submissions moves on with regular pass and serves another serious speaker tweaker. bangin hardtechno at it best !!

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

imagine having six feet! once you crank this one up you would be making some severe moves with all six of m to this amazing 4 track banger from nitram! 6 feet under is the offshoot of abstract records run by kaoz. these labels produce a constant flow of the best hard techno material around, and involve artists like robert natus, marco remus and arkus p. nitram supplies us with nothing less! fuckstone is a monsterr!

capture records was born to deliver deep house music. deep grooves and deep emotions. the founder of capture records has a great passion for music and through this passion a musical energy is formed to capture the moment and memories of the music that moves us. its not all about the music but sounds in a particular song and how we translate them into feelings. its all linked to certain parts of our lives and how we relate to them. its a memory, a connection, a crushing feeling, and a state of mind. so after a while blueless is back with her latest single… house music the way house music is supposed to be…

after the great success with quietpoints pam ltd. series 1 – 3 (playlisted by sven väth, ricardo villalobos, ellen allien, modeselektor and others more) pastamusik moves on with another deep-techno-monster. this time by daniel bortz

kontra-musik 006 moves the label into the analog domain of electronic dance music. this kind of sound you only get with the good old analogues. the a-side, produced by the master of the modular system, pseudonym scaff, takes us deep down our favorite techno memory lane. if techno was the meeting of kraftwerk and george clinton in an elevator, ssm 440 is the outcome of jeff mills and maurizio having breakfast at tiffanys. this track is warm, dubby and monotonous but with a drive heading straight for the late night dance floor. the b-side gives us two unique sounding tracks from pseudonym aparatus. city tunnel slowly and elegantly grinds, cranks and turns while building its way towards dance floor bliss. x-presso is best described as periodic fluctuations of voltages in the analog domain. elegant details of beautiful sound take us back to the time when minimal music still was interesting. this is >techno< in the sense that the term was originally intended. enjoy cause analog is the bastard

as you can expect, chunky, funky low slung jazz house from the creaters of this red hot label. jacking percussion, with a funky slap bassline that takes the lead from the moment it appears, deep jazz chords and swirling fx come into play as the track moves into a infectious hypnotic state of control, one of their best works yet...not to be missed!!

dakar from well known german electronic live group dakar & grinser (gigolo rec.) is back with an solo offering on germanys finest exun records. 2 tracks to please different heads, and with each side reflecting dakars high quality production standard. >you are free< is maybe a so called typical exun tune - with rolling b-line, great arrangement, short lyrics and peak time attitude. where we have on the other side >käts<. a superb up to date minimal roller. but with more than just some off shore beats and subliminal effects. this track moves on and on, gets a rolling funkiness with every little step it gets added to, up to the timeless layers and chords switching the track into a special club weapon with just the right breaks coming unexpectedly and overwhelming. already plays by lexicon avenue, dj fex, alexander maier, dj linus, dave mothersole, fafa monteco

advancing from the success of his well received acrobotics ep joel harrison continues to develop his take on techno infused deep house with his latest sonic offering: future revolutions ep. first up comes acid boom with effected tabla percussion leading the way into a tough acid bassline, an irresistable kick/hat combination and continues to build with deep driving chords. second comes technicalities, which moves into a more minimal soundscape with a bumping rubber band bassline and filtered chord stabs. clean production and a tight mix will make this a winner for deep house and techno headz alike.

new funky and dark minimal trax by peter grummich !! the copenhagen based label wacked records is now back with there second release for with they have enlisted the help of berlin based techno legend peter grumich. peter has previously released on such respected labels as spectral, sender and kompact, and for wacked002 he has produced some groovy and dirty minimal techno tracks that will be instant dancefloor hits. wacked records is still trying to fill in the gaps between the usual releases with dirty weird and funky releases that moves dancefloor as surprises all the time... and for wacked003 vigo monroe have been enlisted again

baum records is a new label, which mainly will concentrate on deep dub techno and minimal techno. the first release is three track ep which are called buchenholz ep by resoe, who is the owner/founder of the label. moorpark is a deep track with fat chords and heavy bass for the dancefloor, which drags inspiration from the berlin heritage of basic channel. tsb is a more minimal track with smooth melodies that floats around in the wet space of reverbs and delays, but the deep chords still finds there way into the track. apart from space is a track of pure laidback mood with heavy dub influence, that just moves around in the spacious environment of plate reverbs and long tape delays.

played by andrew grant (dc 10 , ibiza), agaric, sarah goldfarb, someone else, troy pierce, remute and many more !! the new berlin based avant-garde label minimood releases a stunning debut feat. foundsound co-head fusiphorm and vidabs koljah. the green chocolate ep unleashes a high-quality triple serving of dextrous and sophisticated minimal click alchemy. fusiphorms a1 >green chocolate< lays down an early solid foundation by intertwining a pulsating bassline with minimal chipped beats to create a driving shuffling rhythm. as the suspense builds up, the track suddenly explodes into a grizzling, throbbing dance floor monster. with >mister blue< on b1, fusiphorm moves into deeper territory as he takes you on a journey through a bubbling industrial post-digital landscape. koljahs really gets down to business on b2 with his exploding cake recipe for how to make cake from green chocolate

new passage in the maetrik-regular relation that consolidates with this transform, new delivery of the man of dallas. following the line of the successful sexus published in may, this new delivery locates to maetrik in the best front sight of the best dj s over the world.. transform is a martian song, a disquieting voice that from the catacombs shows the way to the dance floor to us with a track evolutionary and hipnótic. acid uprock goes more direct to the objective, without contemplations. groove aggressive, dark and efervescent secuences. hexus is pure intensity. a melody sequential and marked that moves, moves, moves….

its been a productive month for the mood ii swing boys. the follow up to last months passing time, a collaboration with vocalist lauren, is a fantastically deep disco record that moves and shakes along with the best of them. the bouncy, wobbling bassline of the main mix simply demands to be grooved to, while laurens husky vocal glides along the airy pads and cheeky synth stabs. the dub foregoes the bassline of the original, opting instead for a more top heavy sound and taking the record in a pleasantly techy direction

metal on metal are three young guys who found themselves djing together at a small club in their home town of vilnius. 3 years later and the guys now run their own club in lithuania and are the only home grown act to share headline status with soulwax and the chemical brothers etc at festivals in the baltics.no front teeth is the first track they have ever recorded! it immediately started to build a word of mouth online with djs playing out the demo - one of these djs was kissy sell out who has been charting no front teeth in his top 5 for months.

chilling and moody deep house moves

big one for all the italo and cosmic disco heads!! >satellites are spinning< is an amazing disco oddysey which kicks off with a patrick cowley like electric bassline and the builds slowly. more and more synths are laid down to ensure for a mighty climax half way true when the lead melody kicks in. on the b-side we have this amazing vocal booguie tune called >u cant help but dance.< this can be compared with a moodymann meets theo parrish meets dexter wansel kinda song. whatever this may be, rest assured this nugget moves booty when dropped in the club. this awesome package ends with an electronic p-funk track called >zweap.< the mighty linndrum computer reminds of earlier prince productions and the crazy synths sound like amp fiddler playing on another dirty and energetic george clinton meets parliament gig

the a-side, >slap back< is a peak time, funk packed rave destroyer with all the right moves. shuffled grooves, doubled kick drums, slick edits and a monster hook equals a prime time bomb. tried tested and true, this cut is sure to raise the roof. >fridge funk< takes things slightly deeper on the b-side but follows suit to >slap back<. in its ability to peak and burn a dancefloor. layers of swinging percussion build up to a deep melody that breathes and filters up to the essence of funk, purely expressed in the monster bassline. to cut it short, this selection is simply massive and is sure to be part of your soundtrack to many a summer night sessions . dj support by tom clark, jeff milligan, laurent garnier

7 artists, 4 tracks and one destiny:electronic music for club, fresh, carefree, amused and direct.lucio & pep from italy bring a brilliant proposal of changing, intense, funny and deep hi-fi techno. the new association between bruno.d (citizen kain) + jaumëtic sees the light with >use your brain< a serious and effective track. adaptor is the union of forces between cj jeff + handle with care, 2 values in rise from greece, with a great remix of super flu who moves the track into a great tech house song

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

forward is a bold and brazen release using a variety of rhythms, the track moves through an epic journey, culminating in a breakdown that simply has been destroying dance floors keeping up the sound of spectrum mission to provide a range of mixes that will keep the most eclectic amongst you happy we see reworks from tony thomas, kids and tracksuits and the on fire (and recently decorated) hexadecimal

tensnake remix reverie of spring-like chords melts the atmosphere of a cold dark room in successive thrusts crackles into a light shining in carefree abandon. in the original mix of “oscuro claro” the laden groove - lightfootedly noisy - rolls staccato into furious compulsive sounds, majestically muted into a thought that - spoken after a short hesitation - moves the action away turning it into mere play

the netherlands industrial movement return with this melting 4 tracker by broken rule

the frankfurt based 4/4 electro label nordwest goes into the next round. labelboss and music biz expert olaf pozsgay, known from releasing on labels like systematic or raum…musik delivers two outstanding tracks for true arpeggio peaktime pleasure. the a side push contains body-jacking drums and a true arp-bassline monster, that modulates thru the keen arrangement – big breakdown included. the 2007 house version of sweetlights Überhit >abusator<! the flipside horses dont cry starts in a classy chi-town flavour with smooth chords and a funky bassline and then moves into a dope arpeggio that moves up and down and back and forth

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

known for his smacked up productions on 2020 vision and phonogenic audio, phonogenic aka tuomas salmela gives us his best work to date in the form or >orange leaves<. amazing production ties together this beautiful peace of finely arranged drums and humongous riffing, creating a fine mark for the wodka infused finn. for the b-side phonogenic delivers a slice of bubbly electronic funk with >dubby cop<. remixing >dubby cop< - milano s finest, boogie drama (aka lele sachi and sandiego) rocks the big floor with their trademark sound of phat kickdrums, bigtime breaks and lovely keys, ready to drop those stringpanties down. as a digital only special we include an unreleased phonogenic production >air moves< with a full-lenght freestyle man discotronix remix which warms up the disco flavoured hearts among us

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

gunjack, brian gibbs moves to tokyo in 2001 and begins to release music through the british sheep label under the >gunjack< moniker. after spending more time in madrid/ spain, working with a local record distributor and releasing hard-edge pounding techno he returned to la in 2005. bas mooy, over the years bas has been a resident and member of organizations such as exposure of sound, compound, strictly techno, phaze!1, resonance and inside. the last couple of years he has been working the decks at established dutch venues/parties such as awakenings (graansilo, gashouder), de effenaar, doornroosje, 013, waterfront, het paard van troje, nighttown and simplon

spiros started releasing music on u.k. based label hydrophonic rec. and from this moment his production skills made him key member of marco baileys family with succesfull releases on pornographic, rhythm convert, mb elektronics, and other labels also. in 2005 he moves one step more and creates his own imprint >omega audio rec.< together with his partner for many years axel karakasis. now he releases on zeabize, in the real zeabize style, funky and pushy..

wow, powerhouse pairing on this slamming new single for kingstreet. veteran nyc diva joi cardwell teams up with man of the moment producer quentin harris for a lush and intriguing dancefloor outing. subdued and catchy vocals get matched wit quentin s bumping, deep and electro-flavored smooth grooves on the a-side club mix. b-side is an extended instrumental jam with a load of hot bassline moves, soaring strings and key sweeps. definitely going to be a choice pick as the summermoves in

dancefloor three tracker as the eidolon story continues. don t wake up is a down and dirty minimal house jam! sexy and corrupting whsipers hint at joining the dark side. the bassline moves and thumps along side the hollow rim shots and falling keys. a huge track with a remix already released on patrik skoog s we are label

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

the i want my mtv mix takes the original straight to the dancefloor with a tough and techy outing that re contextualizes the vocal and injects a robo funk vibe thats guaranteed to get the crowd moving. on the flip, as the title suggests, the lightly touched dub moves closer with the original,staking a deeper vibe and more hypnotic approach, while emphasizing the elements and drawing out the groove. already a west coast favorite on white label doc martin needed two copies! the we are not mixes of rivers are poised to make their international bow with a club approved boom dj support from doc martin, chris fortier, chris duckenfield g pal, jon sinclair, solar, kostas michalis, reticent, deko ze, andy hughes, and shylock

brill minimal clickin tech trax

after the be-connection, blackpitchmusic moves on to the pt-connection. 4 portugese top producers deliver a track for this release. of course dj zé mig.l, an underground favourite, brings us another twisted chicago techno anthem. then there is a.paul, another veteran, elected best protugese dj several years. dj chich is one of the founders of blackpitchmusic, so he needs no introduction. and then there is vic miranda, a fresh new producer full of talent. an ep to look out for

the original moves from left to the right, up and down and back again with its lushious electric bassline, cleverly edited percussion and fresh vibe !! on the flip you will find another swedish producer whos also capable of injecting a firm groove with an extra turbo boost to get the show on the road !

bounding out from her hard techno roots, misstress barbara takes off in this new release, showcasing her love for all that is good music. refusing the standard one-genre-one–sound that most djs get pushed into, she walks over her own boundaries and treads off into the world of other genres. while stripping away the hard driven beats her fans relate her name to, she moves through an electro funk tech-house and minimal spell, throwing in her usual floor hitter that she will never really leave behind. with her new release >come with me…<, misstress barbara brings you two fresh tracks that.. dance floor go crazy.

shogun is a massive dry bassdriven bleeby discoid electro techhouse tune. ruff and dirty! with a solid groove that moves any floor out there. man of the moment serge santiago (radioslave) makes an excellent disco-ish touch remix..

naples techno sketch records run by davide squillace. with his urge for innovation and drive to create and explore various aspects of techno music, davide kick starts the minisketch sub-label as an outing for his more minimalistic explorations. the sub-label moves toward the deeper regions of techno grooves with as little ingredients possible.

jeff mills moves your body & touches your soul!

produced by krust! stepped out breaks and a squelchy bassline in true krust minimalist style. laws of attraction moves up a gear bringing dope dragon firmly into 2006 with an acid bassline

labelboss mhonolink invited upcoming talent carl falk !! he moves from distinct grooves, to thumping rhythm and energetic tribal..

busting bold musical moves from blackpool to auckland nz has made magik johnson a house music heavyweight in both hemispheres

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

sven dohse comes back with the nasty electro-techouse 12inch rumble / rack to challenge the crowd for a sweaty duel. in round one rumble hits you right in the face – with uncompromising beats and its dirty digging bassline it sends you directly to the floor. this track monster is pushed forward by strings near to collaps, fairplay is up to the others. round two gives us the charming b-side rack. dominated by smooth and firendly vibes, this musculous and merciless funky track simply moves everybody to the dance floor! this record is dohse at his best: rocking down the town!

starting out with a deep melodic techno track reminiscent of the early nineties making a quick stop in minimal land this 12inch moves on with just straight up weirdness following up with two electro stompers it finishes with our answer to electro clash .... if u cant find something u like on this record u dont listen to electronic music period. multi artists from detroit

sasse and tuomas, 2 friends met up for lunch at the local supermarket ( keskisen kesäkauppa ) in tampere, finland ( were tuomas is living ), went straight to the airport, took the first flight to berlin and locked themselves up in the famous blackhead studios in the illfated chausseestr. are in berlin mitte. the result is a quirky, acidic remix of 'supreme' by phonogenic and a syrupy boogie take on 'air moves' by freestyleman

the a side give us a robo house groove with a funky cut up disco kick..the caro mix moves more dubby and the pipebombs for crackheads mix is a buzzing masterpiece of braky steve bug-gy elektohouse!!