after the ep by franco falsini, baffling noise (seekers sublabel) is coming back with another 4 tracks ep this time by italian producer deyayu

baffling noise (seekers sublabel) coming back after the album of yonder kids with a 4 tracks ep produced by interactive test boss franco falsini

yonder kids get a deserved spotlight 20 years after the journey suddenly stopped. a musical legacy which could have been lost in the background noise of time is finally edited, mastered and cut into vinyl.

you got the stuff is not lovely day - that much is true. this ones a wigged out, extended, trip into deep space from 1978 that is truly baffling. of course, it features bill singing for the first half of the track but then all of a sudden we re launched into a cosmic wormhole as everything just falls back and the track is stripped of any earthly qualities. people find themselves asking this, this is bill withers? as lazer guided synths and rock solid drums pull us into the sonic vortex. truly amazing. obviously a nugget like this has not gone unnoticed and has been edited and chopped and sampled deftly by the more sarcastic, left-field oriented crate diggers out there but it has never been reissued legitimately - until now! a hugely sought after and collectible gem right here, backed with the wistful slow jam look to each other for love as per the original 1978 columbia promo 12inch version. this left-field, cosmic classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original columbia pink label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

sometimes you can tell from the first listen of a recording that its creator has a totalizing vision that transcends time and genre. you will experience this rare sensation when you play panoram’s “a doom with a view”. the italian producer has tapped into a vein of surrealist sonic collage that s at once allusive and elusive. the album parades baffling micro-movements past your ears like a secret history of misunderstood musical remnants heard on damaged media formats, 50 years after a catastrophic disaster. it exposes continuity and logic as specious myths, jettisoning these vestigial elements in order to make space for a higher form of aural alchemy.

groovy hypnotic minimal techhouse madness ! <br analog mastering, ltd 300 copies, full color sleeve, 140 gr
played by ricardo villalobos, luciano, sounds like us, r.hawtin nima bombs!

making a clean break with the poisonous digital dubstep rhythms in his first ep, dogboy’s basement to the attic is an fearless musical odyssey where the confines of this world end in intriguing organic sounds. in a way that wishmountain or burnt friedman would, dogboy scrutinizes the boundaries between experimentation and pure dance music. using recordings made in the different rooms of his family home, the four tracks on the ep start with laying down the subtitle emotional cool yet wobbly riddim card on the table, before gradually rising the subs and the pressure into a rave like burst of pride. futuristic, organic, progressive and utterly baffling, what makes basement to the attic so successful is it is purely unique.
pressing on 180 gram vinyl, free download card included.