Releases from artist / Veröffentlichungen von : Arnaud Rebotini

soj und arnaud rebotini haben sich zusammengetan, um einen einzigartigen und fesselnden track zu kreieren, der erstmals im jahr 2013 veröffentlicht wurde. jetzt ist eine neu gemasterte version des songs erhältlich, zusammen mit einer speziellen rebotini-gesangsbearbeitung. verpassen sie nicht ihre chance, diese limitierte 7-inch-veröffentlichung zu erleben und sich von dem hypnotisierenden sound mitreißen zu lassen.

80 influenced ebm music

arnaud rebotini aka black strobe

red yellow marbled vinyl incl. poster & download

arnaud rebotini presents his new ep >shiny black leather<

4x12 inch box set

double vinyl release for rsd 2019, housed in a silver foil sleeve.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

ole, ole, ole, ole! eine brücke zwischen techno und fußball auf weißem vinyl.

olé, olé, olé, olé! eine brücke zwischen techno und fußball auf weißem vinyl.

auf 500 exemplare limitiertes dj-futter: techno in seiner reinsten form.

for their next release, zone records welcome legendary french producer, remixer, singer, songwriter and emblematic musical star arnaud rebotini for a fascinating four track ep. alongside the standout music, the artwork for the ep is a photo of a suitably impressive sculpture of arnaud that the label have had specially commissioned for the release. arnaud rebotini has done it all, from pioneering electronic works to teaming up with chamber orchestras. a real synth wizard and mesmeric live performer who has remixed everyone from depeche mode to nitzer ebb, bloc party to rammstein, he is an award winning musician who also started the seminal black strobe group and has had his music used on a number of films such as the wolf of wall street. as such, from experimental pop to death metal, electro to soundtracks, he has done it all. now he returns to his good friends at zone music for another sterling ep.

extended versions vom soundtrack des films *eastern boys - endstation paris*, plus bonustracks.

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

blackstrobe records proudly presents arnaud rebotinis second album >someone gave me religion<. the first track >the first thirteen minutes of love< opens the album with over ten minutes of ambient grooves which are unlike anything youre likely to have heard in years. a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. its a warning, take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig linking them via soaring trance and carefullycrafted minimal sounds. the sound of the 90s, the sound of the new millennium. this record will set pulses and heart beats racing on club dancefloors the world over. this is by no means >music components volume 2<. open your mind and embrace this new approach, this different angle and another side of rebotinis return to machines. >someone gave me religion< is an album resonating from the live tour that followed “music components”, where from behind his machines, rebotini launched into his music confronting it with the harsh reality of the dancefloor

slamming remixes from the hacker / motor / mixhell

deep electronic minimal stuff from arnaud rebotini. plays & support by timo maas, clemens neufeld, lars wickinger, man at arms, sascha krohn, tyler stadius, ...

after his album with black strobe released in 2007, arnaud rebotini comes back with a new ep and a 100 percent electronic live. arnaud hopes for entering in a new approach in which live is the beginning of the project&#146,s conception. the idea is to build a dancefloor set without using laptop or external sequencer but around emblematic machines (tr 909, tr 808, sh 101, juno 60, korg monopoly). this producer wants to let us share his studio experience in live. &#147,music components&#148, is an album of romantic and timeless techno where rebotini goes back to hot and groovy sounds of his first productions

after his first solo ep on kling klong arnaud rebotini continue to expore out of the black strobe area on goodlife !! here s his tribute to the techno detroit godfathers .the wood is dedicated to early jeff mills and robert hood tracks with some weird >doepfler< hypnotic bass line and on top a tweeky sequence for a maximum impact on the dancefloor! on the other side leviathan it s more influenced by america minimalist as steve reich or terry riley and will give to the clubs a groovy melancholic vibe

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

this record offers a selection of indie dance, leftfield, detroit techno, electro, ebm...

für diese vinyl ausgabe haben wir die ehre, mit 4 künstlern zusammenzuarbeiten, die wir schon seit langer zeit bewundern und verfolgen. jetzt sind sie teil der soil records crew.

a few weeks after the release of their critically acclaimed album “shadow people” produced by anton newcombe, french psychedelic band the limiñanas invites two guest stars from the french electro scene to remix two of their songs: the legendary techno producer laurent garnier and the master of synthesizers arnaud rebotini.

experimentelle kreuzung aus techno und elektroakustischer musik.

remixes coming from rework and arnaud rebotini.

bratztechno mit remixen von david caretta, dima & arnaud rebotini (black strobe)

next up on oliver huntemanns label dance electric is ladomat artist and graphic designer ascii.disko aka daniel holc, mostly known for combining the dark & melancholic shades of wave & alternative rock to floor rocking electro trenched dance beats. >closer< is no exception from this rule, a super simple and keen bass upon some fierce drum programming build the perfect ground for his seductive vocals. incl club mix and arnaud rebotini (blackstrobe) remix