andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

nice price deal !!! the 8th release on mindtrick records will be by the greek producer and sound engineer mobthrow. mobthrow just released his full length self titled debut album on adnoiseam and is now ready for his first 12inch release which will come out on the 5th of september. the 12inch brings a somewhat deeper feeling to the sound of mobthrow which is starting out with pitchblack on the a side. the 2nd track is flashback and is based in rewind mirror techniques (intro sample remains the same if you rewind it). heavy beats at 140 bpm. it is a story between dreams and reality, as the storyteller (mulholand drive sample) describes.
enter dubcore sets the tempo a little bit higher, balancing between dubstep/dnb. techy production approach (808.909 & tb303 used), born to spin in underground clubs at rush hour. also on the b side you will find a remix of pitch black which is made by german sound designer and composer hecq which kranks up the sound completely and make you slit your own wrists while listening to it!
overall this record is an excellent prove that dark sounding music can be very danceable!

played and supported by chris liebing, luke slater, speedy j, tommy four seven, audio injection, drumcell, dvs1, norman nodge, technasia, shifted, bcr boys, samuel l session and more.
we meet a new project, cool, and damn techno. design concept and sounds that rather than being projected towards europe, appear to come from europe, more precisely from somewhere dark and cold in the north of the continent. but no! the minds that conceived the project are all italian and lie along a line connecting cities like palermo and naples, at least for the moment. because as you might expect from the country s brain drain ... the releases, starting with the first (which will appear in the catalog as 000), will be all vinyl.

the next instalment from cassette library headquarters is a lights-out stomper designed for the darkest of dancefloors. on the flip, we introduce the maiden voyage from karenn aka blawan and pariah. two of the leading lights on r&s & hessle audio flex their combined muscle to turn in an uncompromising slice of solid house music. prepare to get lifted…

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

zusammengestellt aus den besten teilen dreier eps spiegelt es die ungezŸgelte kreativitŠt dieses von strictly kev zusammengehaltenen multi-produzenten projekts wieder, welches in den 1990er jahren von coldcut gegrŸndet wurde. die wahrscheinlich grš§te †berraschung bei the search engine ist der sound.die assoziationen zum frŸhen jazz breaks-dj food sound werden quasi Ÿberollt von einem psychedelic rock album der allerfeinsten sorte - donnerndes schlagzeug und fuzz bass zusammengebracht mit der dj food-typischen sampletechnik. das album erscheint als sehr smart aufgemachtes digipak mit stilprŠgendem und futuristischem cover design wie man das von dj food, der auch als ninja tune chefdesigner fungiert, gewohnt ist. als gŠste mit von der partie sind u.a. the thes matt johnson, natural self und jg thirlwell (foetus, stereoid maximus)!

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen Ð its driving, percussive dance music. a comedy in six acts: from l.a. to dŸsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach dŸsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of dŸsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.