support comes from alex from tokyo (innervisions), chloe, muallem (compost), tim paris, will saul and philip sherburne (lan muzik). the belgian power-trio mugwump have gained solid support from the likes of ewan pearson, ivan smagghe and ata among others in the recent years for their floor crunching sound on labels such as eskimo, hi-phen, suicide, crosstown rebels and brique rouge. >memory lane refund< was projected for moodmusic as a proud statement. building on a solid house basement, the original is influenced by early chicago and uk house with jacking beats and excellent synth workout from the belgian maestros. their own acid retraxion remix works out some more rolling beats and an evil bassline straight from chicago ala 1987. for remix duties alexander maier (buzzin fly/criminal) turned the original upside down and injected a funky, yet melodic dose of new school house in its best form. this rocks. sasse deliveres a serious sunday afternoon rocker with same flow as his recent work with kiki & nick chacona

music, i need more music, music and more … with her previous eps >ultra glamour<, >hellraiser< and last but not least her collaboration with anthony rother on the >dont worry<-remix, xenia beliayeva, being in her mid-twenties, has established herself as an important representative for the new label sounds of datapunk. powerful and full of energy, beliayeva flirts with industrial noise but still remains full of emotion. this is also valid of course for her current single >music<, a co-production with the milan dj and producer dj remo, who until now has provided furore above all in his collaboration with singer chelonis r.jones, among other things on giant wheel and dance electric, (>black sabrina<, >empire<). >music< established a significantly pop music related side of beliayeva, certainly her most catchy datapunk release to date. on the flipside christophe dallarca aka kiko, who became a fixed component of the datapunk circle since his >tragolta<-ep, is brilliant with an energy loaded remix

circle music means continuous movement but not going round in circles, pure power yet brilliant soundscapes, various styles but one entire element - the perfect groove. circle is best suited for dance floor use as well as for driving around in the city or listening comfort somewhere on the outskirts of your hometown. the label consistently followed his vision of a musical community, a familiar environment which covers a great range of styles and approaches of producing and performing electronic music. the world of circle compilation is different to usual v.a. compilations you heard so far. its much more than a musical statement of a label giving a definition of its sound. its a personal statement of all featured artists because all tracks are presented exclusively on this compilation. incl audiofly, chaim, robert babicz, lopazz & …, v. kanzyani, alex flatner , bryan zentz , stryke & santos

just touched down on the runway and pulling straight into the music response exec s arrivals is a brand new label, imprint music. founded in early 2007 by dj and producer joshua hewitt. based in manchester, england, the label has been set up with the aim of injecting a new life into the underground house scene and to keep the house music we all know and love alive. imprints music policy is to put out the freshest house tracks ranging from the deep sounds of the undergound, to more straight up jackin music. the underlying sound will always be driven towards deep, jazzy, tracky and funky house music. imprint music is concentrating on only bringing you quality house music from both renowned and up and coming artists from around the globe.

early supported and played from josh wink (ovum/pokerflat) and marc romboy (systematic/herzblut)! nicolas stefan (mbf/polo rec.) presents 2 new tracks on his mothership karatemusik >more letters like this< and >080four<! warm and analogue sounds mixed with deep grooves, a little bit like metro area. on the flipside, herbert boese from jaktronik comes around with his remix from >more letters like this<. a great piece of detroit-influenced music with hypnotic buildups to the top!

just kick like tony rohr and len faki, beste remixlaune from daniel dexter & markus lange, reminds a bit to alter ego and blood angels from john starlight, more great remixes by stefan mallmann in techhouse style and andre dazzodeliver a mystery story. supported by technasia, chris liebing, josh wink, umek,...

salted music is happy to serve you the 3rd single from migs highly regarded new album those things. let me be features the soulful vocals of fred ross. migs has been bangin this one for sometime now with enthusiastic responses from dance floors and trainspotters all across the planet! already causing quite a stir among the few djs who have it, you are now in possession of this hot little gem. yes you are special! so now lets break it down. migs petalpusher dub turns on the heat for some deep, funky, upbeat dance floor appeal with key ingredients consisting of a warm, round, bumpin bassline, vocal snips and sax riffs floating in and out combined with smooth synth stabs and guitar licks all meshing together for an urban dance floor stompin dub! migs petalpusher vocal is in a similar vein as the dub while utilizing the full vocal and staying true to the original album version of the song. karol xvii and mb valence e dub provides sample amounts of dance floor pressure and tech appeal. a thick and techy bassline drives this electronic edged late night remix and toughens up the vibe using minimal vocal elements and leaving the main focus on the dirty groove! finally, the karol xvii and mb valence remigs utilizes similar elements as the dub while keeping more of a huge funked out sort of vibe and going for more of a main room appeal perfect for the larger club madness!

incl djuma soundsystem remix !! finest italo influenced disco techhouse by def jaguar and a more dubby djuma soundsystem remix (getphysical)

swen weber (craft music,fusion) and tronik youth electro techhouse flavoured remixes !! more peaktime rockin versions of this great original by def jaguar

kdo records is a new french label from marseille. for the first ep, they done a electro techno texture like the track pastic addict. both tracks are simple like all tracks should be in this kind of sound, ever supported by francesco farfa, jack de marseile & more

2005 classic release. includes danny howells re edit

support by joel mull, pascal feos, david duriez, mason, karotte, hernan cattaneo, wally lopez, marco v, sebastian ingrosso valentino kanzyani is in the middle of a successful development having reached everything to be desired as a global player and producer. amongst laibach and umek he is the biggest musical export of slovenia, works with labels as primevil, intec, tronic and many more, runs recycled loops and earresistible together with umek and recently remixed carl cox. pete tong chose the three-deck-wizard for his essential selection. circle music presents his new single >zvijaca<, a deep tribal and minimal monster with huge atmospheric impact on the dancefloor including a magnificent christian smith and john selway remix

the rising star from paris has already released on get physical, paradigma, and a bunch of other labels. for this epic 2 tracker he delivers us his special blend of dark, retro electronica underpinned with solid modern dancefloor beats and represents the top of underground electronic club music

an incredible full album from dinosaur l the legendary new york dancefloor project of arthur russell! the groups a punky, funky, chunky amalgam of bass thumping, guitar riffing, keyboard filling, and sax honking all very much in the spirit of russells best quirky club work of the time, but with the added sound here of a more expanded approach one that takes the tunes in a whole new territory than the more famous 12 inch singles! the tracks on the set are simply numbered 1, 2, 3, and so on and come across almost as free jamming instrumentals! totally great stuff as experimental as it is funky!

fronteras >charity< from their 2006 self titled album finally sees light on 12 inch release with a more dancefloor worthy remix from pete herberts reverso 68 guise who gives the drums a boost & adds some of his signature balearicism. 12 inch also includes bonus non album cut >brussels<

slip n slide are thrilled to release forever and even more by dj yellow, with an amazing set of remixes from dj yellow himself along with a tribal-istic david alvarado remix and a chill-out version from no other than phillip charles, who makes a welcome return from the shadows with this trippy chill-out version of the original. already receiving heavy support from mike monday, x-press 2, silicone soul, shur-i-kan, stuart patterson, murray richardson, dj pippi & jame

dj yellow has been around for many years, most of us all know the story behind his past as bob st claires studio partner. its only a small part of his history and maybe the most interesting part of alain ho tu qui aka dj yellow is the fascinating part of telling stories through his music without any compromising. with >no more enemie< he ends a personal story that we know as >alienation< a sequence of songs all based on personal stories. focus is honoured and pleased to introduce the last part of this book of songs as yellows outstanding ideas about music have been inspirational for many labels and artists over the last years. with his next project called >intermission< he will travel new roads, showcasing once again that yellow is a gifted producer that never fails to deliver

the aside features a nice driven minimal techno tune called >tummy tunes<. on the flip we have the original >elastic body< which starts very slow und build up to a deep techhouse track perfect to start a dj-set. the remix by tactik comes in a more melodic electrofied way

danny and sa manage to merge techno & minimal sounds into a perfect blend! the result is a minimal, pumping melodic track ready to knock you off you feet. on the b-side a more rave-ish track that reminds of the early days

dave dk has been buried in his studio the last couple of months fine tuning his debut album lights and colours for moodmusic. its almost ready and here we have the first single coming on strong from this talented producer. sweet yellow takes on where he left with okinawa dance on mood limited and midi rain on playhouse slow building, complex grooves keeping the floor nailed from the first moment on, building an anthem with strong synthlines and his trademark sounddesign of effects and percussion. prism is more housier in the beetz department, while building on vocal snippets and chugging keys keeping the tension on high alert. taking the best of the past and combining it with futuristic themes we are sure dave will be up for big things in the future

if zox was a sculptor, his works would be angled and polished, simple and magically effective. no sound on this record (which is called >more fluff<, which astonishes me) hangs around too long between the acrylic clear beats, the square waves are bellied and cold as vodka from an iceberg, the higher frequencies refreshingly cool as hills in the highlands, and straight lines are the dominating theme by far. this is dance music in itself. the basses live in rich bounteousness which is strictly controlled, though. why boom it when you can bang it? perfect shapes, functional beauty and a refreshing taste will rock you.

sandy wilhelm delivers 2 peaktime electrohouse tracks on the pacha black imprint

excellent release by one of the most revolutionary artists for deep house in spain, his name, jesus gonsev from cuidad real. the manchego native rounds out the tenth vinyl release of house cafe music with a definitive american sound from the early 90s. the future of this artist looks bright as he is poised to release more records on soul cafe music from south africa and gotta keep faith records. next to me, the title track of this ep brings memories of the productions of steve bug or gamat 3000 from the dessous glory days, lots of groove with simple elements which make it both mixab le and danceable. so deep, has already garnered the attention of house legends such as larry heard and ame, who have already included this track in their sessions.

the record was born too early, when house music was still very underground, so consequently it passed into house music history with only a very few discerning djs and collectors owning original us copies. in keeping with chicagos musical history, one of the unsung heros of house has been drafted in to keep the new versions feet firmly on the ground. craig loftis aka grand high priest who along with joe promised land smooth on keys! give the track a more understated could upstate from london back to chicago with 3 killa mixes

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

marc antona makes his mobilee debut with this agile, wiry three-track ep . best known until now for his records for paris >freak n chic< label marc builds on the mobilee sound you have come to expect, with well-oiled rhythms, delicate pings and sub-bass rumble that knocks your feet out from under you. >one more sugar< rides along a loose-limbed groove splashed with bright arpeggios that rain down like liquid diamonds. ragged hi-hats aflare, tension builds and breaks like a ripped flag catching crosswinds. the track stretches toward the horizon, throwing up rolling hills and gliding down them as naturally as a champion cyclist. understated funk that packs a hidden punch...

a limited edition follow up on the we bring mad drama ep (frustrated funk 001). including tracks by detroits silicon (heath brunner), glasgows marco bernardi and rotterdams frustrated figures. great techno-ish electro tracks for the frustrated and the mental weak

from night drive music comes this excellent 4-track-ep. each track has its own charm. moody dancefloor fillers, straight forward and very deep techno-house with misty sounds and feelings. on the flipside you find 2 more producers involved in this project. neurotron and klartraum

on this occasion, the gentleman of the arpeggios and wonderful melodies, ilya santana, bring us a relaxed track inspired by the progressive rock of the 70s and more space than ever with a great load of feelings and emotion. includes trademark pete herbert (eskimo recordings) remix with amazing percussions and funky bassline that kicks your stomach so that you cant let dance. excellent production. file next to steve kotey, lsb, fabricio marmarella, lindstrom & prins thomas, todd terje, nick chacona, idjut boys

hector moralez s minority music imprint is back up and running after a long absence. the re launch comes with a dirty club driven jam with killer remixes. already a proven winner with sneak, mark farina, heather, joey youngman and others.the first remix is by hector and cubase dan under their block committee guise turning out the original , with new drums and beefed up energy. flip for chris carriers remix, an almost acidic take is the ultimate third turntable candy and excels on a big system. last up is spettros redoo with a more ethereal, experimental vibe bringing in a whole new flavor

hot dirty electro rock tune featuring a more rockin south central remix !!

bart b mores newschool cuts e.p. brings that what your crowds wish for dancefloor dopeness, both with capital ds! shake starts of the package with that killer vocal, telling em to do just that. heavy hittin big room material!whieep is one of those y all ready for some hard jackin dubby roof shaker choons, to be played anytime, anywhere. we have cant handle this. give it up for some chicago! massive build up to one of the craziest breakdowns of theyear. and its rocking joints all over.keep a secret, theres a bonus track right here! and its killing em all

g t m k is gregor tresher (datapunk /cocoon / great stuff) monika kruse ( terminal m /electric avenue) this melodic, minimal, hypnotic release with a good build up will prove itself on the dance floor is limited to 500 only (physical copies) no hype, no label its just about the musik

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

electrohouse killer platte mit mixen von dedde le grand , shlomi aber (ovum, be as one...) and koolwah !!

smoking deepa wescoast disco with heavy remixes from jay-j & jask !!!

already played by josh wink, pheek, alexi delano, john selway !! andes music is a brand new southamerican imprint from santagio de chile. this 4-track ep from monomachine (aka francisco allendes and iñigo oruezabal) is an adventure in minimal sounds, sometimes more techno and others more techhouse oriented

no, only in sweden definitely illustrates markus enochsons new journey in sound. no, only in sweden is aimed straight for peak time. more techy than markus previous productions, it is a killer house tune with stunning key stabs that build up to a climaxing riff. markus also decided to invite newcomer the subliminal kid to share a slice of this great 12. already hammered by gilles peterson and quoted as his kind of house music, the chord song is an instant classic that could be representing the new wave of house music where boundaries between house and techno are thin and the feel is definitely old school. huge tip !!!

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

strammer uk hard techno!! 4 track 4 your madness !!!

this dutch based production team comes to king st. with a solid lovely soulful yet energetic ep. the thick rhythms & twangy guitar of believe is followed by the handsome & deeply basslined cover story, a nice flowing light jazzy piano keyed & guitar riffed instrumental. switch is up next delivering more cool house lounge effect with some sexy sax thrown in for great measure. rounding out this debut ep is never let go, a moody, almost cinematic, deep lounge & house rhythmed production that will cross many genres of club. these all strike a nice balance between the club & lounge bringing a nice even flow to the dancefloor

ragga flavoured male vocals and sweet female chorus vocals backed with a tribalistic track produced by sandy vee wilhelm and dj lbr

alex flatner strikes back with this deep driving, acidic house song that follows classic structures yet breathing some soul into the nu house scene he got david duriez, spirit catcher and lopazz on board for the remixes a must have supported by funk d void, sebastien leger, david duriez, james talk, rulers of the deep and many more

get physicals belgian protege strikes again with a release that brings together deepness and contemporary beat-programming - one more evidence, that hes one of europes finest new producers for this refreshing style of warm and melodic club tunes

teilgate party is the various artists series of enliven music that will bring more variety to your clubnights. part 1 is an european picnic of minimal electronic visionaries. all tracks together describes the roomy style of the german label enliven music. must have for louderbachs underline fans

we are proud to present you the new born record-label two faces. created by well known fumakilla lars sommerfeld !! the first release comes from himself and he delivers three stunning tunes of modern techhouse music, ready for the club to bomb the peaktime