new tracks come and new tracks go, but olav basoski will always be there, as a solid rock in the stream of todays club music. here is his new funky electronic house groove da beat kicks. and when it kicks…you defenitely start rockin! together with a strong dub on the flip, followed by the rock da beat, another rootz records gem sees the light of day

marco remus can be considered as one of the leading techno jocks when it comes to pure, hard jacking techno material. 10 furious years of nerven records are about to be celebrated and documentated by labelhead marco remus himself

hier dreht es sich ungelogen um eines der übertriebensten stücke musik aller zeiten: die apokalypse, takt für takt gefühlvoll neu erzählt. grandios

wink is back at it again with the long awaited follow up to >516 acid<. this is the first time these tracks will be released on vinyl. >swirl< was featured on josh wink s acclaimed mix compilation profound sounds volume 3, but this is the first time a full version of the track will be released. in wink s signature style of creating tension, he full delivers on swirl. the track slowly builds and takes off when wink adds in his signature 303 bass line. like one of wink s dj sets it goes through many peaks and valleys, but it is the tension that is created that will drive the floor nuts. the b side is >have to get back<, which had been released on minus records min to mac comp, but only in an instrumental form. this is the very rare vocal version of that track. again wink provides the tension in this dark affair. the addition of the eerie vocal will remind people why he is the master of the bugged out production

rmxs by vitalic & david carretta, crash course in science (ccis) is an electronic musical group that was formed in 1979. the band was formed as a way to explore performance art and music, which the members desperately needed to express. .. this 12inch contained the songs >cardboard lamb< and >flying turns< which are two of the bands most recognizable tracks. this record has been regarded as influential to the techno industrial genres and was an early inception of what is now known as the >electro< sound.. one remix made by the crash course in science band themselves in 2006 !!! amazing uptodate remix done by the original member, which sound incredibly music of now. another remix made by vitalic , which gonna be a classic hymn for clubs as always when vitalic rework a track. and the last remix done by david caretta who give another dimension to the original track. this crash course in science band have been many times sampled by artist of today, now you know from where comes the original

rmxs by kiki & nass, support comes from silversurfer, kiki, geiger, audiojack… stereo & flatner two bavarian phitness phreaks, are working out, making their typical flat stereo sound. from munich to your minds over muscle: the newest sporty outing of these two studio athletes that don t seem to know boundaries or limits when it gets down to making a track work. sweaty, breathless and stripped to the basics – their newest release comes as raw as a foot peeled out of a sneaker after a long, long weekend

inc. rmx by koletzki & meindl, another big name in 2006 sweden techno land definitely is Özgür can. complex rhythms with spheric overtones is what his definition of techno is all about.. pure club pleasure guaranteed! 84 shots works with a groovy percussion lick and epic bassline atmo – djs should hand out helmets when they put this on! on the flip the new german techno version of bud spencer & terrence hill: oliver koletzki & florian meindl known from releases on cocoon, balkon, stil vor talent or flash turn everything into their trademark sound! fascinating..

limited japan 12inch edition with dark and futuristic electro cuts

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

a big forgotten chicago club hit from 1984! pre-house release from knight action which came out at the very beginning of electronic dance music. before house was house... before techno was born and when club music was just called disco. single girl was a big hit in chicago clubs like the music box and was played by ron hardy and all the hotmix 5 guys (farley, mickey oliver etc.) and its still a big collectors item. made with the first electronic instruments and without any pretentions... just made for the fun of making music. d-rail is one of the very first steps to jacking house music. another (almost) forgotten piece of dance music!

3 track re-issue of three killer rare tracks from the crew behind the automan series, future state >future state< has a definite proto-house / techno feel and was bigg in both chicago and detroit when it was released in 1984, also included is an 82 cult hit by codek

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

the 4th installment maybe the hottest one yet! hard to top such previous quality but when there is a will there is a way. >gonna make it now< is a super-rare disco joint only released on a white label in the 70s and played by chicago s superstar dj ron hardy. re-edited and released here for your dancing pleasure. on the flip is some classic last poets agitprop >niggers are scared of revolution but niggers shouldn t be scared of revolution because revolution is nothing but change, and all niggers do is change. niggers come in from work and change into pimping clothes to hit the street and make some quick change<. a stone cold killer

originally released 15 years ago on strictly rhythm when djaimin teamed up with vocalist crystal re clear this is the second part of mixes in 2007 feat 2 mixes from the pastaboys plus 1 from djaimin himself

morris audio celebrates the 50th release with a superb 2-tracker fully swiss made !! shaka (floppy funk), one of switzerlands finest producers when it comes to detroitsh sounds, presents >the coming< – a track catching a detroit/chiacgo/sheffield vibe of the early days tuned for 2007! bleeps, strings and basslines. the remix on the flipside comes from one of the hottest guys around, deetron.

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

more hard or impossible to find ze mig.l material re-mastered & re-released on minimalistix.. and this time with a remix by danny casseau. be sure to check >squeaky rubber dummies< it did a lot of dammage back when it was released..

phreaky minimal bassy monster! growing up in a small town in southern germany, joachim landesvatter s main musical influences came via his older brothers in the form of bands like zz top, lynyrd skynyrd and uriah heep. these narrow boundaries could not contain his ever-evolving tastes, however. he soon found himself enthralled by german acts bap, die rodgau monotones and the scorpions, to name a few. the real turning point came in 1991 when he discovered the techno music being played by local djs in the small, rural clubs in and around his hometown. using techno as a springboard, he jumped ever-deeper into the quickly evolving experimental electronic scene and all of its various permutations

marc schneider comes around with a new 12 inch on hamburg based label was not was called >sniper ep<. the a side starts like a shot, to be thinking not to arrest somebody. groovy percussions, claps and hihats open the round dance, mysterious strings and a cryptic nice little melodie rounding this tune. when you get to the part of having to turn the record over you will be pleasantly surprised by what you find.. another assassin, hell yeah, hard pumpin basskicks, a dusky bassline, dark vocal snippets and psycho-soundscapes stand for for their own, party hard! the >sniper ep< is an unusual record, clever mixture of banging minimal sound and ravey structures, at the end there wont be survivors, only shoot dancers.. tip

hot on the heels of the first remix package comes these new versions of >darko<. the latest and last single to be taken from booka shaden s acclaimed >movements< album, these remixes will have maximum dance floor impact! first up are brothers ali and basti schwarz, aka tiefschwarz. always at the forefront of house music, their treatment is based on a stripped back, stuttering rhythm and resonating blips and bleeps. it s the perfect track for when the club is locked onto the dj s groove, and the chiming bells make it sound even more trance-like. booka shade themselves are the next remixers, and their >le grand noir< is their live version of >darko<. retaining the original track s epic, infectious hooks, the remix uses a pumping bass-heavy groove tailor made for peak time or festival usage

superfunctional floor fillers based on simple ideas and created with that special charme not being new to the game mr leger is quite a luminary when it comes to extasy in the club

2 lost disco gems originally released in 1979 feat rufus and chaka khan who had their biggest hit in 1989 when they joined up again for their world wide hit aint nobody

big buzz around this track, especially when the olav basoski and thomas falke mixes where finished! big support from the house dj-elite!

another made to play release already? what’s going on? well you know when we get the tracks they must go straight out, no three months promotion lead up here. so here it is another piece of vinyl that you will ether love or not. it’s stupid… just the way we like it. made to play @ panoramabar, berlin – monthly session starts 11th november with jesse rose, chris duckenfield and rob mello

after the big success of their first collaboration album the one family thing, here is the follow up now and after a relatively quiet period for productions the two german djs/producers hit back with a vengeance with a strong album release that has set a new standard for both of them.. supported by gayle san, the advent, dj rush, cave and dj preach

its quite refreshing when a new label imprint comes along and the first release absolutely blows us away. this is a new sub label of zenit being organised by none other than alex bau. the sound is a refreshing take on techno with the tracks leaning heavily more towards a modern minimal sound but with still enough in to pack a serious punch on the dancefloor. the first release is a breathtaking 2 tracker from alex bau himself. the first thing that strikes you is the level of production with the a side, a deeper minimal tune with outstanding soundscapes and dubbed out basslines for the after hours set. the flip being a driving pulsey techno floor burner with acidic riffs and a seriously groovy bassline and percussion pattern

incl harmonic lovely anja schneider rmx !! plasmik are the brothers roman and marcel fritz. both originate from black forests finest city freiburg, located close to the swiss border. the time came, when both went different ways but now in 2006 the brothers hooked up with each other again in berlin and continued where they stopped ten years before. since then they are on the quest for that timeless sound, which fascinated both in their musical past so lastingly. the first results of their promising reanimated collaboration are the tracks >eight to nine< and <ahead>

theodor zox is one of denmark s upcoming producers. he has already released on well-known labels like tic tac toe, 3rd floor, textone, thinner and morris audio citysport. >dark liquid<, the flollow up to his much acclaimed >crystalized< (m.a.citysport 27), is a proper deep techno & house minimalism release in a alex under vein, where harmony, texture and propulsive rhythm are the most important ingredients! his love for music started at a very early age, when his father, a disc jockey of the 70s, exposed him to jazz, funk, disco, dub - and kraftwerk. theodor zox uses all his creativity in exploring, experimenting and refining the minimal music

after his release on silver network mr. jackson steps into the more electrified fields of house on jef k s crack and speed imprint. a dirty, rancid straight in your face production - not for the faint hearted, but works like a banana when you re hungry. a side is a sureshot reminding on suburban knight s art of stalking

we re going fresh and with a new drive in the next round…with käthe and steffi we probably have the 2 hottest girls that you imagine. both are from the neighbourhood of the producer - probably to get a free ticket to the eternal live. you know how it works – girls love it when you take care of them – and that is what he did with love to detail!

remixed by the mighty zdar from the mighty mighty cassius! feel it feel it is tacteel s most violent track ever, and zdar s remix puts the iron fist into a velvet glove. he dials up a new sonic weather, with fresh guitar clouds and a new bass wind. all the elements are weighted with utmost care then layered onto the live bassline like it s nothing. but it s a lot. he makes it sound ibizaeasy, feet-in-the-water-easy, wind-in-the-palm-trees-easy. when house is that fluid it feels like dancing among friends, special secret steps only your friends really understand. a big one from the institube

maschine number nine integrale - inside features two tracks by solieb. integrale on the a-side is a bleepy pumping track that s filled with small effect and percussion gadgets topped with a melody that takes control from the middle of the track and turns it into a remarkable musical trip. inside on the b-side is a freaky minimal electro slammer with a fat-ass groove and a load of glitch on top getting transformed into an serious floor shaking beast when the bassline comes in

although he keeps his head just under the radar, jon cutler is not exactly against producing really big club tracks when he puts his mind to it. south slope sees him channel his energies into the kind of show stopping tracks that the likes of kerri chandler, dennis ferrer and quentin harris are famed for, but with a deft jazzy touch which they often ignore. the ibadan style groove is bedded in with a wonderful organ solo that serves to take the tune to the next level, while the dub mix drops the organ for a more shelter friendly tool

the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

with this the 3rd instalment of hells my definition of house series, two new massive gigolo old-school tracks are resurrected for the pleasure of a modern listening public. this time the blasts from the past are >searchin< by 33 1/3 queen and earth peoples >reach up to mars<. theres a fine line between classic and dated. hell knows this well and selects only for his series 12 >my definition of house< which were groundbreaking when they first appeared and still sound hot to twenty-first centaury ears. so keep your mind and ears open, for you never know what hell will dig up from the basement next. stay tuned for my definition of house pt. 4!

a side is >drops 4 hearing< - burning and energetic - it is penetrated by a condition of heroic validity and may drag people into hypnosis condition. b-side is >dance with me<… a mover in the heat of the party, when passions are overflowed, the public suddenly begins to run from the dance-floor and you don t know how to stop it, play this track! good after stress!

set up by dave taylor (switch / solid groove), dubsided is one of the most highly respected and innovative house labels around london. dj and producer amos damon a.k.a. dj fame drops his first release on dubsided - >name it x< - bringing some edgy attitude to the dubsided sound. fame is dubsided s first international artist and marks the label s ninth release. fame, remember his name

markantonio label !!v when he started his label in 2001, it farily soon turned out to be an ever growing success since big players like rino cerrone and marco carola picked up his outings. for this latest release markantonio combines the >old< with the new and presents a wonderfull collection of established artists and fresh young talent. cisco ferreira aka the advent opens up this ep with nuttin but quality - followed by killian of the cobra label. maurizio vitiello is a new kid on the block and for sure one to look out for

features none other than mory kante,and when combined with the production talents of darren tate the results are simply dynamite. hammered by judge jules

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

1999 classic release 1st release on ae recordings as well

schoenes, poppig angehauchtes electro album von den knaben, die musikalisch z.b. von depeche mode oder new order oder auch frank sinatra gepraegt sind..

in the wake of raudive aka oliver ho (podium 1) comes amsterdam native shinedoe who with her 2004 debut >dilemma< (on 100% pure) instantly accomplished what others never achieve: respect and support by the likes of väth, hawtin and villalobos. her style: straightforward, strictly functional detroit techno - with an essential and effective touch of soul. as her debut album is expected for september 2006, we may catch a glimpse into the near future with her track >amsterdam meets berlin.< here, she does what she s best at. she uniquely creates atmosphere with just one chord, relying on the power of harmonies. but watch out. when the dreamlike vibe leads to a sudden change of keys, we re all puppets on her strings.

if there is one overall trend to spot in the wide fields of electronic music over the last years, it is the reversion to emotion. in a time where tracks are becoming more and more anonymous tools, melodies, references to pop music and recognition are seen as a design element and not as a blemish. to be honest, this recurrence was desperately needed, because music was always at best when feelings and not the mathematic of clicks were at the centre of attention. soda inc. reached this point of intersection already with their debut album >full moon< one and a half years ago. with intense anthems such as flight su 118 babak shayan and jon silva have created the deepest and most pictorial vision dub related techhouse had to offer to our hearts and souls. a solid basis to build up for the early summer of 2006....

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

hier die 2006er kompakt leistungsschau mit dem sound für 2007 !! must have collection >> 3x12inch

aphro pzyko aka danilo plessow (from inverse cinematics) delivers two afro latin inspired broken beat jams that will make all co-op fans go all nutty guerillero is a furious stepper with large b lines and a massive breakdown. feel it murder all competition when the beats drop back in again lo bailo goes even stronger for the afro latin theme with tribal chanting, heavy percussion and soulful broken beat