jake childs returns to icon under his morning star moniker with a remake of the nitzer ebb join in the chant from 1988. join in the chant bacame a classic alongside groups like ministry and front 242 and helped define the future of dance music. with this interpretation jake keeps things deep, retaining the key vocal hooks and bassline while taking the rest of the production in a more subtle direction.

jean-patrice remillard aka pheek hatches a new album making it his sixth, appearing on his own imprint archipel musique. pheek reinterpreted his concept of electronic music by utilizing flavourful blends of techno embedded with funky undertones, minimal, idm, and tech house. specially blended rhythms enriched with bottomless emotion, entices the senses to explore the unknown, but in a playful manner. while his last albums gave him a name for ambient and delicate music, >en légère suspension< will take everyone by surprise demonstrating subtle techniques of dance floor music

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

spanish top producer groove garcia (cassagrande) with his debut on khazuma. stream is an atmospheric electro edged progger with subtle vocal samples

ep starts out with chuck daniels remix of sexy samba. a driving, hypnotic groove that builds with a touch of acid and female latin vocal stabs. flip for juice joint, a primetime party track with tight jackin beats and jazzy keys. its simplicity is what makes it work so well. last up is slater hogans original of sexy samba with a big summer feel, looped brazilian female vocals that provide the hook and subtle keys laid on top

uk based four:twenty continue their 2007 release schedule with this huge release from james mowbray & leiam sullivan, >lost in the tropics<. a slow burning, bass heavy groover with steadily rising keys and oddball electronic fx, >lost in the tropics< is an essential tech house track which will more than satisfy the countless supporters of the duo s previous release on four:twenty,. known for drafting in the finest remixers, four:twenty do not disappoint with their current choice of artist, matthias tanzmann. with releases on dessous, poker flat and his much-lauded moon harbour imprint he is the toast of underground house music and techno and turns in a suitably wonderful, subtle house groove

a classic sounding piano hook, subtle female vocals and a cool sax hook make this a real peaktime winner includes mixes by tom snow & criss sol, miami twice and jk david

house veteran dj pierre back on the scene destroy this track is a trademark pierre track with a stmping bassdrum, subtle female vocals and this fine oldschhool acid house vibes via a 303 mixes come from seamus haji, filthy rich and james talk not to be missed

florent is considered as one of the rising french artists in the electro/minimal scene. after his famous releases on kompakts k2 and style rockets florent strikes again with this minimal and groovy 3 tracker with a subtle detroit feeling

new york s one and only underground techno legend, dj/producer dylan drazen, with his 'on tilt' ep. 'on tilt' is subtle pads, 140 bpm tribal percussions and intricate synth elements, all perfectly mixed to produce an ethereal and blissful late-night/early-morning deep melodic stomper limited backstock !!

deep minimal grooving track with subtle vocals and lots of atmosphere includes pasta boys remix

featuring vocals by anne marie grisoni.corsican school delivering a subtle & nice deep electro ambient with accoustic live instruments & vocals by anne marie grisoni.check this out!

a/w subtle track built up w/ rain samples b/w 21 min. field recording - refreshing... for basic channel / chain reaction fans

igors defchild debut is quite mesmerizing. with tracks on handheld and forcetracks igor draws upon his detroit, chicago and berlin influences to produce three bewitching tracks.these largely instrumental pieces combine the production aesthetics of house and techno with exquisite and subtle compositional flairs from dub and blues/soul fusions. northern european production team of aleksander chernishov and maksim vasilevsky refashion somewhere with jazz influenced musicality and poise

desvio has materialized into a monolitihic label pushing the boundries of what is deep to new uncharted depths. here we are with the continuation of the sedation in noise series number eight and possible one of the strongest to date. the a side is classic slam mode, subtle, cinematic, dreamy and techy at the same time. take yourself to the b side and you are deep in ame territory. imagine a track like rej with much more nyc beats ala ibadan and dennis ferrer and you re close to what we re talking about. ready for the big systems

marcin czubala is no stranger to the techno scene! he s releasing different styled tracks since 1999 – ranging from hard and freaky techno on labels like currently processing or neue heimat to a more reduced sound like his first 12inch on morris audio citysport or his forthcoming 12inch on german hot label mobilee. the >gorky park ep< is a 808 based subtle groovy techno record following the slogan >less is more<!!!!

funky percussion driven house track with great horns and subtle male vocals includes an andy morris rerub on the flip

after many years of waiting, treble o present the release of the highly sought after domu production by nicola kramer best in me.the sample string and strong melody see the rhythm section chilling a little, but the shuffle kicks in on the chorus, lifting it from a head nodder to a foot shuffler. included in this single is the hottest remix around at the moment by mr dego ranks and kaidi tatham, publicly known as dego and kaidi. here kaidi and dego fuse subtle keys with chunky beats that glide wistfully under nicolas haunting vocal. the bumpy groove gives it the dancefloor edge whilst its deep musicality gets the hairs standing on their very ends. trademark sounds from both artists in their own rights, a certified future classic

side a) 1. weedis : weedis is so funky we can t still can t believe it s made in japan. breathtakingly smooth, broken, and deadly. side b) 1. wipe sherbet : ok… now re-read what we said about weedis and apply it to wipe sherbet, only this time add a scoop full of subtle melody (or raisins). side b) 2. snoop summer : a brooding, melodic and emotive track which will fill the head and clear the dancefloor

..... if minimal was this summers techno then metric is this winters scarf and mittens. warm, subtle & enticing deep house, >holding< is a concoction of pulsating pads, strings and deep grooving bass. on the flip dani koenig provides an excellent compliment with a haunting remix darker, edgier whilst still relying on the lush strings and pads from the original

the track is produced as a cooperation between lickin artists homeaffaiirs and sunloverz. a great remix package is available to complete the original versions sunloverz on the guitars take this track into a very up to date version which toes the line between progressive and house, raul rincon does a groovy job giving the track a new (but well known) melody hook and patric la funk adds a catchy piano with a subtle vox placement

a funky four track ep by theefunkiest brazilian. standout track is >cuban jazz<, sounding a little bit like rick wade it digs in with hard beats lying beneath a filtered cuban piano line as a cool subtle vocal sample drives the track accompanied by a rumbling bass, well placed guitar samples and hi hats. the other tracks all solid with a chunky funky west coast flavor.tracks include productions by dj rod (greenhouse) and droors

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

smooth and subtle summertime progressive house journey with plenty of deep and mellow arrangements flip for a massive chris micali mix

no other than chilean sunnyboy and groove scientist luciano is taking us on the a-side on a long ride of lush but infectious minimalism. eleven minutes strong, luciano does what he does best and unfolds a continuous flow of subtle rhythmic changes, melodies and field recordings to create an overall hypnotic feel that sucks you in right from the start. think his last ep on cadenza with thomas melchior and add an eerie feel to it. on the flip side the enigmatic duo eat (both integrat parts of the diamonds and pearls family) steps up for some serious dancefloor destruction. what starts off as a pulsating acidic techno-monster that creeps up from the depths of a pile of analog synthesizers, turns into a breakbeat chopping electro-jam that will leave you behind with bleeding ears and thumping hearts, before the track jumps right back to techno peaktime.

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

aesthetik records explores the subtle interaction of minimal structures and intrusive sound particles, playfully shapeshifting between the warm funk of todays and yesterdays techno dancefloors and the hypnotic grip on the human mind. the first release comes from belgian producer franco cangelli. allready having some slick releases on sushitech and toys for boys, his third vinyl ep üplayfully shifts between old school minimalist straight forwardness and solid experimental techno...

lawrence releases the third single from his third album. >along the wire< shimmers and glides along the dancefloor with aching melancholy and subtle melodies. superpitcher and troy pierce delivering three sublime mixes, which makes this record a really beautiful and crafted package !!

traditional song in the interpretation of the much talked about daughter of the most famour bossa singer gets a subtle afro-brazil flavoured house take - beauty

slamming peace of house music a side with diva vocals and disco strings flipside goes the more electro way with cool acidic vibes and subtle vocalsamples

jersey deep dons steal vybe come again with a new one for ny powerhouse king street the original mix of esp is a classic nj vocal number with extremely deep and subtle touches that float the crowd on a cloud of house music on the flip the mole chamber mix, roughs up the tune a bit, stripping out the vocals and pushing the synths to the foreground fans of ron trents djing

vapour returns to the shelves with the profound greek producer, v-sag. the softly-spoken musician has a knack for producing subtle yet powerful arrangements that have set many a dancefloor on fire. everyone is talking about the andrew k mix of thespian with its haunting melodies creeping in and out of focus, this is perfect for the deep, dark and dirty clubs

it should be no surprise to anyone that >e.c.ged< is a brilliant piece of stripped down, rolling detroit-influenced deep techno.acid undertones supply the backbone to this brooding groove, followed closely by layers of sharp percussion and instantly recognisable live analogue effects. coupled with the huge disco horn section make this subtle but dark beast in to somewhat of an epic!it would only be right for matt to get in on the action and his remix under his rekid alias is an exceptional alternative to what is already a class a-side producing a hypnotic floor-filler

a new drift is emerging from america and she s in the middle of it: kate iwanowicz aka miskate is not only co-founder of the highly respected foundsound-label from philadelphia, but also a high-definition producer in its own right. after several ep s on her s and others labels like microcosm records she now pays a visit to karloff to expand her boundaries and fuelling the eclectic cut-up-funk she s already known for with solid, defined beats, boosting the focus on the dancefloor as another target to be aimed at. however the steady drive obtains the required substance through interspersed well-crafted distractions like filleted choirs and hymnal strings, constantly winding through the structure and blazing it up. brilliantly reflective and ecstatic at the same time this record gives you more than just a seasonal tempest in a teapot

dreamy progger with a cool key hook and nice strings on the a side flip for the slapped bass driven nexus with subtle female vocals

next output from the beginerz posse - subtle tech house number with a chopped ska vocal - fuckin rockin

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

kinder country is the theme to a summer that never happened. its warm texture and subtle funkiness provide a soundtrack for warm mornings and long lazy days subdued by a melancholic cloud that dampens the brightness. matt johns vollbart remix accentuates that mood, by stripping down the elements and locking them down over his own, unique groove..

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

this new release from hardcell proves what an exciting and versatile producer he is. this time ther are 4 tracks and as always they are hugely varied. the a1 is truly anthemic yet subtle with its vicious powerful synth line and haunting string stabs. the a2 is a groovy, infectious cut with sharp drums and clever edits. the b1 is a warehouse styled bass driven killer whilst the b2 finishes the ep in fine style with a more aggressive yet deep feeling cut..

beautiful deep electro minimal techhouse tunes with european ultra precise sound designs we like and subtle warm melodies, taking roots in both detroit and chicago tech feeling..

kung fu fan claude vonstroke offers something very special with seven deadly strokeswhich teases the mind into creating pictures of fighting scenes bruce lee would be proud of. vonstroke s production on this piece is nothing short of spectular sounds with attention to details so precise that you discover something new about the track with each inspection. patrick chardronnets remix builds and builds a deep rich atmosphere by keeping some of the original elements, adding a subtle deep bassline to this irresistibly grooving techno gem and a final magic breakdown that pleases every crowd from barcelona to glasgow

after the fabulous >cabannazik< ep our friends from minibar are pleased to introduce ditch, a dj on the tokyo scene for about 3 years. his debut release contains 3 stunning subtle minimal tracks, with dark leanings and obscure sound collages . definetly a well done piece wich will appeal to fans of minus, cabanne ….. a new artist to watch out for! played by luciano

beautiful 3 tracker with pulsating electro rhythms and blissed-out, subtle melodies in a classic detroit techno vein

aussie producer, ewan jansen, with the first release of 2006 from the moods & grooves imprint. a lush helping of deep, late night house that has subtle techno touches, with ewan showing his love of spacey chords, rich basslines, and terrace-flavored beats

well deserving of the title 'symphony electrique', the song starts off subtle with a thick 'tick tock' time keeping rhythm and moody science fiction sequence which could have been a lost soundtrack session for the x-files. the broad and melodic themes here are soaring and strong, the painstaking drum programming is intricate with its deceptively 'live' sounding traps. an engaging electronic exercise that spreads out extensively like a warm blanket on a chilly night, and yet offers enough meat on the bone to urge a bump or two in sound systems and home listening headphones alike

house nice funked up four tracker with deep grooving basslines popping analog elements subtle dubby touches and great vocal samples (sb)

neustadt 36 transfer dub-techno into a further dimension with the track euronion, a build-up monster with massive drum-patterns and a subtle chord-tension, pushing the climax of the track to it s limits. calm down on the flipside with ben & jerry, where ambient scapes float along a deep bassline, glitchy rhythms underneathà.sweet!

thomas new 3 tracker monsta aims strictly at the dancefloor. all kick in with surging electro house waves of bass and driving rhythms. sometracks are more emotional & laidback, with bleepy touch and subtle voices. big tune