after quite long pause methadon strikes back with 8th release. like on the previous one we meet our hero tomash gee again! crack machine is a crazy distorted shit with unbelievable breaks inside!

two smooth glenn underground instrumentals with jazz funk and disco influences.

we are have found some amazing tracks to release on the golden number ten of our 10 inch series. the aside track goes under the working name passing and is signed raudive. londons prime techno producer oliver ho is an old favourite of ours and really hits the spot here finding the perfect middleground between dancefloor drive and trippy flow with a solid hypnotic bass, voice elements, distorted instruments, simply great work. for the flipside we are very proud to introduce the debut track release of kroppssprak. we just love this track for its out of this world funkyness and miniscule detailing.

after several works on sound division, southern fried and remixes for some of the most popular producers worldwide such as david guetta, bob sinclair or erick morillo he presents his first ep on our own imprint with this massive 4 happy people ep. his original mix is all about bass. distorted, mean and loud and actually a pleasure to use for kicking serious ass. the tea mix is more driving and fluently building up with steady percussions and filterings on the bassline while the alex delia remix focusses on minimal aspects and fragments perfectly twisting the tune for the likes of any underground set

following his debut single breathe to fly on skipper records, parisian resident and label head honcho di pascali follows up with a fantastic house floorfilleron his new label dp records titled heaven. a sparky funky electro house groover. heaven comes packaged with all the essential credentials to va va voom the dancefloor! fellow frenchman distorded delivers 2 fabulous remixes jammed with punchy beats, soaring synth sounds,addictive key hooks, dramatic breakdowns, topped off with heavenly vocal harmonies. whilst di pascali puts one in the back of soulful house net with a deliciously bubbly us garage flavoured groove with more kick than thierry henry!

bigroom house number with female vocals. includes slammin arabic flavoured denis the menace remix

the bear family is obviously not ashamed of their thick, flowing fur which might explain why the special k dance orchestra addresses a musical ode to kinky hotshorts a midpaced space boogie tune with robo vox and gyrating space gun sounds galore hotshorts is the perfect theme fur struttin around and displaying unshaven bear legs in all their glory. the flipside holds a darker, distorted piece of funk soaked house. let it grow

t junction & osiris team up with mc syco to drop this brand new hardcore bomb livin the hard life!a track that breathes through the hardcore blood and oozes energy when unleashed at high volume. melodies and kickdrums change pace from distorted kicks alongside in your face vocals to breakdown chills.both producers deliver an individual contribution to the release with two solo produced tracks on the b side under the titles of remember the name and guns and missiles.a superb 4 tracker trapped on 12 inches of vinyl with the potential to hit hard, t junction & osiris take the hardcore mass to new levels of madness

energetic geetar heavy housetrack with distorted drums & rolling bassline, plus the chilled, throbbing sub bass track rattlesnake incl d dub remix

heres two new uptempo instrumental tracks from lindstrom just in time for the summer. breakfast in heaven sounds like something edward grieg could have made if he ever got a chance to work with sequencers. blast of loser is a percussive track with distorted clavinet-feedback on top of simple rolling drums. bol has been remixed by mungolian jet set last year, but its about time to release the original version

another incredible, time- and boundariless offering from john daly with waves of distorted synth incessantly ascending, overlaping, collapsing over a simple but effective house beat gently pushing you into a calm state of euphoria. flip over for a beatless ambient version reminiscent of experimantal 70s synth music

brother, the second track of reeads album take what you need was conceived in collaboration with guillaume françois & johann querne. this track has an unusual pop rock touch quite different from rewind, reeads first track selected to be on the official compilation of the 2007 winter music conference. brother is just as diverting & enchanting as the album. it reflects the artists will to widen its musical spectrum focusing maybe a little less on the electronic influence of his music and going back to the essence of it. brother thus features a steady voice accompanied by a strait guitar & an efficient bass line. without a doubt, the single and ep will conquer its audience thanks the several remixes that will rejoice the electro music fans. reead >brother< produced by reead written by reead, guillaume françois & johann querne.

distorted hardcore breakbeat using klfs >last train to trancecentral<

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

most people need drawers to put names on styles, to define music to a short range of elements. those will have a hard time describing this new masterpiece by uk based dino lenny & simon duffy. combining units of minimal, techno, noise structures and a certain rave attitude at the peaktimes they really make ya feel lost in a positive way. who cares about styles when the result is working, and this combination sure does wether youre at a club or even looking for the perfect track to rock the open air season this year. yellow tail scores big time again with this underground peaktime burner! andrea doria twists the original into a more >electroish< direction. distorted leadsynths with strong mellos leave no choice but to raise the hands and celebrate electronic music the way it should be done, wild, obsessive and free from the daily worries. this is huge

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

phat big room styled sexy electrohouse rmx

electro edged dark progger includes a kobbe remix

two figureheads of detroit house and techno join forces again for this shuffling, distorted mid-tempo techno cut. heavy platter

sandy warez drops a monster ep on the corporate label with 4 tracks of hard distorted madness.. supported by rush, paul langley, jaime bissmire, rowland the bastard and lenny dee

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

alex bau has succeeded in creating a truly awesome brand with the credo imprint. the first 3 relases have all been extremely highly acclaimed and have been working extremely well on the techno floors across the world. this release again is truly cutting edge with the a side being a distorted bass heavy techno monster with its heavy rumbling bass and very cool 3/4 drum rhythm. on the flip we are treated to another blistering cut as this time the influence is old school elctro with its rolling break groove and heavyweight bass and synth sounds.

style of eye aka linus eklöw always saves his best work for tiny sticks. previous releases have come on the legendary classic recordings, mouthful, doubledown records, sugarcane and eye industries. following the success of his bigger sounding releases, hes back with a more stripped down, underground selection. rockett evolves around a very funky groove, a track with a lot of swing, it has all the hallmarks of a massive tune. sounding similar to john dahlback s huggotron style, a huge distorted electro riff takes over and drives it higher and higher. rockett comes with a dub version too. l.d.r. starts off with a bit more subtlety than rockett. starting with a lovely bouncy shuffling groove and expanding spacey keys and then getting more and more pumping as it goes on with giant drum rolls and shouty vox. another big one for the underground heads

three tracks on this single there is the slope remix of daniel maggs o bah, which with its delay loops offers something for the deeper moments on the dancefloor. apart from that theres two remixes of tracks taken from the last slope album komputa groove. while house grooves ruled on the first 12 to be taken from the slope is dope compilation, this new single is more about broken beats. charles websters remix of nothing like this feeling embeds ovasoul 7s vocals in a playfully distorted, grainy synthesizer arrangement which is driven on by a nervous snare. the want choo longa edit by bugz in the attic members daz i kue and afronaught goes even further beats with an afro touch and a typical bugz bassline makes for an absolutely compelling recipe

be ready to get much productions this year coming from chris kaeser.releasing productions & rmxs from stonebridge, arno cost, hatiras, sebastien drums, chris ortega etc.new chris kaeser and rita campbell features distorded stonebridge dim chris & arno cost (magenta) remixes.

thom yorke is the pen, voice and soul of the rock group radiohead he has just released a solo album the eraser and that is where this story begins. abandoning his guitar get-along gang for the cold warmth of his computer and underhyping an album that should be plastering the walls and buses of your local city, the anxiety ridden and morose yorke cuts to the core of the dark state of humanity, unapologetically commenting on the zombies that were once humans. on this extremely limited 12,the album title track the eraser( already big with timmy regisford ) gets remixed in a distorted detroit style by slow to speak, following up on the recent bjork, u2 & arc gospel choir reworkings. on the flip is various acapellas of thom speaking on the current state of society and commerce and the radiohead song climbing up the walls, which in some strange dysfunctional way is married lyrically to the eraser. comes in a hand made silk screened jacket

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

crazy fucked up hard techno sound on the killaz sub-label. supported by mark hawkins, dj mahatma, dj minupren, torsten kanzler

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours

its a nice release which include 6 tracks, very dancefloor oriented and powerful, in the proyecto mirage manner. strong distorted noisy rythms, screeching sounds, killer crazy synths and >battle< vocals, pure energy ready to blow your speakers. theres industrialism gothicism electroclashism

amnesia resident paco osasuna shells out another gloomy minimal, kicking double-header proving he s well versed in the art of moving butts. the aplty titled >move< pulls his pressure from the distorted whipping snare rolls that frantically step tumble all over the clicking beat. on the flip paco injects some funk with a short, dangling guitar lick stabbing into a busy beats, a growling bassline and nervously shuffling beats. dj support: dj t (get physical): >a1 is nice moody, it s in my case.<, laurent garnier: >nice funky a side. will play it out! <, tobi neumann: >fette techno nummer, sexy und hart. full support!<

subbasslines, squeaking synths, some distorted sounds, percussion loops and a rocking feel. definitely a peaktime bomb

shake that booty is an ultra minimal and not incredibly mastered jacker with a fairly distorted tom sound and some sporadic delayed laughs and giggles throughout. soul train is, as the title suggests, based around sampled strings from an old disco track the b side is stronger, with crazy edits hyperactive tom patterns and noodling organ riffs

distorted analogue & afro-tribal grooves lenny dee vs. the shredder aka guy mcaffer !!!

on the second methanabol we welcome tomash gee again, who confirm his strong position on the hardtechno scene with his last releases on labels like toolterror, cannibal society and matame. again we have two distorted monster schranz tracks !! 17.07.2006

adult only 26, produced by chris carrier. he offers a 3-track ep of complete and eccentric techhouse jack. we find chicago grove on kung fu grip, mixed with distorted techno sounds, followed by flammable lips, a little more minimal with a sensual spanish voice. the last track, sure shot is a tribal dub, already supported by phil weeks and mark farina

>suggestive and extremely cool beats into danceable electronica with a firm shot of rock injections, very much in the vein of releases on dfa, output, krikor or gomma burst into a very promising and sexy crossover between elektrotechtrash and rock... greasy electro with keyboards, laptop, distorted bassguitar, a föhn and a drill machine plus three rockchicks, an mc and a female dj…<

another effort to throw all the teen age memories of all disco-punk-funk matters on to a single record.once more we exploit the voice of amypop over a solid straight disco beat, some heavy arpeggio bass and distorted guitar stabs

2 slabs of dark twisted breaks for angry young men from the guerilla tactics label expect distorted b lines crunchy beats and plenty of attitude and you wont be disappointed

iken returns with his second release - another atmospheric house-influenced journey..this new ep features 3 tracks… the distorted dirty disco workout of the title track aspects, the shimmering filtered funk of in touch, and the mysterious pulsing drone and eno-like moog shapes of december spring.. the first pressing of aspects also includes the bonus 7 single minds eye / close range (real soon, rs-008)!!

two monstous stormers from one of the most brutal hard techno artists around, robert natus aka brainshaker !! driving industrial kicks are spiced up with fierce distorted snares, hats, fast and freaked out breaks !

a1 starts with a pleasant warm mood. short, funky keys, a cool bassline and shuffling hihats push this track forward - smoothly but surely.>breast milk< on a2 starts a bit more aggressively, with a slightly distorted bass sound and some rough beats. added chords mixes the rough atmosphere up a bit, finishing in an extraordinary mixture which makes this very special piece of club music. the flip side boasts trapez artist alex under s splendid remix of this track. the rework of the spanish producer delivers an unbelievable bomb of funkiness and high-end groove. enormously powerful music, presented in such a fleet-footed way. big fun & frenzy on all dancefloors!

new bangin hardtechno label created by frank kvitta .. this four tracker by labelhead himself and ben santo contains evil grooves, distorted madness and furious bassdrums !! including switchblade mix

this amazing 4 track ep combines slamming distorted 808 beats, electric harmony and distant melodies.. supported by david caretta, tommie sunshine and mark verbos..

driving electro tracks by this cool german producer duo nitsch & gleinser (voltage musique, pocketgame) including two remute (weave, areal, dial, trapez) remixes (sb)

make a move is a no holds barred dance floor assault. with its distorted vocal sample, growling bassline and fat as f**k beats this one needs to be road tested on a big system for full effect. dj support james zabiela, soul of man, hyper, danny macmillan

mark & john = mark o sullivan & john dahlbäck! an extra-fine ep including three amazing tracks. the titletrack most dangerous animal in the zoo is a banging acid-techno track which will set dancefloors on fire with its punching kickdrum, dark synth-lines, distorted vocals and the hammering hihats. trap 2 builds slowly into a more minimal acid track with a floating melody while last chance to see is a very dark track with a speric atmosphere, manic whispers and a spooky melody

by lance desardi also known as landshark. this time out, under the moniker tiburon he throws you down into the darkest corners of his heavily stretched imagination. the rawest drum patterns and grittiest electro basslines back up by nastily distorted vocals hinting at the possibilty of an increasingly tortured escape. if you have escaped side a unscathed, head straight for the flip for a funkier driving instrumental mission. keep your hands on the wheel for this one though as there are plenty of sharp turns and curves leading you through a state of profound unconsciousness, coma

the four to the floor of the apocalypse.. bad and mean techrock popmonster with intoxicated peaktime beats, coming along with heavy distorted basslines to crack some skulls.. a sure shot for all sexy and radical headbangers..