack