lusty zanzibar (nang, bearfunk) releases his debut single on glenview records. 4 tracks of nu-disco goodness: empress wu hu (8:42), bright lights shining (5:32), midnight dancer (5:26) - with bass by jonny williams and atlantic (8:24). vocals by netty craze. full pic sleeve.

after a handful of smashing remixes and compilation features on nang records, lusty zanzibar returns to the fold with a cracking solo effort named the >the feeling ep.< title track is a spaced out exercise in immersive square-wave programming, reminiscent of the pre-internet computer gaming age when colours were 8-bit and vivid, and soundtracks were hyper-colour opuses. the complex synth work is underpinned by a driving beat with ethereal vocal wisps and crystalline pads. nice. the first of three remixes for >the feeling< comes from ilya santana, with his >celestial version<, and celestial it is indeed! a picturesque scene is set, the rhythm is wound back and a super laid back vibe allows the vocal line >remember how you are feeling< to sit more purposefully in the mix, alongside the tip-toeing bass line and often euphoric chords. up next comes the max essa dub version, introducing some arp-synth subtleties, replacing the main vocal hook to great effect. to finish we have a mix from fear of theydon who brings a touch of arpeggiated femininity and tasteful woodblock percussion to the table. its a fulfilling yet sultry up-beat journey.

sometime chicken lips collaborator and full time disco don stevie kotey keeps the momentum going on his longstanding and ever consistent imprint by going slightly off piste with the latest bearfunk 12inch. for my friends is the work of lusty zanzibar aka alex cordiner, cabaret voltaire fan and former holistic artist, and we re struggling to describe it effectively to be honest. its a simple concoction of fluttery synth riffs and fat bottom end, but has the sort of quirky melody that you just dont expect to hear in a noo disco record, or a house record for that matter. it is, however totally infectious, and destined to be one of bearfunks biggest of the year we reckon. solid mixes come from kotey and lusty himself, and all are dominated by the riff, as will your brain be after listening to this package a few times. beginning of the night, end of the night, all night, all aboard the wonky disco train to zanzibar

after a handful of smashing remixes, compilation features and solo ep on nang records, lusty zanzibar returns to the fold with a cracking full-length titled >find a way<.

compiled by legendary producer arthur baker, “breakers revenge” is a near-definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970-1984.

four powerful tracks from fbk plus remix from marcel dettmann.

80gr vinyl inside out mit spotlack

strong elector tracks comes with a the exaltics remix

rhyw is alex tsiridis aka one half of cassegrain. on this, his solo debut for arcing seas, his smoul-dering alien techno sound manifesto continues to thrive over three unique tracks. the morphing, deconstructed acid of unpunishable - a molten statement of lusty intent - strikes first in a heady, hazy pummelling of doom-funk. ‘vertisol pushes crisp and dry snaking percussion through an anechoic chamber, the bass end neatly warming at first then burning hard through your mid section. an icy cold shot of ‘aqua velva is the final offering - a pushing sub-level trip through rhyws private domain - where tingling rushes of bass and static charges wash over us leaving a sinful residue. arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together

mountain ash is an alias of producer lusty zanzibar. when the track portmanteau was sent to uber they immediately picked up this slice of hynotic experimental loveliness. layer upon layer of emotive synths and a pulsing arp help you drift towards a beautiful climax. coyote slow the pace a little keeping the hypnotic pulsing arpeggio and add some lazy beachside drums, percussion, a few pianos and kalimbas creating a beautiful beach bar shuffler. brooklyns finest zoovox create a subtle analogue rework staying close to original but adding their own delicate vibrations. drift away into the sunset.

the lauren bacall return with their sixth release in the series. a various artists featuring bardot, ava and label stalwart gable. each track is packed full of lusty, deep melodics and scuffling, skittering drum patterns.

after the first ep lately in 2014, unknown berlin-based artist rhythmath deepens with its second release to keep spreading dynamic, mental-not-mental, dance-floor friendly techno music.with the aim of letting crowd dancing loosing the sense of time through structurally- functional tracks, filled by intriguing deep-minimal elements and energetic percussions, rhythmath #2 rises from the most hidden mathematical theories linked to music – in particular, rtmt explores the euclidean algorithm, translating it into four lusty cuts characterized by an intense and smart fusion of drums, claps, synths and breaks.-

the caky music sounds like lusty melodic elements on a suspenseful beaty framework, or how they call it: like lechery . side b is literally packed with miro pajic! the remix from the berlin-based lazerslut, who also releases on magda s items & things, uses almost full capacity of the vinyl record length and strikes with a 12-minutes journey of dirty grooves. on a percussive pajic-like setting, he finds his unique way of lechery with an apparently neverending buildup which turns into some epic moments.

this is for sure the ideal soundtrack for those lusty dancefloors. sexy and funky with a bit of darkness to it, enjoy!

lambs musical style is a distinctive mixture of jazz, dub, breaks and drum & bass, with a strong vocal element and, in their later works especially, some acoustic influences. consisting of producer andy barlow, and singer-songwriter lou rhodes, they achieved commercial success with two hit singles *górecki* and *gabriel*, the first one being included on their eponymous debut album (1996).
the music on vinyl reissue features an insert with exclusive liner notes written by lou rhodes, giving a unique inside perspective on the production of the album. apart from the *cotton wool* fila brazilia mix, we have included 2 exclusive bonus tracks that have not been issued on vinyl before. a remix of *trans fatty acid* by acclaimed producing duo kruder & dorfmeister, and the *górecki* global communication mix are featured on the d-side.

the ukrainian based producer follows up his remixes for glenview (for onur engins night images and lusty zanzibars empress wu hu) with this 4 track ep of original tracks. a mix of deep and eclectic house: affelay in trouble, playaz breezin, the title cut and red rash. full pic sleeve.

as a follow up to the last years >radio anatomy< we are excited to present the >last day here ep< by brioski. it is a stellar effort from the talented italian and we are all feeling that he has really come into his own with this one. brioskis inspiration spans hiphop, funk, soul, disco, chicago house & techno, edging towards balearic / psychedelic atmospheres with deep percussive roots and old-school tendencies. combine this with some italian originality and a love for vintage gear and you are halfway there.

this time splendid lo-fi come up with a little and powerful v/a: rio padice is up to skies right now, nothing can be high enough to stretch out his hands and grab it. with vixen he has done his finest work and brings us deep and rough sounding analog and mature simplicity. a sound like a fox roaming thru the dark forest. a pure 909-sound meets a butter packed bassline. this is ment to be very classic stuff. a concept also steinwiese has arranged perfectly. a lusty and classy piece of very crackling music for the vinyl. on black bird a crispy bass and a strong chord are taking us on a ride and show the same forest from above. this one is definitely for the nighttime

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.