new school kosmiche style guitar and synth studies by baltimore native and veteran underground music figure tarotplane (pj dorsey). across four cold, motorik movements dorsey builds upon previous outings for aguirre, lullabies for insomniacs.

in this, his inaugural release, law334 welcomes the listener to his musical language through four tracks. arco and wire hangers are two synth dominated techno cuts that bookend a more experimental offering in veils, an abstracted exercise in audio processing bassoon samples. in the closing track panspermia, choronzon takes the wheel to law334 s engines in an ecstatic trance through a distorted desert landscape.

mark ambroses legendäre dimensions ep wird endlich wieder das neue licht der welt erblicken. ursprünglich 1997 auf steve o sullivans label mosaic veröffentlicht. hier komplett neu gemastert

the first release of wataj recordings sees the light with -paesaggi immaginary-. a hypnotic bassoon invites you to look at the lost landscapes through a small slit, while in a parallel reality flutes, bells, flying carpets and percussive rhythms are about to seduce the viewer

byron bay record label, wildlife recordings is humbled to present the debut album from brisbane based artist marly lüske. five fires is a diverse and engrossing body of work that brings to mind elements of beck, black moth super rainbow, boards of canada, and early rephlex releases.

crayon records returns 4 tracks of bass heavy techno house.

2013 edition in bonbon marbled unique ltd re-press. one day in 2008, two close friends were sitting together, probably they were working at the studio to finish some tracks. and while they talked about music, they came across this song again and again. perhaps its tanitas voice, perhaps the melody attended by that doleful bassoon pipe. anyway, it is just one of those musical moments from the late eighties that have remained in thought since childhood.

prins thomas spreads proper, earthy dub house vibes in a good old bobby konders tradition with >lang tung ting<. a hard driving jacker with dry, punching drums and grumbling, low-frequency acidic sounds not modulated by an 808 synth but from warped cello and bassoon lines. an ode to the timeless magic of beats and bass. much less sparse >ny maskin< on the flip is a dizzying disco/ rock jam backed by african derived beats and a gyranting, buoyant guitar lick . prins thomas brilliantly proves himself a jack of many trades again