first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

awesome electric guitar sound spiced with touches of electro, the track being remixed in exclusivity by mox codeta (liftos) clubby and powerful funky love is a savant electro/funk mix on which fred de f confirms us his influences of the 80s. big kick, huge electro bass line with a sampled like vocal

sci fi electro tracks includes jackal and exzakt vs dynamik bass system mixes

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

all original tracks written by sutekh and twerk classic 2000 double 12 compilation with cool reconstructions by kit clayton, stewart walker mick harris and many more

who are the rancho relaxo allstars? this cast of touring djs + musicians is led by abe duque, john selway, dietrich schoenemann, susanne brokesch, jason bpmf szostek and prozac. >cowboy< begins with adr series house rhythms. stacks of analog pulsations, basslines and sequences hover around the beats. quirky cowboy based vinyl manipulations add into the blender. back room house gem. >cajosisa< shows the true colors of rancho relaxo. ambient laced atmospheres intertwine right before the galloping bass hook appears. 808 electro madness takes over. the soft transitions like a rancho party

african people is a shivering pearl of maxmimum electric minimalism guided by those bleeps & blurps we love so much about trentemoller! the track is basicly driven by a twisted noisy heavily modulated drum loop. jokke ilsoe strips the track down to it s bones & brings in modern electronic deepness combined with some bass action from below

incl. rmx by nick & danny chatelain founders of bcnrec , alex brinken & mischa völzke a.k.a tactik are in charge of the third release of the label. two tracks of techno with same soul but different vibes, tweeked and stressed analog in the bass-ment studios. includes a remix from the creators of one of the biggest hit of last year >is killing me< nick & danny chatelain

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

the 2nd release of carsten schorr s label on records is prod. by micha klang, the nürnberg based dj legend. this is minimalbut nevertheless melodic. a special highlight is the remix of tony rohr (cocoon/hidden agenda/dipolter records), one of the most popular live acts of the world, which will brighten up the early morning hours in the clubs! a comment of speedy j: track is the bomb… been hammering it last few weeks!

eleven tracks, split across two vinyls, hd explores every style, from downtempo, idm to acid, electro, techno, breaks and drum & bass, everything painted with hds unique style

another spankling new signing on the illustrious dirty dancing imprint, the belgian band, marcus. choice picked for your pleasure by cosy mozzy! they deliver2 harsher pounding electro techhouse workouts. check >f-bees< with its sizzling athmospheres & superbe rocking bass, a wicked & wild anthem on the dirty floor for quite some time now. turn over to the flip for more manic harshness drawing influences from some gigolo releases to come up with this late night stomper called >mystique<

the first part of the x-zel compilation series comes with techno, drum n bass and dirty electro by dj bold, david x, component and lxk !!

bass heavy vocoder electro..

rejected is joris voorn and edwin oosterwal. after their massive underground hit >for the people< on sound architecture records, rejected is back with the debut single on their own new label simply called rejected. this first release features two great tracks. on the a-side we find sl3, a track with a compelling bass-line, funky beats and driving stabs, a future classic! the track on the b-side is called cliché, a bouncing minimal techno track with strong percussion and a break that makes the crowd go wild. both tracks work great on the dance floor! you will definitely hear more from this label in the future. joris voorn has had releases on respected labels like green, sino, keynote and sound architecture. sl3 written by joris voorn and edwin oosterwal. produced by joris voorn. cliché written and produced by joris voorn

la place au soliel returns with a stunning minimal techno adventure. >leave me alone< is a deep bass n beats driver with a vocal from jorg bruckschen (eintakt04). the a2 track >simple< is a totally chilling downbeat track with warm atmosheres and a cheeky 303 sound. msq on ob the b-side represents the darker percussive side of frank hellmond and dieter krause. last but not least, >pussy cat< puts a fat smile on your face while listening and moving your ass to the dubby, easy house beat!

the 2 masters of tribal grooves got together and tributed with 2 trax each. boriqua tribez on the a-side is just the funkiest of shit you could imagine. the first track with a monster groove and after almost 2 minutes, the bass drops in and what a bassline! this is just massive. and after a white the beats comes in again. on the flip you find the other master of tribal techno, cave.

played: steve bug, djulz, a. schneider, jay haze, dan curtin – huge hit ! moon harbour has good news for you: a new artist joining our family – welcome samim! after big success with his projects >samim & michal< and >fuckpony< (together with jay haze) he debuts on moon harbour with his 3-track-ep. the bass line of -eco- (b1) paces through deep frequencies as samim throws in sharpedged snares, wistful dub-synths and an elusive vocalsample: this track is so catchy that it deserves the rare honour of a long b-side – its strong vibe just would have swallowed up any other tune accompanying it. skks (a1) will get you from a different point of view: forget about dub and minimalism, this one is a rhythmical display of fireworks. samim goes in for the full, tictac go the claps and vocal-samples jeer and jiggle everywhere. this track got guts, man!..

hot on the heels of the first remix package comes these new versions of >darko<. the latest and last single to be taken from booka shaden s acclaimed >movements< album, these remixes will have maximum dance floor impact! first up are brothers ali and basti schwarz, aka tiefschwarz. always at the forefront of house music, their treatment is based on a stripped back, stuttering rhythm and resonating blips and bleeps. it s the perfect track for when the club is locked onto the dj s groove, and the chiming bells make it sound even more trance-like. booka shade themselves are the next remixers, and their >le grand noir< is their live version of >darko<. retaining the original track s epic, infectious hooks, the remix uses a pumping bass-heavy groove tailor made for peak time or festival usage

justin martin is currently recording his debut album for buzzin fly and here is a taster >the fugitive<, a sick underground groove skewered with grunts, grinds and sub bass that finally launches into a gorgeous spring-loaded nu-techno ride. on the flip, more of the same, dastardly.

uh hugh, this side of the record is a story that tells its self. dirt mixed with crunchy melody and excitement, makes this mix of bouncing bubbly blobs an irresistible must have. low end sub loving bass lines and analogue riffs all together with a voice that tells it like it is >uh hugh<. this side also holds the fort as far as the oldschool is concerned. deep, lush and full on non stop madness. jump in and roll in it. viography. this vibrant electro pumper is another one of pig&dan s more positive good time tracks that has made the duo name more present in the boxes of the less techno orientated dj s. it s feel and vibe still hold the electronic imprint to be expected of their previous works, but with a melodic edge that is unique and has a smile appeal that reaches peaks of musical bliss. this production has its little twists that give it an acid vibe and a feel which was present in the oldshool

on the way, joey negros mood house piece echoed shades of the jungle wonz from the late 80s with its retro chicago house vibes and a rolling marshall jefferson style bassline. the original player 1 cut is already a rare underground classic with props from the likes of chicken lips, giles peterson, jimpster etc magik j adds a metro area/booka shade vibe to this dope bass heavy electro jam giving dance floor appeal for both deep and minimal heads

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

new label from sven palzer called puzzle traxx and the intention is to deliver soulful floor tools !! the first vinyl comes with a deep but bass-heavy psychotic tune by random play.. alex under makes an amazing remix with a big portion more drive !!! excellent label start

we are the grand kru and who are you?!? dirty maximal house rebellion track from berlin. dark analog beats clunking out of a 606 drum machine mixed with deep bass hits. long approach before the chant begins. long synth stretches highlight. a late night epic. ep is complete with instrumental mix and accapella. limited 450 pressing

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

jupiter black show their love for giorgio moroder. a rocking track with live percusion and of course the trade mark moroder bass lines by this new project from dusseldorf (john jupiter & michael black). comes with two remixes by elitechnique! they dropped a great remix with a balearic feeling! the dub version of their mix is also lovely. a nice smooth new york disco-ish version that slowly builds and changes into a funking disco monster. this works like crazy!

nanny tango presents the soulful, jazz folk styles of little angel by loretta heywood. loretta has previously collaborated with bugz in the attic, wai wan, afronaught, major force & with bomb the bass on the uk top ten classic winter in july. her sassy vocals & accomplished song writing has established loretta as a major uk talent, comparable to nu soul performers alice russell, joss stone & alison david

miami bass/hip house booty action uses timbaland & cassie samples >> produced by claude van stroke

the loose cannons return with a killer new cut entitled raw. the original mix finds the cannons dropping their trademark electro disco funk that is not that far away from superthriller. mixes come from cagedbaby who deploy a freeform five sounding mix while kissy sell out drops an almighty bass monster.

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

careless # 003 presents 2 drum & bass / breakbeat tracks by olivia fx a live band based in berlin >pinkus on the run< a dance floor filler with rolling beats and a rave hook line û classic build-up to a long-standing break followed by a sweeping e-bass and dark haunting vocals from lebanon born mc massiw le ghaza. finally hitting with full-on power to the end. high speed mania ! >> limited restock !!

the darker offshoot from the luxaflex label resurfaces after two successful releases. both cuts have received heavy rotation and positive feedback from many of todays key players. space explorers is the brand-new project from the serbian wiz kids marco nastic and marko milosavljevic! these men can easily be describes as two of the most promising producers of this very moment. after a fresh minimal cut on luxaflex, the space explorers return to its sub label and deliver a wicked bass-heavy minimal cut. expect to hear loads more from this new collab soon, cause just boys are just getting started !!

robbie riveras label are really getting things together at the moment!! here we have a hot new ep from tikos groove. on the a side is the bass heavy everybody jumpin, that will have your teeth shaking in there sockets. on the b side is the ace bouncy mover world of your dreams

its quite refreshing when a new label imprint comes along and the first release absolutely blows us away. this is a new sub label of zenit being organised by none other than alex bau. the sound is a refreshing take on techno with the tracks leaning heavily more towards a modern minimal sound but with still enough in to pack a serious punch on the dancefloor. the first release is a breathtaking 2 tracker from alex bau himself. the first thing that strikes you is the level of production with the a side, a deeper minimal tune with outstanding soundscapes and dubbed out basslines for the after hours set. the flip being a driving pulsey techno floor burner with acidic riffs and a seriously groovy bassline and percussion pattern

the seminal princess superstar returns with her new slamming electro-house project djs are not rockstars! while her albums on k7 merged hiphop with electro, the new outfit with alexander technique is based on exhilarating dj sets and delivers straight to the electro floors. here comes their first original release >v.i.p.< a heavy rocking dope song in four different versions

#3 of the >revisited< series… >like it used 2 b brothers< vibe kicks the old school mr. fingers bass (chicago house) sound a bit to bring you back to the days… >ride my rithum< cool filtered soul/funk groove over a solid track…sweet to ride!! >afro rican drums< hits you with electrifying timbale solo compliments of eddie cruz, remastered from the limited som release >collective grooves<

a funky four track ep by theefunkiest brazilian. standout track is >cuban jazz<, sounding a little bit like rick wade it digs in with hard beats lying beneath a filtered cuban piano line as a cool subtle vocal sample drives the track accompanied by a rumbling bass, well placed guitar samples and hi hats. the other tracks all solid with a chunky funky west coast flavor.tracks include productions by dj rod (greenhouse) and droors

third chapter of the electro bug bites parts with tracks by genderfix, dr. bass and hard rock sofa & full fiction

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

layne fox and triangle orchestras corey black team up as ruffy & tuffy for some tracky deep house with disco derived boogie action green gorilla lounge. mr. badass walkin fits that description perfectly, hinting at disco mania with the odd sample snippet while keeping the groove nice and sensible. dj m3 alters the track in an electronic style, adding a new wave accent, vibrating bass and the odd guitar lick. b side sookie nah is cool, building, slice of boogified house

another crater maker from the dmz cache, mala unleashes the up rolling classic left leg out. mercilessly driven by an insistent morse code arrangement and interlocking 4/4 polyrhythms this is an absolute winner from the man like mala. drawing influences from the rich soup of broken beat, garage and even funky house this one can slot in to any set with ease and drive a dance wild, just listen to any recent kode9 set, the proof is in the rewinds! the b side comes string with blue notez, a brooding slice of steppers pleasure with nuff dread bass, lonely sax licks and mutating snares for the twisup factor. you know you re going to love this one !! villalobos playlist !!

ovum is proud to bring you a release from christian smith & john selway. known for their amazing releases on tronic , underwater, and intec are finally a part of the ovum family. they deliver a main room monster in silver bullet. this bass driven monster builds to a huge tension filled breakdown that comes back in with a punch that will blow up any floor. already being championed by marco carola, adam beyer, josh wink, loco dice, and carl cox. slam has delivered a percolating remix that has a very old school feel to it. this could be played in a techno set as well as a house set. a very diverse package that should be in every djs record box

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

(da-fresh remix) with the demand increasing day by day missile is proud to launch this bomb officaily with the inclusion of a very rude and naughty electro bass treatment from the ever popular da fresh

do you like to dance tzatziki? can you feel the bass of kalamata olives? do you feel feta sometimes on the dancefloor? this are all questions our 2 doctors from athens can t answer you. the only answer they know is how to make the boopie shake. this is what they say. you need to proof? do it. boopie trap is a classical piece of malaka house music that will be reinterpreted by everybodys darling dario zenker from hometown munich and the so called boss popnebo himself. what else? their ghosts are also in da house. we hate to write about the music, because how do you want to say in words what the music should sound like? difficult. not really.

>einladung ep< features three varied pieces: >get the strings?< builds with loose, stuttering, metallic percussion playing over a locked bass/organ pulse before opening out into a beautifully detailed mix of chords, high strings and clipped vocal parts. >keep it< is a minimal percussion-based track of clicky kick drums and shuffling out-of-time hi-hats. >rhodes island< rides on a warm, repetitive chord sequence that refers back to the classic basic channel / chain reaction template