ben sims ingoma label is now springing into life again after a break of a few months with a string of releases over the next few months. this new 4 tracker is the first of them being produced by new london based artist fase. the tracks are all in bens undeniable individual style with the a1 being the pick of the bunch with its carefully building groove and superb old school detroit influences being introduced gradually throughout the track. the a2 continues the theme with its off kick tribal rhythm with b1 really taking up the mantle with its mills influenced rolling groove before the b2 closes matters very expertly with a brilliant melodic tinged groover...

auf diese nummer haben wir all gewartet. nach so langer zeit kommt lo-fi mit diesem minimalhammer zurück. endlich & danke!

bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

the incredible ibiza mega club hit of 2005 and 2006 returns with two brand new remixes from no one else than martin eyerer and paul woolford! martin eyerer shows us a completely new shade of the track as he puts the distinctive vocals into a driving and very reduced but still kicking drum pattern. definitely something for never ending dc 10 nights. however paul woolford demonstrates that the trentemøller remix of 2004 is not the only version for peaktime action. >wooly< is succeed in giving the track a stark new and fresh kick..

introducing metropoliz (loetto and pavel lesnevsky). the russian electro-outfit that are taking the scene by storm. the chunky version of >gun< is high-octane, tripped-out, knob-twiddlin warp factor, slammin electro at it s best, all wrapped around loetto s gritty vocal. not for the faint hearted! support from eric prydz, tiga, timo maas, silicone soul, sweetlight

12inch version of new miami vice soundtrack. house, r&b vocal mixes! hit

after the massive hype of the duo bush ll bush singles >piano track<, >soulshock< and a long row of remixes for labels like subliminal, stealth, audio therapy and positiva, andry nalin comes with his solo-production >pornographic material< !

>what s your number? (john selway remix)< his interpretation is hypnotising you from the first second on, always giving you that funky punch from the background,letting the manipulated vocals fly through your head, slowly building up getting more and more drive – till you have the ultimate hypno-techno-monster – ready to setthe floors on fire! big: jesper dahlbäck, john dahlbäck, john anderson, cari lekebusch, zoo brazil, terence fixmer..

norman cook returns to southern fried under his mighty dub katz moniker to mark sfr s 100th release! very limited edition promo version,feat. the dope ashley beedle s mix

henrik van sivers actually uses hand claps, synth power and drum rolls and the result is purest, stunning 4/4 swedish disco music. for everyone who prefers the more minimal and dry way, the >meaty minimal dub version< will be just perfect. misc adds the necessary aggressiveness for the large-scale rave party, but still with loads of charme and esprit !!!!

steph highland is known from his first ep on german label glanzbild and on his own label elektro vibes records. for his debut on missive he delivers us a freaky deconstructed and groovy tech tracks..

repeat orchestra (aka stefan schwander aka antonelli electr., rhythm maker, one half of the duo swimmingpool as well as being behind >a rocket in dub<) returns with another 12inch in his purest form of his electronic soul, based around live-performances, orchestral instrumentations and deep house. in a post-modern manner, the >asafa chords ep< operates differently as opposed to the standard sampling clichès of standard house-tunes that we hear on each and every street corner these days. the two pieces follow a minimal yet above the norm musical approach, with tricky and advanced rhythms and a strong groove that lets the listener dive deeper into the world of a one-man-band, who likes to express his version of afro-futuristic housemusic by bringing deep chords, live-played strings and lots more of his personal flavour into his production. . the result is a warm and wonderfully musical expression on the dancefloor that will guaranteed stand out from the rest.

mazi gibt mächtig gas auf seinem freah meat label. diesmal kommen die jungs aus cancun, mexico. formidable old skool beeinflussete funky electro & house beeinflusste tracks... already played by karotte, sasse, dj t, ivan smagghe

ginny s unique 1983 slow burning >can t be serious< has some very intense vocals and has conquered the hearts of many. now finally available again, remastered from the original tapes. renowned jazz-funk fusionist clive stevens has a career spanning over 30 years and has collaborated with the likes of afrika bambaata, manfred mann, billy cobham and others. his 1983 >mystery man< track is a beautiful, exotic cosmic disco jam previously released on italian label >many records< and the german >frog records<. this rare and sought after track comes in orignal remixed version featuring famous percussionist/composer mino cinelu who has played with miles davis and weather report

anders ist definitiv ein space night zuschauer !! sehr detailierter techhouse mit erhöhten flächeneinsatz

isoul8 aka enrico crivellaro from verona has been on the scene for years and has recently been given the break he deserves by jazzanova who have signed isoul8 to their sonar kollektiv label. give it up is a prime slice of soul jazz and features the vocals of valerie etienne and comes with piranhahead and extended dj mixes

stantons new tearing track picked from there forthcoming stantons sessions featuring hip hop star sway on the lyrics

hot on the heels to his brilliant recent contribution to liebe detail records sven weisemann blesses us with more blissfull latenight house with a strong organic oldschool feel, driving synth pads and a real uplifting build up. after providing the last hit on mojuba oracy gets busy again and provides a mind-blowing dub version. this will fly out quickly and is destined to become another collectors item

die titelhelden diverser magazine mit ihrem neuen album. schnuckelige musik von schnuckeligen jungs !!!

nice price deal !!! euro dance track includes special dj versions

the sweetversion of let’s get down is based on a basic spanish guitarmelody with uplifting vocals and funky hihats. the funky guitar even gets a little outof tone sometimes, to give that real 12 inch feeling to it. the low bassline combined with the stabbing kick delivers a groovy summerfeeling to the track.the original mix is a powerful clubrecord with an electro twist. especially the fatchunky bassline puts the dance floor to work.the groove remix started out as a experimental version of lets getdown but the vocals were so catchy, playectra decided to produce a more groovy version of it. the rawsounding guitar and crushedhihats makes the track loose his sweetness to give the track a stronger and energetic feel. the long break in the middle of the track pushes the track to a climax. the filtered guitars and loud bassline makes the track a little bit french sounding

box jams remixed part 2. after marcus mixx its p79s turn to get remixed. daniel wang comes with a sweeet new-york disco version with warm sounds and an even warmer groove... very nice! major swellings (aka prins thomas) comes with a nice long building dubby remix with a great additional bassline and loads of percussion added... works like crazy (like basicly all the things he and his buddy lindstrom are touching at the moment). and a new bonus edit by the finnish wonder boys themself. slightly different from the original with a more loose feel.

dexter and marco passarani team up for one of the hottest releases on nature. kind of dexter meets passarani actually... chicago and detroit influenced trade mark tracks of passarani mixed with the razor sharp beats and phat basslines of dexter. the original version is probably the most advance mix with it sharp beats and funky basslines. the dexter mix is kind of minimal techno-ish funk or something, and the passarani mix is an excellent rocking chicago influenced house/techno track. very strong cuts which are allready rocking the dancefloors

tu rong unearth another forgotten nu groove classic with open houses seven day weekend in the motor city version a square bass lead deep techno gem. brennan green adds a new epic interpretation

taken from the dance classic track from double dee (1990), found love is now released in a brand new version produced by street lovers including a remix from freddy jones big vocals and pop synth lines could set this one right on the air on nys wktu & on the next vic latino cd already 16 years and it stills fresh

main vocal mix already a favourite of greg gauthier, the original by di pascali mixes fender rhodes and soaring strings with elements of funk and a killer baseline. coupled with the incredibly strong and sensual vocals of the talented laïa, the effect is guaranteed to take your breath away!rks dub version dj rorks take on the song is strong on keyboards, with a catchy vocal hook that will keep you going from the start right to the end of the track. definitely to be played to death.support by didier sinclair in love of breathe to fly, amnaye, léo cuenca, yass, greg gauthier, dj rork

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

ein überdrehter jamie lidell mit leichten zuckungen dürfte ähnlich klingen... gute platte

gestandener midtempo indie-disko, inklusive emperor machine mix und der gesammelten effektabteilung

scott wozniak and timmy regisford revisit angie stones biggest hit in a smashing shelter style with a raw dub version on the flip

the title track - one of the best tunes from the album - comes in an alternative version, whereas >sykkelsesong< was recorded live at goa club in rome, italy. >tempo tempo< is a new track, in true l&pt style: spaced out disco

underworld strike back & who better to take the helm on remix duties than the king of the alternate groove paul woolford. he delivers two dance floor friendly, quirky, bumping electro mixes. this also contains the underworld riverun breaks-style version that sounds ultimately dirty, grubby & altogether fresh

deep grooving soulful vocalhouse mixes by dj fatman and brando menella includes acapella tool not to be missed

freaky electro stuff..

a-side rising pharaoh. b-side rising pharaoh dub, rising pharaoh (bon johnson mix) a-side tech funky mover with killer bass, built around a bluesy vocal and guitar plus a faint but effective flute. b-side features a pumped up stripped down tech house leaning dub, simple and to the point with quite an infectious drive and cowbell thing that ought to get them on their feet. last mix is a full on funked up version courtesy of bon johnson

the father father remix takes you on a hypnotizing trip inside your bleeding soul. worgull isolates two single lines of oezlem cetins soulful sermon and creates a deep and dark dub version with many references to detroit and old school chicago. a future classic which shares the same vibes as henrik schwarz rework of walk a mile in my shoes. on the flipside is a nice reinterpretation of are we? by tony nwachukwu (attica blues), another friend of the karma boys, which features michelle amadors sweet vocals over a minimalistic detroit flavoured techno jazz excursion keeping the odd waltz time signature of the original and flipping the tune into an atmospheric future shuffle

einmusik rmx, boris dlugosch remx & original album version. 2nd great single from tok tok vocalist

long awaited, but finally bolz bolzs new album >data error< is out on world electric !! the vinyl contains 6 tunes of essential urban beats, influenced by the cities he has been producing in for the last 4 years, new york and london

rich production, heavy beats, huge b-line and gritty male vocal combine to make this record a guaranteed floor-rocker. cuba s favourite scouse cousins rhythm code make a welcome return to the fold, twisting the original into a slamming jacker with a groove to-diefor. dub versions supplied on the wax too for the vocal adverse. support from laurent garnier, sasha, steve lawler, darren emerson

der bassist von ladytron veröffentlich unter pop levi sein debut album. hier kommt die erste auskopplung mit drei songs zwischen westcoast rock, soul einfluessen und blues

dirty hardtechno schranz

heavy on the beats and vocoders with man parrish, sounds like early hip-hop and electro disco pop.. dub version on the flip !!

electronische housebombe mit rap, incl mason remix !!!

version 2 of the udg trolley bag for 60 records .. high quality

funky and soulful house version of the george michael song not to be missed

the mathematics label drops some previously unreleased gems from chicago legend lil louis. on the a-side you get a fresh version of the classic >blackout<. flip it over for a vip version of >wargames< that louis used to drop at the seminal medusas nightclub + >god is watching u<.