donato dozzy delivers a deep and moody a-side track, while the flip is more percussive and funky minimal stuff

masters at work bring their incredible style while incognito add their vocal in a massive tune looking to dominate the dancefloors! solid percussive and musical terrain overlayed with a dominating and uncannily groovy bass riff as the lyrics are sublime and hit a chord inside your soul incognitos interpretation is sincere and is well contrasted by brilliant background vocals the orchestration of guitar, warm violins, keys and bass heighten the level of this songs sophistication the soothing voice and the songs message will command you to dance! remixes by little louie vega and kenny dope gonzalez, the ultimate pairing with that nu yorican sound of m a w! refreshing live instruments compliment splendid vocals constructions chorus that builds and builds to the heavens essential!!

this three track ep starts with the title track >walking alone<. showcasing mike’s attention to the deepest details, this track begins with warm, fuzzy chord sequences onto which a multi-layered framework of tones and textures are laid. crisp beats mesh with hypnotic bass pulsations, inviting the listener to lose himself in the sound. proper deepness here - for those who seek the essential elements and nothing more, rhythm, melody, bass line, emotion.. expertly produced, >passing tunnels< goes further below the surface as icy chords meet electrified analog stabs, enveloped in cavernous reverbs and shimmering delays. this is a dark, simmering groove for those who know the rare and precious value of a deep, unpretentious tune that can move you from the inside out. take time and listen - there’s no denying the vibrations here. and finally, rounding off the ep is label boss patrice scott’s rework of >walking alone<. properly titled the >atmospheric remix<, p. scott takes the track to another level. while keeping the basic elements of the original, p. scott adds spacey, vibrant melodies to extenuate his version taking you on a journey to a distant planet while on the dance floor.

the clubby summer season of 2008 is just about to explode and the creme of electronic dance music is all but departed to their summer positions. while already packing their suitcases, jesus loved you crew still found time to release yet another in their grand series of records. the occasion was right and so was the choice: what better way to start the rockiest time of the year then to make public this exquisite collection, put together by one of the ibizas finest! guys like wally lopez hardly need to be introduced: playing with the most excellent and producing for the best position, wally lopez is widely considered to be one of spains leading deejays and producers. although he is working in london most of the time, mediterranean temper still runs through his veins always making his music sound positive and cheerful. in wideband wally lopez gives way to his love for bouncy rhythms and dramatic bridges taking us on a journey through his ever-changing soundscape. with a fine touch for the more relaxed ambience of summer partying, he keeps his base line low and gives way for his exciting melodies to develop freely

played by: dave clarc, kiko , oliver huntemann, chloé , da fresh, ascii disco, tom wax, martin eyerer, solee & codec… very direct and convincing lyrics which totally fits the music as it is an excellent track, both groovy and energetic. fat and heavy beat follow the dark order of miss beliayeva: >you better get your body on the floor< and if you dont, shell send the russian mafia. get it?:) andreas henneberg remix is a sharp minimal hit, perfect for a party highlight, while ginos and snakes touch totally recognizable brings a nice tech-house accent to the track. (elle k brown voice of citizen kain)

nice price deal !!! receiving major support from the likes of tony humphries, cj mackintosh, danny krivit, johnny fiasco, richard earnshaw, mark grant, colette, nicolas matar and much more...its rare these days that a song can rock the dance floor while maintaining quality and integrity but also leave you inspired by the message in the music. life is the music is a prime example of this combination. londons sonny j mason has done just that and delivers a refreshing uplifting vocal with positive meaning. this song has the right combination of energy and soul to make you move while singing along, because tomorrow aint promised, so dance, cause life is the music. miguel migs salted dub deluxe strips it down and moves into slightly more techy territory with a bouncing bassline and dubbed out cut up vocal snippets. miguel migs bump the tech dub delivers a breakbeat groove with a gritty electro ish bassline filtering in and out while layered sweeping synth pads glide on top. the original version is a midtempo soul stomper with classic hip hop and r&b flavor. accessible to radio and club djs alike this song has definite crossover appeal.

peter presta has not used at work in 10 years & comes through with this powerful peak hour house track full of history samples. big piano stabs that has the riff of todd terrys, party people & mr james browns vocal, everybody over there that will make the crowd beg for more. peters mix is more for roger s & erick morillo while dj jaimys big dark tribal mix is more for danny tenaglia, victor calderone & deep dish. this is a must & is gauranteed to be a floor pleazer all over the world big with morillo, deep dish & roger s mad support in japan, colombia, italy, spain & france

the fifth release on frown recordings is a collaboration between sorgenkint, salva and the hardtechno hero boris s. it s called >voll drauf< and features 3 totally different mixes and styles. while the >salva mix< is more techno influenced, the >sorgen mix< surprises with a freakin acidline, and there s last but not least the >boris s. hardtechno remix<. guess what style this is

disco mecanique is a spaced out breaks trip while seduction will appeal to electrohouse jocks as well!!

this brand new and long awaited follow up 12-inch single release by off the record is finally here! its been quite a while since their first release >robot gang ep< (sen-003) came out and took the dancefloors by storm. all the wait has been well worth though, as this talented duo is back on track with their trademark rough & raw drum sounds, killer breaks and bridges. such elements can be found directly from the starting track >tel aviv – japan<, which combines nicely minimalist techno / house sound architexture with simple, yet effective groove, and it grows humble and slowly to reach up its peak moment what goes like: splash! in ya face! there you have it! guaranteed to lighten up any dancefloors, it s dangerously explosive and has amazing flavour on the rocks! having said that, on demand producer and remixer ran shani (crosstown rebels, breastfed, cr2 records) was kind enough to contribute his absolutely fabulous and fantastic remix work of >in your mind< track. he pushed the track to the next level and came up with a truly club oriented pulsating dance track with extra crispy and tasty beats. rotating 360 degrees panorama effect on female vocals coming in as the track rolls further right after the break is surely enough to explode some minds on the dancefloors. watch this man out! perfect end to an extended play here is the only track offering a mini lovestory: >shes lost her mind> is a true and cold hearted, crucial story about a tech savvy clubgirl falling in love in a binary world full of zeros and ones, finding computers and turin machines sexually more attractive companions to better have fun with rather than getting accustomed to that old fashioned missionary position carried out by her human boyfriend. floating, dubby and rather melancholic, but definitely not a sad song! but one thing is for sure regarding that twisted story after all: someone has truly lost her mind somewhere along the way …

this is the third part of the boulevard cartier vinyl album. this is the third part of the boulevard cartier vinyl album. its massive supported by plenty of jocks like stephan bodzin, namito, john acquaviva, tiga, miss kittin, marc romboy, chloé, laurent garnier and danny howells to name here a few. watch out for the last part of this incredible and forwarding variety of sounds, from dark electro to minimal, with touches of italo disco, while keeping his electro house feel throughout.

a single sided release of this classic italo track, blending both parts of the original plus additional beats for the demands of todays djs and dancefloors while still retaining most of the original sound and feel of the original.

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his debut ep on omar-s fxhe label last year..

crazy p are back on their own self-titled label and to kick things off they drop a remix disc of >lie lost<. maurice fulton pitches up on the a side turning the track into a live sounding, slap-bass disco killer while notts-based housers hot toddy weigh in with two versions on the flip

production partners dj rico & mr fuzz aka grantorino have been in the scene for a while influenced principally by the 70s soul, jazz, gospel, funk and with a passion for world music, and they now drop this massive album which was due a year ago on raisani records. the first single shake the black star, was featured on the dubai sessions compilation and lately on the dubai heat sampler!!

rmxs by jochen pash & norm & hijack big with: syke n sugarstarr, azzido da bass, tune brothers, ed 2000 , robert graf, greg fenton, tom wax, lee mortimer, blank&jones, … the next release from frankfurt based producer and dj oliver garcia, one of germanys top-booked djs with a residency at creme 21 club in heilbronn. his latest production output features two tracks of fine house music. „sensation is perfectly destined for peak time play and has an electro-house feel with sexy vocals, while „silver surfer has a more techy edge. we added two massive remixes for „sensation to this release. one is from the hot german production duo jochen pash & norm from stuttgart. they recently convinced everyone in the scene with a solid amount of ace productions and mixes.

+ frankman remix massive house 12 - essential ! manuel tur is a 22 year old wunderkind from essen, germany who looks just about set to take the deep house world by storm because while his mates were out smoking camels and drinking weiss beer behind the fa

remixes by kollektiv turmstrasse, noze & apparat !! raz ohara and the odd orchestra received critical acclaim for their self titled album released earlier this year. they may have not been the inventors of their unique style, but the danish patrick rasmussen and his german cohort oliver doerell have certainly helped to redefined the idea of what an electronic musical album can, could and should be. just as artists such as bjork, portishead and booka shade have done so before them. following up their first album single, kisses, this is offering with four other tracks from the album that get the remix treatment courtesy of apparat, kollektiv turmstrasse, nôze and raz himself. it was only a matter of time before one of razs tracks got the 4x4 treatment. kollektiv turmstrasse have showed respect and kept the spirit of the original alive. keeping the original guitar and vocal arrangement intact while simply adding a little bump and shake to the mix. raz shows us that things can be better the second time around, as he continues to proclaim his, love for mrs. rhodes. although he does not trade in his melodies for a kick and snare, they are certainly more prevalent in this dramatized mix complete with arpeggiated synths and additional sound effects. hopefully, this time he will win her heart

for your electronic summer fun kerkhoff & prinz shove three loose techno grooves on your plates. >contract< relies on an oldschool offbeat bass, but with its funky percussions and noises and nice reverberated melody it becomes clear soon that no one pretends to be a badass here. with its wobbly bass and little follies, >orange< stays in this vein while >mann an bord< enchants us with relaxed perssions and funky snares and would definitely shine brightly in any house set.

big talent from italy who delivers chapter four of succesful technoid weekend entertainment. the shuffling and grooving trax on this strong one will certainly find their way into dj-sets of people like adam beyer and many more. as always, friday goes techno while saturdays remains a bit more calm.

the man behind some infamously amazing and joyful live sets, a successful first album for musique risqué, a great ep for oslo, and a brilliant debut on circus company with petit djinns-including the underground hit >sous l arbre<, guillaume & the coutu dumonts is now back on cc with >i was on my way to hell<. a delicious two-tracker for different moments, covering two distinct vibes perfectly. on the a side >i was on my way to hell< is a jam that bubbles over like a volcano with a marvelous synth pad melody building along with a gospel preacher sample. all the while a heavy groove powers away underneath- he’s got the secret! on the b side, we are taken to a more quiet but still melodic environment. >can’t argue with silence< opens up with a rolling bass line, a simple refined groove, and then gradually sprinkles tasteful acoustic hits and ethno-styled synth stabs on top. close your eyes and feel the heat of an >arabian night< inna guillaume & the coutu dumonts house sylee!

dj support by adultnapper & matthias kaden !! after his last release on hello?repeat, cabanne is back to make the room and refill the minibar. one year of sailing from bar to bar helped him to distill new unexpected liquors. jesse garonne is an absinthe mix, while f.key would be some good old rhum… the flavor is stupendous and unusual at first but effect is guaranteed, hot dose of deep groove >à ma facon< that brings a crazy, jazzy hot spirit which lifts of the tunes to the insane! it includes a great rmx from john thomas and his wife barbara. a great opportunity, after releasing >funky time< on the milkshake compilation, to bring minibarians a new dose of strong funkster. the hatched sounds and voice brings perfectly the groove…

the new release on the mojuba sublabel features two classic and timeless moments of dutch techno music. the main track >spadet< was also one of the chosen tracks for the legendary x-mix by kevin master reese saunderson on studio k7!, and even after more than a decade since its original release, there are still goosebumps while hearing the magnificent sounds of that tune! the b-side might be less know but it still captures that special feeling and the power of true detroit techno which never left our hearts. the whole package was remastered to today’s standards by no other than the sound connoisseur monsieur redshape!

support by: adam beyer, technasia, chris liebing, perc, brian sanhaji... side b from tokyo are the guys being responsible for a huge follow up release on kumo. a very interesting definition of modern flavoured techno, rolling and stomping at the same time. hazakura changes it character several times, turning from a groovebased effectmachine into a spacy peaktime-track while daybreak more focusses on the crunchy side of minimal techno. the tracks already caught the attention of alex bau so that he delivered a bau-like bass-driven technoremix for hazakura.

4 track ep covering soulphictions unique styles of soulful house music to jackin trax! ...while beachhead is twisting back and forth on the mombasa beach sample, get the point is straight jackin over a raw bassline, with a vocal that clears everything out ...from jump off the bandwaggon, crossing the bridge to detroit with its urban athmos and soul features, we come to malindi, which is a love supreme deep house track classical style!

already charted by jeff milligan and remute. further plays by laurent garnier, satoshi tomiie, anthony collins, shindoe, david squillace, mathias kaden, bret johnson, franco cinelli, violett and a lot more... close on the heels of shu okuyamas genius first release on berlin/lausanne based avant-garde label minimood, mark henning and treplec bring you the weiter remixes. while mark henning delivers a devastating remix of punkt which is as contemporary as it is timeless, trepelc and minimood together manage to superbly redefine the groove of minimal once again!

a deep mixture of raw funk, oldschool house, bass, more bass and some kind of a dubstep vibe... the title track pressin on goes straight on dirty bassline moves crossed by dedicated trumpet sounds while the second cluster funk got tricky clap programming and lives up to ones name. on the flip humongous and driftwood are not less funkier but both are with some kind of detroit house appeal and impressive minimal ruffness...

with the new release plastic city brings you some really modern stuff, but also some classic house style infected tunes. dkma presents andrastea is back on plastic city and shows us the meaning of soulful house tunes and while its reduced we would never call it minimal, no, it is simply intense. dana kelly smashes the house scene for 13 years on labels like strictly rhythm, contrast, 4th floor, chug, subliminal or guidance created a classic with this is krimp on the next generation ep released on strictly rhythm in 1997 what was probably the best of the krimp series and the last one at the same time

goodies from debra dolce is a tight collaboration generated at coco machete hq in spanish harlem, nyc and polished up by zero cash of television rocks, cologne. around the corner from coco hq is local hip hop studio ybp. we saw an opportunity to bring some new elements to a production with our man zero cash. the hook to goodies was recorded in new york then sent over to cologne for that magic television rocks touch to be put underneath...the result is debra dolce. the a-side is a pounding, bass driven number with the vocals cut up, stuttered and pitch shifted to maximum effect. hit the flip for the dolce mix and you get a deeper electro disco affair with more vocals, funk guitar rhythms, stabs and laser sounds all the while being driven by zcs up to the edge basslines. weve got the goodies for ya, let the goodies talk to ya.

incl. great remix by jewelz !! amused label honcho taste t. is back with a great peaktime electro house tune with a catchy electro synth hook while the jewelz mix is a deep minimal electro track which reminds of booka shade

an ultra limited release from mock & toof prior to their debut single for dfa which drops later in the autumn. two early tracks get reworked in uncompromising fashion by dissidents invincible scum (aka milo from chrome hoof & andy blake) and re-edit don mark e. invincible scum take no prisoners with an incredible piece of pure analogue techno while mark e takes takes k-choppers on a deeper route in his imitable chuggy style

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

holy ghost! return for a brief hello while they complete their debut album and prep a new single for dfa. kindred spirits and label mates mock & toof hold up their end of the remix trade with not one but two remixes, both quite different interpretations a playful stab at minimal techno and a psychedelic disco funk.

played by c-rock, d julz, gregor tresher, 2000 and one, minilogue and many more… like no other german producer, hannover-born martin buttrich has been decisively influencing the sound aesthetics of electronic dance music since the middle of the nineties. having been more in the background for most of the time while working for and with timo maas and loco dice among others, his benchmark releases for carl craigs label planet e or poker flat have also spotlighted his original name in the public. buttrichs second ep for cocoon couldnt prove better his prediction that in 2008, minimal techno will be containing more warm and melodic components. strangely familiar but always surprising, again and i lost my wallet provide us with bassprone reduction somewhere in between techno and house, and harmony bits that remind of caribbean calypso sounds provide the feeling of the approaching summer which makes both tracks perfect for the final of the open air season 2008. at least, buttrich will be an integral part of the season closing between ibiza main river and spree.

spanish electronica label semantica brings part two of this limited release by vladislav delay, and this time its the turn of the remixers. andy stott (modern love) stretches the original out into a typically deep and tweaked out dub-tronica version, while fibla (spa.rk, expanding, quatermass) makes a somewhat gentler and more melodic piece. very nice

matt k, wine merchant from moguntia (mainz), gives 2 presents to us from his wine cellar in the form of 2 fine type of wines. while one type is crisp, well structured and minimal as a riesling, the other one is genuine, voluminous and stands up

over the past few years john tejada has been splitting his time working with long time collaborator arian leviste and more recent collaborator justin maxwell. why not combine all 3? palette all-stars is just that. a collaboration between the 3 main palette artists, each (tejada, leviste and maxwell) playing a particular role in each song. from the ep opener, >after school special< you get a sense of the trio each working on a particular element. tejada’s driving drums, maxwell’s modular synth work, and leviste’s bassline elements sculpt a driving track with a classic feel. >the pilot< features leviste’s smooth melodic synth work while maxwell processes through the modular and tejada privides the dubby beats. the ep finisher >downtown hotel< features a mad maxwell modular freakout and driving 808 s

after several very successful releases on gigolo records and tigas turbo label, swiss producer daze, a.k.a. plastique de réve, unleashes a 12inch on death from abroad that has the potential to be a future classic. this time he leaves behind the dark, ebm influenced attitude and goes deeper on one side of the record, while showing his fun loving, tongue in cheek approach on the flip.

while for many of his contemporaries repetition became a new standard rather than innovation, jacek sienkiewicz with every release seems to be broading his musical horizons and challenging new territories. beacon seems to be even more organic than previous recognition releases, and the warm, yet unstoppable beat workout suddenly goes all jazzy and cinematic, with irresistible saxophone hook. big surprise here, but jacek blends the sounds into one of his trademark, 12+ minutes long, massive club anthem. another surprise is brought by the flipside - this remix is courtesy of the man of the moment michel bauman, here applying his soulphiction alter ego to dark, smoky and very tropical variation on a familiar theme. all over, another very impressive release from jacek sienkiewicz, man who never fails to impress.

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his superb debut ep on omar-s fxhe label last year. the twelve pieces of minimal detroit sounds you are about to hear, were sent to us as one package. we were blown away and there was nothing else to do but surrender to its quality and sign them all. now join us…

after his successful first release on wavetec, entitled >deep joy ep<, madrid-based producer tony lionni (also on versatile, mulemusiq) returns with a much-anticipated new ep, >mamadu<. this album brilliantly demonstrates lionni s musical production talent ranging from techno, dub, to progressive, acid and deep tech-house. the title >mamadu< is a sure reference to the warm, melodic techno inspired by afro rhythms that are layered over the abstract electronic tunes and minimalistic soundscapes on this ep. the title track evolves into a fast-paced atmospheric techno journey, while >deep odyssey< merges haunting deep-house rhythms with a dubbier flavor more in the vein of the deep space-sound developed by francois k

rhodes accents and analog synth melodies, while a vocal chorus ups the soul ante during the marching strut of who am i, a beautiful example of timeless house music if there ever was one. in futuristic funk, a looped voice incessantly repeats too late now, thereby adding a touch of delirium to the tunes stomping swing, after which the vocal line expands into the chanted pray for brighter days / too late now / lose myself in the future / too late now. warmed by old-school synth flourishes, congas, and rhodes melodies, millers rich and seductive club music makes surrender the only possible proposition and a release so rarely deep and musical, which is therefore not to be missed.

nice price deal !!! this release is already receiving major support both live and on the air from artists like: dave clarke, crystal method, meat katie, dean decosta (bpm), alex gopher, chris santiago and antoine clamaran!! angel alanis is about to release his long anticipated full length >inside out< and the very first single is a song called majik. the package is kicked off with the two versions by alanis and trash menageries own local hero but also includes 3 more mixes including the old school mix and the incredible remix turned in by the uber hot greenskeepers. the a side which includes the angel alanis & local hero re-dub and angel alanis & local hero bastards remix uses distorted synth action and tough beats leading to a full on electro house explosion and is destined to destroy dance floors world wide no matter which mix you choose. flip it over to the b side and youll come across a beautifully deep house offering from the mighty greenskeepers. they ve created a laid back excursion utilizing their trademark sound and vibe to bring the majik in a completely different way. rounding out the package is the old school mix which just as the name suggests hits you with the old school house vibe while keeping to current production techniques and above all quality. this package has something for every dj and every crowd. you really can t go wrong with this so check it out cause you know you want this!

ziggy kinders last outing on souvenir proved to be one of the highlights of 2007. bailamos, a record destined to make love to the converging worlds of european techno and south american latin music was hailed by artists like laurent garnier, koze and mike shannon for its mysterious melodies and enveloping percussion while the a-side que pasa maria was championed by anja schneider and radioslave. fans of tiefschwarzs daring souvenir imprint will be in no doubt as to what lies in store for the label’s tenth release. >flipflop crash< is another typically ziggy workout destined for a discerning international dancefloor. disorientating percussion and flanging effects dance around an insistent throbbing bassline while a female vocal whispers in french. the warm melodies layering the track hint at the sultriness of >bailamos< , but this is a continuation not a revisitation and an impressive step forward for ziggys sound. on the flip chilean star pier bucci takes up the remix reigns. after impressing with his ahead-of-its-time familia lp on crosstown rebels in 2005 and last years club bomb hay consuelo, his addition to the souvenir roster is another memorable recruitment with current label remix talents including artists like carl craig, tiefschwarz, shonky, samim, kiki & silversurfer and radioslave. his interpretation adds an injection of urgency to ziggys original, stripping the vocals back to a minimum to make way for an epic delay soaked synth hook. its a remix destined for the end of a night or that perfect plateau of a party when the dancefloor has been moving for hours waiting for a hypnotising melody such as this to sweep it onto another level

after the smashing baaz release, were creaming the bred once again with a buttery fat n nutella filled round wax ! omega midi is again (as was lazar) a disguised dood that signs here a perfect 120 bpm old backed house tune. its raw, groovy, sweet and funky and yet achieved with so much panache! on the flip youll find a ray valioso rework of the title track which enhance the boundaries of deepness while still keeping the beat right up for your dancing needs!

cool disco 3 tracker from top shelf done by phoreski (bare fist, fat fuk). the slow barelow has a sorta sleazy italo disco feel while on the flip elotric is a more uptempo frantic disco cut and monk fonk is a slow and steady bass heavy acid tinged groover. must have for idjut boys fans

coming off a variety of 12 releases in the past few years on handheld, forcetracks & defchild, igor vlasov presents his latest offerings aimed at the dancefloor with nods to the lounge or casa. keeping true his house roots and while channeling his alter-ego as s.p.c., igor demonstrates a remarkable proficiency in a variety of deep, evocative and yet grooving sounds. the outer tracks, >fellow’s traveller< and >phoenix< are keen on ampliflying the dancefloor energy, while the deep, highly-structured textural excursions in >nalim< and >horizon-c< are suggestive of the penetrating works of markus guentner

a mountain of one’s mysterious rework of 70s rock track >bastard< - highly limited edition one sided etched vinyl. get this while you can.

original version in a typical district one fashion, tight, clean and funky..while the flip is a reshape of one of twos tag team from the swiss alpes aka mountain peoples peter dildo (andre rozzo) ..played by richie hawtin..