sven dohse is back to knock you off your feet with two more magnificent tracks. crusher means to break your bones not with violence, but force-wise. this dry bassline just pretends to be tame – like the whole ensemble does in the beginning. but initial conditions change persistently until you awake twirling in a gloomy moment of house. so compulsive it stinks. so offhand it hurts. so self-evident it makes you wanna scream. way after midnight weaver uplifts out of a sentiment of infinity. warm layers of sound come floating above an abyss hardly indicated. time barely scratches the surface of this pocket epic telling you on and on again: tomorrow never comes

secon unexpected ep by andrea bertolini electro setup on the a side does what it says flip over for the atmospheric host with its massive synth riffs

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

oriol benedet confirms with the clown the good expectations he raised with genetica, his debut with this label. benedet, a studio virtuoso and professional technician, exploits in his second maxi the infinite possibilities of todays virtual samplers. the clown is a piece of work that does not rely on pre established sounds. it is a lesson about the creative potential of the machines.

you may know alberto lodde alias dusty kid from his productions under the name duoteque. with five e.p.s under the boxer imprint alberto and his partner andrea ferlin have caused a massive stir in techno land and the latest edition of their hit record <amarcord< has been successfully remixed by nobody else than >my my<. however now it is time for alberto to walk solo paths and after an impressing release on kling klong he does his debut on systematic. >tsunamy< has to be handled with care as this can damage any dancefloor in the world as it is explosive sawtooth bassline peak time action at its best (sorry, cant write anything else). >milk< is the opposite to the flip side, a very sensitive and atmospheric groover in the tradition of border community

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

dj fex is an accomplished produced and dj. having released tracks on such labels as serial, brique rouge, hypnotic, dessous, visitor, gourmet or systematic, his reputation is not to be done. as a dj, fex is a resident at mix club in paris and resident of the famous parties kings.fex gives us one of his best work so far, totally in the vein of what he does on his own label robotronic. acid forever is a moody yet obsessive track with a strong melody. its not particulary acid sounding but the vibe is here and it stays forever! on the remix tip, man of the moment tommy four seven, always on top form when it comes to make people dance and mark o’sullivan, half of dk7 with jesper dahlbäck and half of mark & john with his cousin john, member of the swedish mafia, who has recently remixed mike monday and had a release on plastic city lately. overall a strong package of mixes again

since fall 2006 dapayk is raising a lot of dust with his first solo album >impulsion parasite< and the ongoing tour. now, mo’s ferry prod. presents the >rmxs part 1< with adaptations by louderbach, butane, tanith and 3dots. the tracks are as diverse as the remixers themselves and show in what plurality and variety dapayk’s music is recognised and interpreted

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

rennie pilgrem strikes again eraser does what it says excellent breakbeat action with amazing drum programming a must have

the lead track stunning in its original form is based upon a brooding bassline which underpins a beautiful melancholic string melody that has been utilized to full effect by man of the moment tobias luetzenkirchen who delivers a more techno influenced remix. whilst debbie does dishes hits a more hypnotic note, olivers production partner harada delivers his own squelchy interpretation taking it in a stripped sometimes you have to lose yourself to find yourself way.deep dark drug music from the house of therapy

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

danish duo djosos krost (music for dreams) known for their mix of nordic electronica and dub reggae rhythms get remixed by fellow danes def jaguar, who turn better place into a driving, bassline driven house track. on the flip parov stelar does a deep and dubby rework for straight up front

a heavy one tracker that has all the elements of a classic house track. just bounce does what is says bouncy beats, jazzy horns and deep elements all make this a dancefloor destroyer. alexander east mixes things up nicely on his signature deep mix to round out the a side. slum science work the b side with a deep and moody remix perfect for anytime of the night. hector moralez & cubase dan team up as the block committee and serve up a tough, dubby rework of the original

following the success of the you know remix of samuel l sessions velvet track that came out on elplast eyar we now have this very limited edition alex bau remix of the same track. alex does his thing to it by utilising all the main parts such as the pitch bend bassline and cool synth sounds but also adds his own dark techno menace to the proceedings

the best way to follow a classic, is with another classic. rebelone 08 does exactly that as the underground offshoot of crosstown rebels follows the incredible >porcupine< with a brand new >weasel<. >the weasel< produced by vinyl (as always, a well known producer in disguise, this time of german descent who had a massive underground tune this summer) is an instant dancefloor smash - with it s late night, twisted sounds, breakbeat-styled techno drums and deep as hell bassline, this one sided monster is ready to join the ranks of the other rebelone animal crackers

from dallas eric estornel has arrived, who is not other that maetrik or mariel-ito. take hold yourself that they come curved the constant mutations and growth in its sound since it dazzled us to all with >casi profundo< album or with singles as >agravatte me< has taken to him to a maximum point of maturity in its arrival in regular. sexus is track amazing, technoide, intense, without fissures, forceful and direct. acces ebm takes a darker way if it fits, with a big bass which walks and it makes you walk to his side, you are not scared, does not bite! nexus could perfectly be single of the disc.

produced by groove assassins with remixes by louis benedetti and jovonn. new mixes on this already well established track that shouldturn a few heads. jovonn comes with a classic underground raw sound ripe for 3am play and louis benedetti does a total turnaround and shocks us with a chicago acid version

new cool underground electro house /minimal label first release! roman salzger does not need a introduction, you certainly will know him and the label will continue with strong stuff from other high profile and established undergound artists!

first 12inch on persistencebit records by the italian artist wang inc.: 3 tracks and a bunch of locked grooves. the concept of this first exploration of wang inc. is simple: >the best meditation is the one you make in the middle of entropy<. >this are hard years for humanity.- says wang inc.- terror, war on terror, enduring freedom, pollution, economic harassment and the sea will be dead in 40 years.< karotte: >a1 ist eine tolle nummer. ganz groß!!!<, mike shannon (cynosure, revolv: >b2 does it for me... a nice dreamy hypnotic groove. some great loops on this one as well<.

jca does it again catchy electrohouse track with great vocal samples includes mixes by vincent thomas and jerome isma ae & damien j carter

john dahlback does it again this time under his huggotron moniker on oliver huntemanns confused label 3 electro flavoured tech tracks for exstatic peaktime action

first 500 in super chique green vinyl ! after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

dirty, experimental and abstract electro tunes !!

already played by magda, chloe, dinky, mike shannon, laurent garnier the beloved member of einmaleins, sweet n candy is back with number 017release of the established label. scrollmops the original track is charactrised by clickyness and simple but effective sounds.deep, dark n slow.no title (…!?#) is a more playfull track with quirckyness and trippy landscapes of noises developing all the way through its existence.it gives groove to the body based on nice textures.falko rmx is keeping it dark just like the originalkeeping the rhythm and the paths its works slow and trippy. falco brocksieper does a really nice interpretation of the original within the boundaries of the sounds available to him, completing this release in the best way

farina and sneak heads will recognize the a side s >does not compute< after dropping it in literally every set they ve played in the last six months. miles maeda s rework is deep and twisted and definitely peak time material. b side features >jazzin< a sweet groover perfect for the deep house heads. lil mark reworks the track with a tougher approach: fat kicks, skippy hats and delayed horns round off the ep nicely

rmxs by krikor, pep gaya & tomas jirku the eight reference from the klitekture catalogue presents a work from the founder of the label, lod, that comes with a good critics since >sabado gris<, the original composition from this maxi was nominated as best track at the qwartz awards in paris on march of 2006. there is no doubt that we find lod with sabado gris in a great creative moment that he uses to offer a singular and emotive track, that plays with the repetitions of certain structures as well as he does with our emotions, the subtile melodies bring a great amount of serenity to the good listener

jake bayzli does it again another 2006 refix of rozalla

2 dancefloortracks of hamburg based label fresh fish rec. on the a side hausmann c presents a >beaty world< . on the flip paulo olarte does his thing with >dulce mio< . beaty world tells the story of a fight. with no need for words, the protagonists realise their roles and invent a language of their own. moving like dancers they approach one another, each strike a thought. a bubble suspended in the air. triumph alone encounters its dark side, as with apparent lack of effort it strips itself of all blemish. with stoic calm and an alienated quotation >dolce, mio< sets out to find the inner muse. entering her space the available talents present themselves and put themselves to the test. nothing appears simple, they flow and envelope their own idea and try desperately to gain the ultimate tension, which then, in retrospect incredulous, strangely intoxicated, is received as though by a jubilant choru

andre crom is dj and producer and the new artist on memo. his music is twisted as well as rocking, always aimed at the dancefloor. andre crom plays a mixture of house, minimal house and minimal techno. on memo 05 he does perfectly well what bpitch controls sublabel memo stands for - minimal that rocks

the last chapter of a four-piece vinyl remi x series including eight exclusive in-house remixes.but the mobilee crew is still on >back to back< tour and rocking several cities during the next month. the chapter is closed by the label boss hersel f. anja schneider has her way with daniel stefanik s anthem >the bells< and she is definitely >back from the valley< . this tune develops a lot of energy without opening all floodgates.and stefanik—not to be bested—does his magic on exercise one s >debaya< . mobilee seems to be daniels field for rave experiments. you never guess what happens in the final sequence while listening to the first seconds of this track. another old school lesson from a new school producer

jackin with jeff does just that with thick procession, tough beats, layered key stabs, spoken word samples peppered throughout and a thick rasta influenced bassline. its a driving dj sneak style number that has been finding its way in to the bags of all the heavy hitters across the globe. the flip side boasts twomixes of be free. this underground corker has the beats and chops that will definitely make ya shake and pop! sporting a tasteful sample from the classic jungle brothers house music all night long, this joint always gets the crowd in to the party mood. first mix is a quirky dirty version while the second one offers a dubbed out underground take

the track is produced as a cooperation between lickin artists homeaffaiirs and sunloverz. a great remix package is available to complete the original versions sunloverz on the guitars take this track into a very up to date version which toes the line between progressive and house, raul rincon does a groovy job giving the track a new (but well known) melody hook and patric la funk adds a catchy piano with a subtle vox placement

junior hacksaw, known for his slightly left of centre breaks, hands in a killah a side which crosses several genres all at once, with ragga vibes, glitchy edits, phat beats and heavy bass, it does exactly what it says on the tin! two names fast becoming big playas on the glitch scene, datapusher & modulus offer up another tasty treat on the flip, twisting its way into oblivion and pathing the way for many others to join them

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

rekids present >ghouls< by the multi-talented music for freaks luke solomon. a massive stomper of a record with heavy drums aplenty - this is the peak time jackin house that luke does to perfection. this killer 12inch also features a hot remix from man of the moment >claude von stroke<. he takes things strictly minimal but bouncy then beefs things up near the end of his mix as the bassline turns much more snarling. perfect for the dance floor!

"we are happy to welcome a well known guest from the international minimal house scene for an outstanding intermezzo at highgrade – hello mr. tigerskin. tigerskin, a splendid artist with records on labels as diverse as dessous, morris audio, resopal and others. german and international top imprints, produced for us two rather nontypical tracks - compared to his recent output - showing us his deeper side; and he does it so well! two stunning tracks for your maximum pleasure, somewhere in the twillightzone of deepness, hypnosis and true madness – njoy it! played by anja schneider, woody, chloe, karotte, james flavour..."

nice price deal !!! the unstoppable groove invaderz are back with another slammin ep. this time enlisted the superb vocal talents of nicole tyler who does a great job in singing this song. also features a stunning remix from kid massive and big city dogs. but the original mix is the one getting people frothing at the mouth

new born label hertz records, sprung from the depths of scanian no-mans land, begins its crusade towards world domination with a release from detroit dutchman orlando voorn. the fix man genuinely delivers his best release in years, bringing the high energy funk as usual with two deadly dance floor killers. >enter< is a driving techno monster, with an old school detroit minimal groove akin to rob hoods productions on m-plant or even some of the more tame blacknation releases, updated with a modern freshness in voorns own unique style. but as this music does not translate well into words in our opinion, descriptions are useless until you hear it for yourself

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

after the first bars of freak everybody who has previously listened to electro,should have encountered that this piece of work is not made by amateurs in contrary! freak does not have to hide behind productions from famous producers like steve bug or steve angello: spinnin elements banned up-todate beats and basslines over a funky electro track,whose arrangement and sound fits just perfectly to a hot clubnight

playmaker, know for his releases and remixes on labels such as stoneyboy, illegal beats, slip n slide, subliminal and prog city to name a few, and many compilations such as ministry of sounds clubbers guide. on the a-side you will find the pierre j & subway baby remix, (defected, fluential, saw, deeplay, invent) and they have been adding the well-known arrangement that does the trick! the other side gives you the original work of playmaker. this doesnt need any introduction to his fans

minimal masterpieces in this new dapayk solo album. huge reactions from butane, anja schneider, falko brocksieper, mossa, pan pot, jay haze, mathias kaden, someone else and troy pierce !!

no other than chilean sunnyboy and groove scientist luciano is taking us on the a-side on a long ride of lush but infectious minimalism. eleven minutes strong, luciano does what he does best and unfolds a continuous flow of subtle rhythmic changes, melodies and field recordings to create an overall hypnotic feel that sucks you in right from the start. think his last ep on cadenza with thomas melchior and add an eerie feel to it. on the flip side the enigmatic duo eat (both integrat parts of the diamonds and pearls family) steps up for some serious dancefloor destruction. what starts off as a pulsating acidic techno-monster that creeps up from the depths of a pile of analog synthesizers, turns into a breakbeat chopping electro-jam that will leave you behind with bleeding ears and thumping hearts, before the track jumps right back to techno peaktime.

discoshed records, the exciting new label founded by swede, ted nilsson is poised and ready to unveil its new secret weapon and debut release on a double side 12 just brilliant house music is the concept behind ted nilssons brainchild it does exactly what it says on the tin.

reynold is back on morris audio citysport for a killer minimal groovy 12inch named >montrose place< – already his third release on this ever consistent morris audio sublabel! 3 powerful and dancefloor oriented track! above all the main track >fuzz< with his huge reese style bassline will be ready to rock the club! berlin based reynold, the man behind trenton records and one half of duplex 100, does not intend to slow down. he will soon release a full length album on stewart walker s label persona

and this first vinyl sampler covers both sides, with the traditionally monday thing to the slowed down funk of fun with a k. these are the 12inch versions, by the way – so for the next 6 weeks the vinyl will be the only place that djs can get the more club-oriented tracks on the album. only limited copies will be printed, and this is the first of a set of three samplers to release 12inch of the entire album on vinyl. dj support - does any label cross as many boundaries as this? claude von stroke to ame and the unabombers