massive club burner!!!

smooth soulful r&b number, includes rap parts by jim jones and fabolous, instrumental and acapella version plus bonus track how can i tell feat raid

soulful rnb 4 tracker ft. kelly rowland !!

2 smoothy warm rnb ballads ! producer tricky stewart (umbrella - rihanna, me against the music - madonna) !!

nice price deal !!! smooth hip hop joint feat krayzie bone

smoothy rnb/ hip hop feat letoya !

in the collection ‘i got soul’, this new release, ‘groove wash’, is a reference to the movie ‘car wash’. same ingredients as the the previous volume : a bit of blaxploitation, some seventies soul mood, wah wah guitar and lots of groove !

who s got the funk? everyone s got the funk! (prov.): saying formulated in the years 2017, summarizing in very few words the philosophy of the fat badgers. from france, the fat badgers release the gers, their 3rd and ultimate ep of the disco-funk trilogy the fat, the bad & the gers. from pool parties to jacuzzies, from festivals to barbecues, « les fat » bring their intergalactic p-funk on the planet with a hammering groove and some refreshing self-mockery. produced by the prolific leopard davinci (who played international festivals like transmusicales de rennes), the gers is made of 4 original tracks, sometimes tormented « you love me and you leave me », saucy « bad mothers », political « jak chirak » and festive « who s got the funk »

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

early charles bradley tracks recorded with the bullets (aka the budos band) as well as -ain’t it a sin- from his current album.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project dusty chinese vinyl hissing and crackling throughout resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production. using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music. the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, pt.3 is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.

black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

a milano constantine album on vinyl at last! earlier this year, the way we were, dropped digitally and we couldnt sit by and let that stand. slice of spice is proud to team up with different worlds music group to bring this d.i.t.c. crew member’s first official album on wax. this release also include 3 previously unreleased tracks, along with production by dj skizz and marco polo, ensuring this is some official boom bap hip hop, with guests from conway, big twins and fame (m.o.p.). limited to 300 copies on standard black vinyl, so dont sleep!

brandneues label, brandneues album, brandneue tour! wie immer bewegt sich cr7z abseits des hypetrains in seinem komplett eigenen metier und kreiert auf dem album seinen mikrokosmos in sachen battlerap mit tiefe. be prepared!

“rocks foe returns to black acre with new, eight-track project ‘fight the good? fight’ — a dark and conceptual record built around the notion of, according to rocks himself, “everything being an internal and external battle”. a powerful lyricist and complex story-teller, rocks’ sound combines hyper-fierce spitting with his own, abstract beat sketches. having released his impressive debut ep, ‘legion’, back in 2015 — a raw, self-produced grime-rap hybrid — he has since remained dormant to the outside world, bar a quick-fire feature on commodo’s ‘how what time’ lp in 2016.

here come the james hunter six! ser ving yet another delicious dish of what you wish with the premier single off their upcoming lp, whatever it takes (dap-051). and ill be a monkeys uncle ifjames hasn’t delivered two of his most compelling sides to date on this one. i dont wanna be without you is a graduate level course in the three rs of r&b: rhythm, rhyme, and romance. a sultr y rumba sets the mood, as hunter swaggers in donning his finest voice like a crisp tuxedo, complete with ruffled vibrato and rhyming cuff-links and proceeds to lay on an absolute hear t-stealin, deal-sealin, panty-peelin gem. on the flip, i got eyes loosens the collar and brings the metronome mark up a few clicks for a punchy tightened-up workout, edged-up with vibes and street corner backgrounds. bring your talcum powder and a change of clothes cause its another jaw-droppin showstopper by that finger poppin pond-hopper, james hunter

funky country vo.2 versammelt wieder obskure und unterschätzte country-funk, blue-eyed-soul und andere schwungvolle rhythm & blues kuriositäten aus den sechzigern und siebzigern. die stücke auf diesem album sind so gut wie die von berühmten künstlern wie little richard, jerry lee lewis, tom jones oder jack hammer.

malina moye, die vom guitar world magazine als eine musikpionierin und eine der besten gitarristinnen gefeiert wurde, hat für sich eine eigene nische in der heutigen musikszene geschaffen als eine von nur wenigen künstlerinnen in der geschichte, gelingt es ihr, den graben zwischen rock und soul zu überbrücken. darüber hinaus ist sie eine der führenden gitarristinnen ihrer generation. moye hat das talent, das aussehen, die energie, einfach alles, attestierte die huffington post. das seventeen magazine konstatierte: auf der bühne liefert malina eine berauschende mischung von funk, rock und soul ab. the examiner erklärte moye zu einer der besten 10 u.s. independent-künstlerinnen- und das billboard magazine nannte ihre zusammenarbeit mit bootsy collins explosiv. hier kommt nun ihr neues album bad as i wanna be. eine bärenstarke sache! vinyl (schwarz/180g/direct metal mastering)

reissue der 7- -as long as there is you-/-it ll never be over for me- der soul-sängerin timi yuro, erschienen 1969 auf liberty records. timi yuro war eine der wichtigsten vertreterinnen des 1960er blue-eyed-soul, trat zusammen mit frank sinatra auf und wurde u.a. von quincy jones produziert. -it ll be never over for me- ist ein heiß begehrter track in der northern soul-szene.

fabulous 2-sider which offers something for both lowrider-soul as well as deepfunk aficionados. dont wake me up is deep soul at its best while the flip the jack mod kick is a monstrous deepfunk killer. that is why we put the latter one onto our third volume in the feeling nice series (trlp/cd-9048) some years back.

sdban records is very proud to release for the first time ever on vinyl golden hands only album released in 1978 on cassette by moroccan label disques gam, including the cult classic take me back.

reissue of this rare nigerian/ghana funk record. incl. the jam african soul power which you might have heard getting spins in the clubs. incl. a poster+extensive liner notes. fela kuti believed the identical twins of basa basa to possess magical powers, bringing luck and prosperity. fela co-produced their first lp, and played on their second. but the wondrous powers of the nyaku twins from ghana reached their summit on their third album, which basa basa recorded with producer and multi-instrumentalist themba t-fire matebese in nigeria. this collaboration resulted in the bewitching homowo album, which combines the earthy mood of the twins and the futuristic vision of themba matebese as well as the hot and sweaty afro disco sound of lagos, where the album was recorded. from the blue title track homowo to the afro disco floor burner african soul power, the album makes a consistent listen. amsterdam based dj collective and vinyl shop vintage voudou makes the highly sought-after lp available again after almost four decades, working in close collaboration with the artists.

another brazilian funk landmark made by two of the most exceptional instrumentalists of the soul funk scene of the 70s. josŽ da silva better know under the pseudonym of zeca do trombone is a trombone player who has worked with a multitude of brazilian artists including tim maia and carlos dafŽ elizeth cardoso, beth carvalho, milton nascimento. roberto sax or zŽ roberto simonal is none other than wilson simonalÕs brother.

deep biguines & gwo ka from 60s french west indies! killer tunes.

incl. darrell johnson, strivers show band and jax transit authority

parallel zur veröffentlichung des neuen albums todesverachtung to go über grönland records, erscheinen auch vier klassiker der legendären hip hop-formation kinderzimmer productions nach langer zeit wieder neu auf vinyl: die hohe kunst der tiefen schläge (1998), wir sind da wo oben ist (2002), irgendjemand muss doch (2004) und -asphalt- (2007).

>todesverachtung to go<, siebte album der kinderzimmer productions

parallel zur veröffentlichung des neuen albums todesverachtung to go ueber grönland records, erscheinen auch vier klassiker der legendären hip hop-formation kinderzimmer productions nach langer zeit wieder neu auf vinyl: die hohe kunst der tiefen schläge (1998), wir sind da wo oben ist- (2002), irgendjemand muss doch (2004) und asphalt- (2007).

sold out

two non-album tracks from children of zeus on limited 7 inch vinyl.

comes in standard cover. berlin’s suff daddy presents his new album “pompette”. the vinyl lp includes a download code.

neues album des new yorker instrumental-hip-hop-produzenten blockhead, ein wahrer master seines fachs, der in den letzten 15 jahren mit releases auf ninja tune, def jux und aesop rock glänzte. sein neues werk bubble bath ist ein kontrastreicher, kaleidoskopischer trip mit neu gewonnenem, kosmischen flow, der soul-psychedelia mit funky bässen und stolzierenden beats fusioniert

spiritual jazz

j dillaÕs protege guilty simpson first collaborated with madlibÕs protege med on the hard hitting Ôjungle loveÕ track off j dilla s Ôthe shiningÕ lp. they continued to reunite on several tracks after, and now offer us the child of the jungle lp. with beats by madlib, nottz, black milk, mndsgn, karriem riggins, apollo brown and more... the duo have no choice but to come correct with the lyrics, and they do. from cali to detroit, med and guilty simpson deliver a banging 12 track lp this year on bang ya head entertainment.

2016 album by jedi mind tricks very own vinnie paz with guest spots by ag, oc, hust kingpin, agallah, ghostface killah, ras kass and more.

holy tongue is a collaboration between percussionist valentina magaletti, best known for her work with vanishing twin, tomaga, uuuu, raime, nicolas jaar and jandek among many others, and producer al wootton.

feat. by immortal technique, vinnie paz, d.v. alias khryst and lord goat (fka goretex).

b-stock! cover with some small damage. vinyl unaffected & mint. the new album from detroit producer apollo brown and buffalo mc che’noir on gold coloured vinyl.

b-stock! label not centered. bb soul and laura jackson make it alright.

oceana coloured vinyl

reissue

originally recorded in 1984

deluxe edition on 2x12inch vinyl

limited edition of 300 copies on 7 inch vinyl.

sieben jahre lang arbeitete miles bonny an dem nachfolger seines alternative-soul-klassikers -lumberjack soul- (melting pot music, 2011). der künstler, der zeit seines lebens von der musik des black america wie hip-hop, jazz und soul beeinflusst ist, verliess 2013 kansas city richtung new mexico, um mit seiner famile ganz von vorne zu beginnen, und realisierte so seinen -lumberjack soul- traum. das ergebnis ist seine wohl bislang beste arbeit, die als lp auf 180g vinyl mit weiss-schwarzen splatter erscheint.

reissue, gatefold lp

third release

insane funk / electro and house jams from zopelar on apron tape only and limited.

plexus records & meyso present m.a.j.. this is the first full length effort by french producer meyso, after a bunch of projects and collaborations including productions for lomepal, fixpen sill, equipto, sameer ahmad and more! meyso first appeared on plexus records cassette project from 2013, then on the kapla album on the same label with mr hone, maodea and oteest. hes been since producing for several french and belgian rappers and started to be the dj on tour for famous french rapper lomepal. on m.a.j., meyso confirms his skills and delivers a very rich and dense album. influenced at first by producers such as dilla, madlib and dj shadow, he develops now his own modern approach of beatmaking, incorporating elements of trap and electronic music. with guests such as caballero, jeanjass, veerus or ndobo emma, the album balances between deep instrumentals made of rare vinyl samples and some catchy rap and soulful tracks. this lp comes in a limited edition of 500 copies, all hand-numbered and pressed on 180gr, 12x12inch insert included. original art is a painting made by natosito

next in line to work with underground imprint getme! is uk artist nicky otter, with gme012: i can t really explain (it), a two track release out on 14th march across vinyl and digital platforms. across the ep, nicky ventures between parameters of ambient electronica and big, bad club tracks. nickys outsider sound find its perfect home on london s getme! label, both artist and label undefinable by genre, shape or sound. a-side i can t really explain (it) is a straight call for the dance floor for those after sounds on a more house and garage tip. originally trained as a drummer, nickys percussive talent shines across this bassy number, complete with creeping melody and layered vocal samples for a track nodding to club edits from a nostalgic time gone by. moving into murkier territories, b-side sketch original slow is journey through the darker strains of electronica, hazy techno feels and euphoric ambient vibes. dreamy melodies and carefully mapped out drum patterns meet here, giving sketch original slow an other-worldly feel.

this album is dedicated to the city of dreams. the capital of the world. the big apple. the city so nice, they named it twice. gotham.

red coloured vinyl

ltd 2021 repress - a wide ranging, eclectic and progressive musical outlook has always been the lack of afro approach. his latest material follows suit as he harnesses disparate musical styles ranging from funk, soul and hip-hop to create a contemporary yet vintage musical escapade of superb songs. on his 4th studio album for freestyle records, the influences, sounds and musical textures are more eclectic than ever. below, adam talks us through some of the his favourite moments on *music for adverts*.

valuable reissue of sir niney prod. classic reggae

reissue of essential prince jazzbo digital-dub productions

unmissable tubbys dub.

eternal london 1987 digital reggae, repress in stamped, white sleeve

ultra limited. collectors item

reaggae, reissue

limited warehouse find of this 2007 repress - sold out

140 g vinyl

ltd 7 inch

repress - immortal technique, the most radical revolutionary rap lyricist to hit wax, combines with green lantern and a gang of like-minded mcs to produce the 3rd world, a furious mixtape which is perhaps immortal techniques best work to date. the title track is a compelling summary of all the harlem rapper has proclaimed in his past verses, as he reworks jay-zs *where i m from* into a scathing diagnosis of the state of the world in the 21st century. tech also breaks down the power structures behind nyc gentrification on *harlem renaissance*, deconstructs accepted understandings of pimp on *reverse pimpology*, and examines corporate privatization on *open your eyes*. violent, angry, and unabashedly challenging, the 3rd world is everything hardcore hip-hop should be.

reggae

sold out - reggae

urban/soul/blues/r&b/gospel

urban/soul/blues/r&b/gospel

urban/soul/blues/r&b/gospel

hiphop / rap

hiphop / rap deutschsprachig

limited to 500 hand numbered copies. blood red coloured vinyl

repress - aller guten dinge sind drei. shuko & f. of audiotreats sind wieder da. im rucksack haben sie den dritten teil der cookies & cream -serie. seit der letzten cookies & cream lp ist vor allem bei platin-produzent shuko wieder viel passiert. der gebürtige mainzer, der im letzten jahr mit produktionen für talib kweli und für die platinalben von 1995, sowie sexion d assault glänzte, konnte auch dieses jahr wieder edelmetall in seinem studioflur auhängen. es enstanden produktionen für den rap-shooting star cro, die nr. 1-Überraschung des sommers, genetikk und das jbg2-album der gangstar-rap supergroup kollegah & farid bang, dass in der ersten woche mehr als 80.000 einheiten über selfmade records verkaufte. außerdem enstanden kollaborationen mit dem westcoast-mc blu für eine weitere jakarta records veröffentlichung als limitierte 10inch und beiträge auf dem aktuellen ra the rugged man album. f von den audiotreats hat in der vergangenheit für künstler wie chima, dendemann und joy denalane produktionen beigesteuert. cookies & cream 3 fügt sich nahtlos in die reihe der beiden vorgänger lps ein. soulfull und feingliedrige hip hop-beats als instrumentale, die auch auf albumlänge funktionieren. ein deutscher beitrag zu der z.zt florierenden beatscene, die weltweit die aufmerksamkeit der major labels erweckt. die vinylversion des albums ist auf 300 kopien limitiert.

erstmals auf kassette erhältlich: das vierte mixtape von mac miller, das zuerst 2010 gratis im internet kursierte und erst anfang 2020 auf allen streaming- und download-portalen kommerziell veröffentlicht wurde. der titel ist eine abkürzung für kickin incredibly dope shit und bezieht sich auf den coming-of-age-film kids (1995), der während des gesamten mixtapes mehrfach zitiert wird.

rsd, hand numbered

6th album by ghostface killah of wu-tang fame for def jam under his new ghostdini moniker. features collaborations with shareefa, raheem >radio< devaughn, jack knight, vaughn anthony, estelle, fabolous, john legend, adrienne bailon, lloyd, ron brownz, kanye west & ne-yo. produced by dennis coles, mike caruso and antonia la reid. comes as transparent green double vinyl.

jazz, pressed on 180 g gatefold vinyl

limited edition

repress - mf doom is the man in the iron mask. the most mysterious figure in hip-hop has also become one of the most popular, supplying beats and rhymes for gorillaz, de la soul, madlib, danger mouse, and wu-tang clan, and drawing praise from heavyweights like just blaze, nas, and mos def. since 2002, doom has released numerous volumes of special herbs, one of the longest-running instrumental series in hip-hop history....

black vinyl

electronic funk / lp (crystal clear + 30x30cm poster), with the album loving life, sofiane pamart and dabeull offer us a cinematic project that can be listened to endlessly. it features holybrune, ichon and kunta.

300 copies only!

classics and revelations 1964 - 68, 7 inch boxset with seven 7 inches / 14 tracks

aka meechy el camino

food for thought will be shipping in a random split between the photo and the illustrated cover art shown here.