forward going techno trax incl devilfish remix...

1996 bush-techno that is constantly pushing forward.

great forward thinking drum n bass monster

slap - one of the most obscure and forward thinking acts from the early 80s meets the spearhead of today’s electronic music, ricardo villalobos. the originals are disturbingly brilliant electronic excursions, while villalobos’ jazz-fueled rework is one of the deepest mixes he has ever done. vivid drums are built around a driving bassline, aiming the track right at the floor. not to mention the rough claps! imagine miles davis’ “bitches brew” joined by throbbing gristle, playing “minimal techno” live. earlier this year macro unearthed namlook’s long lost “subharmonic atoms” featuring outstanding pépé bradock remixes. this continuation of the “prototypes” series is none less of a dream team. slap’s experimentalism just seems to be the right inspiration for ricardo villalobos, who takes it to a level of weirdness only he can achieve while retaining such danceability. essential!

dj support by laurent garnier, cassy, raresh, frederico molinari, camea, arnaud le texier... based in beautiful country side of florence, bosconi records represents the freshest vibe of the new electronic tech house movement from this part of italy. the first release of the label has the pleasure to introduce you the collaboration between two big friends, representing of the finest contemporary electronic house scene, minimono and bruno pronsato. the a side, arianna and i, has the classic brunos touch, always moving forward to his research into musical experiments. following the success of his latest longplayer on hello?repeat why cant we be like us , bruno is back now with a superb sound designed track: big subbasses, tiny sumbliminal percussions, and spectral talking voices, one for the fat dancefloors and the spooky minds. on the flip the florentian duo minimono, after their acclaimed release on love letters from oslo , drop out a jumpy track with a caribbean rocksteady feeling, dubby and funky house in the groovy vein of a modern soundhack and studio one release. baby come back is happy, loopy, plenty of positive musical colors, tropical, funky and properly made for your legs, your smile and your party time on the seaside

incl gorge & nick curly rmx.. pierce & twirdy team up as s.c.a.l. for their 2nd ep on yellow tail with a tremendous deep but forward thinking techhouse tune

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings parts…very psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggio…. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

rpo & david weed with cool forward groovin minimal electro techno tunes, styled up with an monumental sounding orchestra hook

anne amiee continue to represent the forward thinking abstract dub sound…. marchos enochson (maw records, sonar kollektiv, still music) teams up with fellow swede, the subliminal kid on the prettiest looking label around. two solid tracks of delta funktionens mix takes things into murkier territory. bad

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

debut album from 2001 by marcin czubala !! >this sound lean on bass-techno, fulfilled with funky elements, great drive and an unique madness. with a special creation of wavetable-synthesis, marcin formed his own brand-mark underlined with this exclusive debut album, which marked off clearly from the rest of all electronic music<

forward thinking detroit techno

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

short after the latest (develish) dapayk single mos ferry fields the dutch guy henk van zwol aka olene kadar again. his label debut >vakbekwaam< (mfp035) is still fresh and we do remember him playing his liveset on some of the spring-time mos ferry labelnights where he was soaked in sweat during his performance. all this established a solid relation between amsterdam and berlin, which is about to be expanded. the new release >paying billl< presents two new olene kadar masters. on the a-side theres >sarg wualb< taking the subject of >i-modulate-that-siren-until-everybody-gets-up-from-his-seat< to the next level. on the flip side called >betrokken< the young man proves that a track with extensive usage of edgy >frickelsound< elements doesnt have to end in a top-heavy electronica-piece, but can be directed to the floor, very straight forward and impulsive techno. these two tracks show once more what henk van zwol demands from his body and his consciousnes when playing live

these hand-picked tracks are now available on a dj-friendly 2-sided-4-tracks-vinyl-ep and let me tell you, they are well worth the extra investment. the first of the bunch starts off with big man lexys fancy girl, an ever-growing minimal techy peak-time-pusher with a hushed vocal-sample, some anaologue signal sounds and a futuristic and pumping beat. add a great distorted melody to this on the breakdown and the dancefloor will thank you for putting this on: they will go mental! after this introduction, its the newcomers mickey monzza & joseph discos turn with their equally stimulating track lonely. this is a great modern piece of pumping dub techno with a straight-forward attitude. the hi-hats on this tune are mesmerezing, the clappy snares and sirens perfectly placed and the subtle dubby and groovy melody an ideal antithesis to this hectically moving tune. simply nice! but hold on, there is more to come. on the flip there is hamburgs house impressario h.o.s.h. with his track ben johnson and whether this title is a reference to the legendary sportsman or not, its a pretty record-worthy track: wonderful little stabs and vocal sounds and a bassline so warm and groovy it makes your heart melt. then when the breakdown hits you with its long and winding signal sound, the dancefloor will already be bathing in a floor filled with sweet happiness. this is truely delicious! the two newcomers and residents at hive club in zurich animaltrainer have the honour to finish off this ep with their oily tech-house-anthem talkshow, a superb main-floor-peak-time-melody-affair.

the first release on new glasgow label seinan music will be from rising star sei a. this boys stock has been rising fast with releases on french house stables such as missive, silver network and imprime {he may or may not also be responsible for a certain awesome re-edit of an oxford band containing word radio}... fans of his work include miss kitten, laurent garnier, ben watt and a host of many others. meth is another slice of his trademark techy but melodic sound. with haunting vocals and a solid hook, this is due to rock floors from glasgow to guatemala, tech style. on the flip, man of the moment milton jackson takes things a little deeper and darker with a solid mix that will appeal to fans of his work on labels such as freerange, winding road and tsuba. with a musical agenda that sticks to its guns but is not afraid to take a chance is the frame of mind going forward for seinan music. the label has some exiting plans for the future including remixes from another fcomm stalwart, llorca and more releases from sei a.

from its hallmark opening bassline, to the synth heavy powerchords of the whistle along chorus, theres no straying from the fact that metronomys future single heartbreaker is catchy as hell. its an electronic ode to male heartbreak that ll both cut you to the quick and have you dancing all the way to the therapists chair. sonically, heartbreaker is perhaps metronomys most precise, radio friendly, and sure fire hit single to date. it best represents the straight forward genius of a band who ve been sitting on sizeable chunk of pioneering electronic ideas since mount first began recording under the bands moniker in 2005. they ve maintained a wholly modest approach to stardom whilst amassing an army of strangely obsessive fans. with a full package of club floor fillers and luxurious disco mixes, heartbreaker is the most zeitgeist capturing record of the moment, a must have for pop lovers, dance lovers, indie kids and the discerning music consumer.

big floor tune !! making its first appearance on vitalics boldly innovative platform citizen records in 2006, &#145,cocked, locked, ready to rock&#146, represented a step forward for ramtin & erik towards a sound steeped in an aggressive sense of big-beat laden funk

second release from lars wickinger on tanzbar musik and he comes again with great forward thinking techhouse to minimal techno two tracker with support from like of monoroom, miss kittin, solee, martin eyerer and many more..

excellent techhouse! heavy support by someone else, afrilounge, benno blome, sian, mijk van dijk... dani casarano & felipe valenzuela (connaisseur rec.) from chile and fabio gianelli (material rec.) show their kind of style between deep techhouse and rhythmetic techno!! 10 anos is an amazing timeless electro-house tune - extremely rhythmic and funky - flip over for the phenomenal deep tech house tune esperanza - sonorous subbass, melodic horns and some metal echo chambers - all continuously driven forward by a powerful stomping bassline - massive

straight forward thinkin techno 3 tracker

we are pleased to welcome dubnoodles whose previous releases on milnor modern and rundlauf musik certainly grabbed our attention. on this ocassion, dubnoodles shows two different sides of his music: the a side is funky as hell. both tracks show highly elaborated grooves with a very pleasant shuffly jazz feel. a must for adepts of frank martiniq, akufen, treplec.., and for those who enjoy playful forward thinking grooves. the b side really gives us the shivering. it unravels extremely emotional melodies, powerful strings and intense crescendos. fans of dial and neo detroit will appreciate. all three tracks are a real blessing. as usual, we tried to pack as much amazing music as possible in this release. enjoy!

the baseline floorfiller >hail the dark< surprises friend and enemy! the b1-side, could already be discovered on the >i love techno< album and the >160 minutes< mix-cd of marco bailey. b2 side is more percussive, straight forward style!

dj support by : james flavour, jamie jones, karotte, sebo k... hamburgs chris gruber and nils nurnberg have been doing an array of production and mixes for multiple labels lately but these two tracks stick out. both sparkle with a dense and intense still airy and reduced approach to modern deep electronic house. oz yavooz enigmatic skilled vox raunt gives >c mon & dance< a demanding twist to it, mixing old school new jack swing with a bright metreuropean attitude. a typical wasnotwas relerase mixing classical sound quotation with vibrant forward thinking music. gruber & nurnberg drop the ballistics here with a double a side rocking the cradle & floor with style and ease not often heard lately. the rest we leave up to you to decide being sure we wont disappoint

ziggy kinders last outing on souvenir proved to be one of the highlights of 2007. bailamos, a record destined to make love to the converging worlds of european techno and south american latin music was hailed by artists like laurent garnier, koze and mike shannon for its mysterious melodies and enveloping percussion while the a-side que pasa maria was championed by anja schneider and radioslave. fans of tiefschwarzs daring souvenir imprint will be in no doubt as to what lies in store for the label’s tenth release. >flipflop crash< is another typically ziggy workout destined for a discerning international dancefloor. disorientating percussion and flanging effects dance around an insistent throbbing bassline while a female vocal whispers in french. the warm melodies layering the track hint at the sultriness of >bailamos< , but this is a continuation not a revisitation and an impressive step forward for ziggys sound. on the flip chilean star pier bucci takes up the remix reigns. after impressing with his ahead-of-its-time familia lp on crosstown rebels in 2005 and last years club bomb hay consuelo, his addition to the souvenir roster is another memorable recruitment with current label remix talents including artists like carl craig, tiefschwarz, shonky, samim, kiki & silversurfer and radioslave. his interpretation adds an injection of urgency to ziggys original, stripping the vocals back to a minimum to make way for an epic delay soaked synth hook. its a remix destined for the end of a night or that perfect plateau of a party when the dancefloor has been moving for hours waiting for a hypnotising melody such as this to sweep it onto another level

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

earlier productions by holger flinsch (rotary cocktail, punkt, tongut, dekadent) !! forward thinking grooves, driven percussion and a darker atmospheric track on the flip.. must have for fans

pumping forward techno by japanese producer kazu kimura (dj pro / new rhythmic / mutual) on spanish label high school.

daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

karateklub suprises with hugh tracks from jenn, fantastically remixed by rebekah (criminal/uk). with >cheeky<, jenn presents a groovy and much more minimal side then we allready heard on her last ep. suprising and reduced, her sounds looping up and down, embedded in a clonky basedrum structure. the remix, made by rebekah, well known from her releases on criminal records, is just fantastic and completes the ep brilliantly. she desinged a hugh groove and pushed it forward. by adding her ideas she creates an excellent new track. the interface original is specified by stomping and jigging beats, which get intermitted by smooth voices and melodies, before pushing it up again. these girls have it and paint the town red!

the new rude awakening album! devoloping a unique dark crossover sound which links to industrial as much as it does to techno and breaks

energie in bestform is glad to release the producer and dj tobias lützenkirchen. actually well known with admirable releases on labels like great stuff, blu fin, selected works and his own label platform b. the main track is called >afterhour is the pusher< and will - we guarantee that - not only >push< in the afterhour .... the bonus track >ketron< will turn every dance club - with its forward-pressing bass rhythms - into a tropical drum jungle. the two >afterhour is the pusher< remixes of flea and baby chris complete the record!

amazing atmospheric minimal !! this new 12 is a guy names hugh like who drops a great alienating track called >content. nice confident sounding track that is somewhere between minimal and house. nice classy build up and use of a violin makes this a track that really stands out and breaks with the standard techno formula without being akward. very dark and futuristic... would function very well as a sound track for a science fiction movie!.the other two tracks are in the same line and make this an outstanding forward thinking release! after being around on wite label for some time we received great reaction from guys like luciano, garnier, ivan smagghe, craig richards, michel de hey, mark august and others

double breakspoll winner the rogue element who has already brought us classics such as rogue rock, dead drummers and breathe takes another step or three forward in his musical journey with panic attacks and sidewinder. both tracks are brimming with innovation and inspiration which take mr rogue beyond the confines of the breaks scene into some wholly original electronic music territory.

bombstrikes delivers the goods yet again! with the heavy hitting consistency the label is now renowned for, aussie wonder kid nick thayer makes a welcome return for the 12th release in the series. fresh from a string of hugely successful releases and remixes this aa sided ep showcases nicks dancefloor pedigree to the fullest. first up on the a side is the absolute banger get up. re engineering a well known hip hop riff with tough beats and analogue bass this has been leaving a trail of devastation each time it gets an airing, straight to the point and taking no prisoners, this track is huge! over on the flip thizz shake pushes forward the forward thinking and unique element of nicks sound. an electrofied disco beats work out of the highest order, it builds around the catchiest of hooks to create an ass shaking dancefloor monster.

this time with a more forward deep-techno track from freund der familie. and on the flip an amazing house-rework from the berlin-jena duo >taron trekka<. we made 499 white handstamped copies, available with an artwork sticker

for our eleventh release we have no other than esperanza s own jorge savoretti. after making some collabs for the label, he s finally delivering his expected solo ep. for this one, he mixed a wide variety of soundscapes and influences with precise coherence developing his trademark forward thinking sound even further. there are lots of words used to describe tracks but for this baby is really hard to find ones ccurate enough, maybe some hints would be, futuristic, intricate, martian, tribal

big with: Âme, dixon, cassy, radio slave, gregor tresher, shinedoe, karotte. after the massiv feedback to their well received second release the white boys are back with another pair of marvelous tracks. white 003 delivers you all the ingredients for a long night in and out of the club. oskar offermann‘s >cherry bombs< is a sure floorfiller with a certain pop appeal. pumping straight forward minimal house with some tricky-trancy elements and a few breaks here and there to pleasure even the most sophisticated crowd. back from his journey through southern fields, edward presents us a beautiful piece of intelligent techno. >inverno< is a trip across one of those sticky summer nights, when you feel like the sweat is dripping on the inside. nervous drums and basslines will turn your mind and make your heart beat faster.

in good old manner of chicago-house-music glare tyree cooper and eric d. clark on site a with discreed harmonies to there familiar seemed voices. the unstoppable forward driving beat with the care sedate bassline underlined the feeling but also the simultaneous unchangeable purpose of the track - to put the listener in motion. the stuff will be advanced by the also announced mix from the label boss himself - stefan braatz - on site b. full cords and a chiselled beat added by a extra acid-line in well known braatz-style.

finest forward driven tribal techno 4 tracker for fans of patterns, shadowfax and co !!

truffle music (toronto) returns with the voices (plant music) releasing their first e.p. isince 2005 and following up on the initial success of their sure thing/street commander eps on nycs plant music. cavern is a disco punk stomper that builds from the start with sizzling 4/4 live drums, bass, keys and a hypnotic subdued vocal that build to an apex only to break down and come back harder on the instrumental tip. spooky is a tripped out instrumental that is slower in tempo and heavy on the pychedelic. featuring all live instrumentation, this track takes you on a twisted journey. l.a.s woolfy (rong, permanent vacation) takes on the remix with his epic woolfy neu rave disco mix and he delivers just that with a speed up stormer that is over twice as long as the original and has a faint scent of old warehouse days but takes it forward with an interesting arrangement and eclectic instrumentation.

for the 15th railyard release, label founder sean palm returns, as new zealand s own simon flower slices a remix juicier than a fresh aotearoaian kiwi. following the licensing of his first solo release to loco dice s timewarp, and with his current work with joel mull under the descent moniker, sean palm continues to display his depth of soul within a >less-is-more< structure. from the title song corian, lush sounds are weaved with hypnotic sustaining melodies into a properly delicate structure. on the flipside, simon flower s forward-thinking talent shines consistent with his 2007 appearances on poker flat, moon harbour and dessous & compost. upbeat funky house meets swinging techno stabs in a mysterious atmosphere of swirling pads. full in energy yet delicate in touch, this versatile compliment will inspire sets either day or night, start or finish

big with sian, miss kittin, dubnitzky, tom pooks, the dolphins, jussi pekka,… >ekutok< is a powerful movement forward. the brand new track from the two transylvanians markus homm and mihai popoviciu has the sort of atmosphere and propulsive force that is good to feel in the marrow of your bones and gives you that needed thrust at 2 a.m. on the dance floor or on the autobahn. attentive, concentrated and progressive without compromise, the track inspires an uninhibited desire to put the pedal to the metal. it is characteristic of the homm & popoviciu style that they always succeed in composing their sound in a light, easygoing manner yet at the same time compressing surge with flow. the result has only one name: groove. with >ekutok< homm & popoviciu have not only delivered a phenomenal track, but also a perfect example of what freunde tontraeger considers beyond techno

this new russ gabriel 12 is the long awaited kick-off for russ’s new techno imprint, sestra recordings and marks his return to the techno scene. this release follows up the infamous >future funk volume 1< which appeared some 11 years ago on u.k. electronica label >input neuron<. russ is a legend whose career spans nearly 20 years. having started his ferox records back in 1993 he went on to record for the likes of carl craig’s planet-e, soma records, djax-up-beats, dave clarke’s magnetic north, morris audio, force-inc and countless others. russ has been hailed as a master of techno production by djs such as laurent garnier and richie hawtin and continues to push his music forward with this ep aimed firmly at the dancefloor.

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

the superb disco deviance crew look forward to the summer sizzle with two wonderful edits by nu-disco don pete herbert (reverso 68/lsb). having forged a rock solid musical reputation with his and phil misons reverso 68 project, pete has also built a reputation as a force to be reckoned with in the dj booth. known for his love of the balearic disco sound, ph is part of the new breed of djs who are continuing the dj edit tradition by creating their own versions of classic and lost tracks for their dj sets. first up on this release is the amazing >dont let go< by tony orlando of dawn and tie a yellow ribbon round the ol oak tree fame. this track was tonys take on the disco sound and with its lush strings and mellow instrumentation it is a highly infectious, yet lesser known piece of disco history. a staple of ph dj sets this track is a definite killer summer groove. on the flip, the synth led italo disco sounds of ivans >fotonovela< are given the ph make over and turned into yet another balearic disco bomb. enjoy, play it loud and keep good music alive ! dj play: laurent garnier, greg wilson, ashley beedle, popular peoples front, jd twitch (optimo), faze action, the unabombers, jg wilkes (optimo), bill brewster, tim sweeney (bis), jim stanton (horse meat disco), harri (subculture),stu patterson

big player mario rainieri presents dorian hunter & thomas green for the fifth release on his ostarrichi imprint. dorian hunter previously released on nu breed recordings and arms to name a few and thomas green has been dj-ing since 2003, now coming forward as a producer. these two working together resulted in three great tracks, of which one was remixed by the master mario rainieri himself

minipops are phoebe grote and fabian feyerabendt who have already released an ep under the moniker trial & error on allyoucanbeat imprint. >knick< is a straight forward, stoic wobble bass track, where as knack mixes melodious acid with funky breakbeats

rob mooney is definately a name you should watch out for! with his first releases on substance, renaissance and punch funk rob delivered a couple of highly respected tech house killers. now the protagonist from portsmouth surprises us with new fresh stuff on alphabet city and delivers us three pumpin and solid tracks. >mask<, the a side track begins where his hit record on substance has stopped. driving and forward going beats with heavy and distinctive, backwards slippin basslines you might not have heart before. ace! but check >tundra< and >together< too