repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a true deep house anthem back then and stuttgarts most famous son, motor city drum ensemble steps up with two contrasting but equally excellent remixes. the >other thing dub< revisits the raw cuts sound that mcde is famous for - nelsons vocal expertly chopped up over organic piano grooves and a chugging beat. the second vocal mix stays truer to the tough beats and metallic synths of websters original, a real chicago feel provided by the ebullient hats and dubby bass line.

the solid tumbling tones found on this ep are all thats needed as an introduction to these two accomplished producers latest creation. both strong forces in their own right, the pair come together once again on sweatshop to present their vision of dancefloor harmony, and mystery! sirens is the aptly titled track whose crazy vibe is encapsulated by jacking, swinging percussion, wild pitching synth stabs and a haunting soprano soloist letting loose! this needs to be experienced to be believed, but the proof will be in the dancefloor, hands in the air and minds expanded! moirae works the tension with dense filtered stabs and crisp solid state percussion, driving this deep slab of dark dance into blissful moments of release. mellow yet urgent, its a raw, purist electronic statement! joel alter also offers up a special edit which focuses the groove in a slightly more kinetic direction, with reduced, aquatic synth work and a classic club energy that makes it an ideal addition to the package.

tiefenschoen as an lp is a complete whirlwind having a raw and dirty feel to it, albeit without losing focus on the original and well-known jean f. cochois sound. this is an extremely strong club album with a powerful recognition value – not only musically, but also visually thanks to its album cover. it stands out as it has an overall concept and, throughout it, a sense of continuity from beginning to end.

the third release from zooloft, again by giorgio gigli and obtane. contextualised in monochrome is brilliant wax featuring dystopian visions, collapsing psychedelics and raw techno. smear, from forward strategy group, delivers a proper grinding remix that will bring you into a dimension of electricity and tension, optimal for futuristic dancefloors. 200 limited & hand-numbered copies, no digital.

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

supported by renato cohen, danny tenaglia, sian, patrick pulsinger, axel bartsch, bukaddor & fishbeck, orde meikle, kiko... let us introduce the new trapez artist deepchild with his brand new 2 track ep on vinyl. deepchild writes bass-heavy machine-music for broken people, disjointed booty-bass for backroomdreamers, fuelled with sweat, jackin funk and tears. >backroom< is such a track, a warm, raw, urgent and sensual. techno at its finest, highlighting deepchilds voice stronger and more delicately than in the other track. his misch-masch of deep detroit futurism, southern-crunk and forgotten space-disco cut with a rusting razor-blade of german tech-minimalism and filtered through a personal collection of odd analogue equipment is a secretformula that has >backroom< come to life! the b-side >death panel my ass< is a masterpiece of a recording with a hell of a tricky production, cool vocal snippets, cool effects over dubs... well a busy track but at the same time at ease and deep.
deepchild is based in australia and has recorded for resopal in the past. he is playing worldwide and on trapez parties in 2010 !

6 track massacre!!!

supported by: laurent garnier, richiehawtin, shinedoe, luke slater, joshwink, len faki, agoria, surgeon, perc,someone else, heiko laux, alexi delano, shlomi aber, danny tenaglia, jens zimmermann, speedy j, phil kieran, sasse ...
savas pascalidis presents the second release on his new label sweatshop. after the bomb that was >deep insideyour eyes<, 002 comes fresh with a huge remix from nyc legend abe duque, plus two essential new cuts in the shape of >the final phase parts 1 & 2<. >the final phase - part 1< infuses a tight and tough analogue drum workout with savas favourite ingredient - a tasty hit of acid! this fresh, hypnotic and sharp modern acid track embodies everything that is tingling and addictive about the music of savas pascalidis. quite simply a raw, must have weapon for every occasion!

r.a.w. the heavyweight label from guy mcaffer is back, now in its tenth year the label continues to deliver quality london style techno to the world. guy a.k.a. the geezer has been responsible for some of the finer moments on great london techno labels such as stay up forever, cluster, routemaster and smitten. on this release guy teams up with another legend from the stay up forever family, ant man behind the powertools label. on the a its an all out hard funk assault with a honkytonk piano style riff set over tough loops and 909 drums. on the flip its a powertools style synthesiser fest with quaking beats

legendary sub club resident harri, teams up with fellow glaswegians and justifiably hyped producers the revenge to cook up this stripped back and relentless raw house joint. already a massive cut for a select few djs serviced well upfront, this track has cropped up on more than a few most wanted lists. its thundering main hook driven along with fierce percussion and a simmering tension that seems set to boil over never fails. the dub mix swaps the ferocious claps for a haunting bell tone, paving the way for a tripped out excursion 20.000 leagues under. vera completes the 12inch with her hypnotising tribal groove punctuated with rising synths that offers a lighter, brighter take on the original.

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

this third sampler contains the excellent everyday, a collaboration between terry lee brown jnr and the timewriter. gorgeous deep house with a solid techy edge and a lot of soul! the plastic avengers remix of joeseph maliks believe and see is a raw, dirty tech-funk workout, whilst house stalwarts, 95 north, weigh in with a dubby house cut from ten years ago that screams underground! finally, man of the moment, sascha dive, has his deepest america cut remixed by samuel davis, and its a trippy, raw and minimal house swinger! a great 4 tracker, with a nice mix of deep and minimal to please most tastes

nice price deal !!! this is how we do has raw dancefloor power, which is even topped by a killer remix package by martijn ten velden and ramon tapia.

best of 2007 trance on 2cds

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

in 2015 london elektricity surprised us all with his first album in over five years. are we there yet? more than deserved its influx of praise, now the med school team has taken on the label boss latest masterpiece. the med school scans lp examines, dissects and transforms each track, injecting every members unique persona into the critically acclaimed original.