we come accross suffocating moments, sick jazz in a minimalistic key, sparks of extreme, evolutive, interlaced intensity that eventually create futurisms and bring them close to the listener. intensity, restlessness, hypnosis and vibration could define this first tupperwear release in klitekture. this ep extracted from their album >beton insel< is, most of all, a true surprise box, as you will not be able to predict by which roads will the following twist in this permanently progressing and changing evolution, theres where a very significant part of its assets and its own goal reside. complexly and simply brutal. this ep edition released on vinyl contains a remix crated by lod from gas usa, a debilitating declaration of intentions by tupperwear that under lods concept aquires a smother tone than the original going from the tupperwear demolish actitude to a more repetitive structures

hypner knackiger und phunkiger techno wie er 2007 klingen soll... sehr sehr fetttt

collaboration between mika vaino & ilpo vaisanen of pan sonic and alan vega from suicide with experimental and deep electro trax from 1998 on this mute sub-division..

the new label schallschnelle starts with dumb unit and regular atists nuel. he delivers two finest shakin minimal tech funk bangers. incl excellent sub heavy pumpin berovic + leicher remix... support by mathias kaden, micha klang, jeff samuel, sweet n candy, franklin de costa and pan-pot

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

mit pan/sonic, grungerman & databrain bekommen wir gleich drei neu editierte klassiker ins vinyl geritzt, die sich auch auf optimo s mix cd befinden

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

joakim bouaziz is joakim, main actor of the new, french electronic music wave. emanating from the conservatorium, he took piano lessons since the age of six with the master abdel rahman el bacha. during his adolescence he discovers indie rock to then emmerge deeply into electronic music, guided by labels like warp or mo wax in the middle of the nineties. it is more or less coincedently that he shows interest for producing music, it was the day when a colleague from school forgot his synthesizer in his room. there he discovered new possibilities of sound and finally sends his demos to gilb r, founder and head of versatile records

limited nice price !!!
volume 4 of alexi s already classic sessions series is here! kick off with >wanna be bad?< , sounding like a ride on a slippery escalator alexi builds upon the rubbery groove. a slow story just as the filter tucks and the drums hit the speakers. listen. the track >im tired< resides on the flipside. syncopated dance steps beneath heavy reverbed clave releases the tone. darting between the metallic 303 appearances the tone continues the wobble. more reverb releases hit as the rolling bass alarms the floor. fresh

der japanische medienspezialist rappelt hier ne ganze ecke kantiger & europäischer als auf seinen vorherigen releases und erinnert dabei an pan-pot & daniel stefanik

klickhaus gains momentum with this trippy, late night minimal endeavor for their third release, produced by now m_nus artist, ambivalent. this is ambivalent s second ep, the first being on klickhaus successful sister label, clink recordings, titled >roomies< , and he again proves himself as a name to watch out for this year. ambivalent has a unique, rhythmically diverse and funky style that can be mixed in many different arenas and always has an element of personality to each piece, which makes it a unique experience in dj sets. on the remix side, camea takes the original to the next level by stripping down the rhythm and adding a peak time chromatic pattern to the bubbling lead tone provided by ambivalent. camea s unique style adds a great diversity to this ep. dj emerson is the techno gentleman of the berlin underground scene for quite a while now, on this 12inch he provides a stellar re-work somewhere between house and techno to palindrome

pan-pot & sweet n candy sind die zutaten dieses neuen projekts das trockene & deepe groover aus dem ofen holt

frisch und frei weg gehts hier herrlich minimalisiert zur sache... !!!volltreffer

railyards sean palm sets the tone with his debut release, pluce. funky electro tech with building pads that sound like a love child of james holden, terry francis and dan curtin

vielleicht sollten die jungs die >vertical tone< serie als abo anbieten. space disko funk vom feinsten

finally we finished the paperwork and hung up the artwork to dry so the first release >upon you< catalogue-number 001 is ready to chill on the decks. the rough part of founding a label is now behind phage, marcus meinhardt and mr. h. with >upon you< they have managed to carve their own home-base out of the wood of berlin-club floor boards and thus signed their decleration of independance. here we go with a solo-production from phage - up to now co- producer of luna city express, daniel dreier, pan-pot and anja schneider - who burned on vinyl a three track bomb to start the journey !! dj support: chloe, troy pierce, jennifer cardini...

john daly is a young cork, ireland lad currently based in london. the title track is a deep and soothing slow burner of exquisite proportions. melodic keyboards combine with shakers and congas setting a nice vibe-y tech house tone. >do it< is more of a minimal tech house number, topped off with the essence of dub and iron percussion. subtlety is the key hereas this moody number builds with tense strings, deep pads and iron percussion. the last track >too much pressure< takes the classic deep house sound and brings it to the 07 dancefloor. very much like nu groove or chicago tracks, starting off with nice organ riffs, it matches delicate melodies with wooden beats and a 80 s r&b vibe that is as sensual as it is groovy

for the 3rd release on his own herzblut label stephan teamed up with mr. systematic marc romboy and what they deliver is simply outstanding! puck is a masterpiece based on a simple and incredibly modulated bass tone on top of basic drumming. the dark atmosphere and the consequence in this track reminds of plastic mans best productions, this will make you shiver! io is another of those epic classics. techno blues. a beautiful bass synth melody is the core of a journey thru old tekkno ground and new production styles.. supported by garnier, tiga, roman fluegel and charted by hell

3 ausschliesslich unveroeffentlichte schaffhaeuser interpretationen von pan pot, dapayk & padberg sowie good groove und gibt schon mal einen mehr als reizvollen vorgeschmack auf die voraussichtlich 12 bis 13 tracks umfassende cd compilation

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

part 1 of 2 of the new chumbomundo compilation selected by tom stephan feat dj pierre, angel manuel vs mr fingers, d tone 8 and superchumbo aka tom stephan

huge noisy & bleeping techno album, reminiscent to pan sonic or sähkö - tip!!!

the new enliven music release comes with a minimal clubtrack that is ruled by a rolling bass and some wooden sounds that will power up the melancholic voice and some mysterious special effects resounds out of the autumnal foggy woods. the mobilee and einmaleins artist pan-pot supplies this release with a bit more aggressive remix

following in the footsteps of audikas cd reissue, arthur russells most extraordinary work, world of echo is reissued for the first time as a newly remastered limited edition double vinyl set. 18 tracks are featured including drumless versions of his disco classics lets go swimming, tree house and wax the van along with four previously unreleased tracks from sketches from world of echo. originally released in 1986, world of echo is a deeply intimate and meditative work of awe inspiring grace and remains a timeless work of sublime beauty. arthurs aim was to achieve what he calls the most vivid rhythmic reality, with just cello, voice, and echoes. arthur achieved all of this and more on one of the most incredible suite of songs ever recorded

hot on the heels of the prins thomas mixes come these wigged out house versions from parisian franck roger, plus the original and legendary >la stache< mix. franck roger is carving out a great reputation on the house scene at the moment, his releases on his own real tone records have set the benchmark for other productions on sonar kollektiv/innervisions, seasons recordings and kenlou records, as well as remixes of blaze, roy ayers and jazztronic. franck opts for a sophisticated house rework of >moustache<, its techy moments peeking in and out of the rattling percussion, with oodles of funk layered on top. the >la stache< original mix from blackjoy is included on this release also, a huge underground cut with the nu-disco/balearic/cosmic crowd on its first release on bob sinclar s yellow label last year, and still sounding just as vital today

talk talk talk sets the tone for wunmis forthcoming album, a dynamite funky afro groove, new york dj legend danny krivit has been spinning this one since it emerged from the studio, and here contributes one of his coveted re-edits extending the groove to maximum effect!!

minimal masterpieces in this new dapayk solo album. huge reactions from butane, anja schneider, falko brocksieper, mossa, pan pot, jay haze, mathias kaden, someone else and troy pierce !!

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

infekto (aka rico tubbs) has been turning heads on the funkier floors across the world with his signature sound of heavy, polished beats alongside party rockin bass and catchy hooks a plenty. funky music carries a similar tone to ghetto soul, miami treble, and his last money shot outing, the real funk. funky music also pays tribute to one of our favourite instruments of all time the cowbell. cuz every tune could use a little more cowbell

after last month s superb ep from burnski, up steps label boss simon baker. it sounds like a lost acid-era classic, as cheeky fxs pan back and forth as the track builds into a rolling mass. ivan smagghe, ralph lawson, funk d void, paul woolford, dj hell….

starker power-techno, einmal an tekel und das andere mal an pan/tone erinnert. gute sache

welcome to the parallel world of noise of the detroit-based kenaob. dirty bunker-style smack-electro by manasyt, touch-tone, c:c/p, charles r. pearson and p20. limited. wicked

the sweetversion of let’s get down is based on a basic spanish guitarmelody with uplifting vocals and funky hihats. the funky guitar even gets a little outof tone sometimes, to give that real 12 inch feeling to it. the low bassline combined with the stabbing kick delivers a groovy summerfeeling to the track.the original mix is a powerful clubrecord with an electro twist. especially the fatchunky bassline puts the dance floor to work.the groove remix started out as a experimental version of lets getdown but the vocals were so catchy, playectra decided to produce a more groovy version of it. the rawsounding guitar and crushedhihats makes the track loose his sweetness to give the track a stronger and energetic feel. the long break in the middle of the track pushes the track to a climax. the filtered guitars and loud bassline makes the track a little bit french sounding

dj support : dan curtin, daniel stefanik, dominik eulberg, jambi, james flavour, anja schneider... gummihz s 2nd release of mobilee comes straight from the bottom of his heart. the concept of >modern dynamic< is based on developing grooves by manipulating the dynamics of a sound, rather than composing melodies. a side consists of a steady groove with a few surprises taking place in the sonic spectrum and a dominating fm tone evolving throughout the arrangement. it is the kind of tune that delivers pure freakness on the dance floor. flipside is set in a deeper atmosphere with a sweet electric piano groove appearing in the end, reminiscent of the starting time of deep house. agony develops during the first minutes of the track, leading to a relaxed groove in theme with the sweet summer breeze

new get physical sublabel !! these tracks are powerful and somewhat sinister affairs that make most sense when experienced as a blinding strobe light cuts through the back drop of dry ice in a darkened club.marsha sets a completely different tone. its still based on the same blend of windy city funk and intricate electronic rhythms, but the way that the seductive, chiming chords and dreamy break down unfold over the steely drums suggest that einzelkind has fallen in love. certainly, itll be hard not to be seduced by this layered, evocative track, especially if you hear it after a long night spent listening to intense techno.so there you have it: get physical has dragged a new label, kindisch. kicking and screaming into this world: let it be the place where you go to get all your teenage kicks!

nachdem hüftenwackler remix für die b103ep(ow003), werden nun die rollen getauscht und kollektiv turmstrasse veröffentlicht ihre debut ep !! >melodrama< ist wie eine nicht endende geschichte auf dem dancefloor, die durch den synthi sound und den treibenden rhythmus auch hätte von james holden erzählt werden können. >altona connection< hat den wind im rücken und fluffelt mit seinen harmonisch leichten percussions immer stätig nach vorne. nils nilson minimalisiert das melodrama und baut nach und nach einen leicht dreckigen, fx geladenen stomper remix auf, indem sich das gesprochene >disconnect me< wahrlich im ohr verankert !! beste ostwind bisher...charted by umek & pan pot (mobilee)

the einmaleins family welcomes mark-henning - part english, part german, all techno. throwing a curveball with funked up minimalism and crazy effects.. supported by butane, chris duckenfield, pan pot, funk d void, josh wink and tobi neumann

real tone s cuts series with a miami buzzed track, this one is very hot indeed

pan-pot und hemmann & kaden haben mehr als nur zwei remixe angefertigt. sie erschufen zwei lieblingslieder, die den direkten weg ins raverherz findet

von wegen italo. das ist astreiner minimal aus london wie man ihn von sweet n candy oder pan-pot kennt

big city music has this very special hip-shaking beat construct. the track just starts with one hihat, one short shaker, dry claps paired with two simple lead sounds. one of them repeating itself until the end and one to be morphed up and down, increasing and decreasing all the time. an exciting journey through changing tone lengths and different faces of at least one melody. on the flip side you find >asanebo<, another unique smasher. again this funky groove, but the sound surrounding comes a bit more spheric and mystic. an excellent track to loose yourself on the floor

great electronica ambient tracks !!

a diverse, old schoolish yet modern techno record. a killer record we think! the a-side offers the club groover “first one” and the beautiful deep detroitish heitere gemüter . the b-side offers a re-relase: erfolgsgeblubber was released on morris audio citysport a year ago, but has been getting superb feedback (e.g. steve bug: thisis huge! ) and we just love this early warp styled bleeper! finishing off this well rounded ep, shaka comes up with some great jazzy electronic trickery called phalonmukka . great stuff for openminded freaks, and well worth checkin shaka s upcoming stuff on revolver and his remix of pan/tone s gringo grinder

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

vier freaky techtracks von g. ananda, coordinates, r. breitbarth & pan/tone

cool electro mixes for one of paris hottest bands at the moment

'tracks from the lab' contains two freshly crafted electro-tech songs. 'darkroom' is indeed as dark as it sounds, dominated by a super-deep synthie tone embedded in a finger clicking rhythm construction. the spoken word lyrics by clÚ are about musical socialisation in the computer age and not to be mistaken with darkrooms - the sort we are familiar with in some clubs,'joystick' on the flipside is a reduced electro-track with a bubbling bass-line

nice price deal !!! gerade noch am futtertöpfchen bzw. bulldozer, jetzt schon wieder am remixen. frank martiniq (boxer) & pan/ton geben gas