the first release on the new sushitech sub division pariter. produced by alejandro lopez (minimise) who hails from gijon in northern spain. alejandros first meeting with electronic music was in the mid 90s when he started listening to detroit techno and chicago house. this is where alejandro has taken his influences from to compose his own music. this ep holds 3 incredible techno tunes. on the a side you will find poligono, using a dark twisting melody over immense techno beats all tied together with a bassline that is sure to sound fat on any big sound system. this track sounds better and better every time we play it! on the flip side you will find another 2 great tracks, bigudi is another big techno tune with a driving bassline and vocal cuts all fused together with an amazing rhythm. this tune is definitely in the right direction of where techno is going in the world today! the last track on the ep estaferia continues on with the groove of the ep with some lush programming. let the music do the talking

after remixes and releases for several labels like karatemusik / dixon music here is sven uk on >on records< -flashback clock 9- a dynamic track with grooving drive and a lovely hook! >crispy wax< - comes with hypnotic vocals and aesthetic sounds

argentina is on fire right now, so for its third imprint, esperanza introduces us jorge savoretti from rosario. with previous appeareances on the prestigious french label telegraph, this 24-year old talent brings us his impressive debut ep which is full of different flavours. on the a-side, -150 reasons to bite you-, is a deep rolling track with a super driving bass and great build ups which will sure set the dancefloor on fire. -space juice- will take you on a journey of trippy spacey sounds laying over its funked up bass and groovy rhythms. while on the b-side we have marc houle and ryan crosson, both minus artists, reworking -150 reasons-. keeping the original flavour but adding his old school touch marc delivers a peak time bomb. while the detroit native mutates the original into a storming late night mover suitable for the mind and the body, making this record a must have in your collection

the original mix of someone by jona, sees him utilizing his trademark weird as you like sounds n snippets combined with some otherworldly haunting noises, making this a true connoisseurs dream, phucked up as hell, but groovy nonetheless. claude vonstroke (check his fabulous deep troat release on dirty bird, now coming out dj sneak remixes through ministry of sound) gets his hands dirty with a lowdown dubbed out lektro house workout, which stays cool until a freaked out intermezzo after which all mayhem breaks loose… plays by damian lazarus, djulz, hipp-e, graig richards, geoffroy (hi-phen), mandy, dennis ferrer, mazi, justin martin, dan ghenacia..

next monstertune at bondage-music from tino schmidt aka stereofunk (karatemusik/klang gymnastik) incl. a superb dole & kom (death by disco) remix. powerful and kicking beats, witty sounds and his constant factor of recognition are highlighting this ep........played by trick & kubic (great stuff rec)

nice price deal !!! tribal house with electro and bangra sounds

its a nice release which include 6 tracks, very dancefloor oriented and powerful, in the proyecto mirage manner. strong distorted noisy rythms, screeching sounds, killer crazy synths and >battle< vocals, pure energy ready to blow your speakers. theres industrialism gothicism electroclashism

the new ep >we are error designer< is the follow up of the 2nd album >min_tek< and sounds even more warm, spheric, clicking, shuffled, pulsatting, groovy and frisky partial flavoured with sweet female vocals and drifty crackling beats which are sneaking around you and stabs you in the back..

cool mo s ferry sounds shirts --- frickel sound yahhh yahhh yahhh

three tracks of melodic sounds that combine techno production with the organic sounds of ibadan, joe clausell etc

broken beat afro tech style!?but one thing is for sure this is a great sounding track with some nice funky pumping beats creating a central focus to the strings sounds and effect that are evident in the mix. certainly a very infectious and crowd pleasing record that will be on a lot pf playlists over the next few months. mod x as ever pushing the style boundaries and pulling it off in fine fashion!

ian fridays sound continues to develop from his obvious blaze influences, producing the song everything for yoruba singer erro with more emphasis on original latin sounds. the garage house element isnt ignored however, as the b side libation mix presents a less cluttered, deeper nine minute rendition of the tune

playmaker, know for his releases and remixes on labels such as stoneyboy, illegal beats, slip n slide, subliminal and prog city to name a few, and many compilations such as ministry of sounds clubbers guide. on the a-side you will find the pierre j & subway baby remix, (defected, fluential, saw, deeplay, invent) and they have been adding the well-known arrangement that does the trick! the other side gives you the original work of playmaker. this doesnt need any introduction to his fans

>the rhytm composer< is a well worked track with a lot of surprieces. old school electro sounds blended with analogue elements. >hooked on a g-string< has been played live a lot during the last few weeks, and has always been the park point of mikaels live sets. a great shuffley track with a strong moog loop that change its caracter throughout the song...

new french techno label by maxx t aka evolutive system & kris kortz aka life recorder. pure detroit techno sounds !!! supported by orlando voorn, fabrice lig and dj bone

rui da silva s insect delivers us another minimal monster, the sounds of hundreds of creepy- crawlies leaving a mark over you! very insect like indeed

frankie comes back with 4 minimal funky house tracks with this typical >dry< style using just a few sounds elements ( cuts of voices and short sounds) and a fxs…as well inpredictable and groovy. ep already played by dan bell, troy pierce, john tejada, jeff samuel, todd sines,…specially the dbx-influenced tweaky noise stomper titled hunt (a1)

three lost classics from the golden years of chicago house return or are they new tracks?. hard to say but if you re a fan of the 303 these squeaking resonance knob burners will put a big yellow smile on your face. warehouse tracks for the club, if your looking for the sounds of classic chicago acid house, look no further… we even heard moodymann & steve silk play these tunes on his recent tour through the windy city...written & produced by terry mullan & kevin ford

for more then 10 years the french lady b. is known in the techno scene. he organiced the first acid-house and techno parties in south of france between 1989 and 93 and he also became a dj in several gay clubs in cannes. he had releases on f-com, gigolo rec., good life & many more. plus remixes for ascii disco or scratch massiv. now he is back with a powerful ep incl. 4 tracks. >stripper< is cut and go massiv banger which reminds me of sebastian(ed banger) productions. >the best will come pt.1 & 2< have a nice bassline + bleeping acid sounds and those tracks show you that the time for sampling in 2006 has just begun. >b-ware< is a pure peaktime track with a melodie that will stuck in everyones brain…

subbasslines, squeaking synths, some distorted sounds, percussion loops and a rocking feel. definitely a peaktime bomb

trimsound is a new label from none other than tom ellis, leif and joe ellis. they have had great releases on labels like morris audio and moon harbour. they give us a solid four tracker, with varying tracks from quirky house on track 1, to more glitchy minimal detroit - inspired grooves on track 2. this is the future of modern techhouse music, cutting edge and seriously funky with new sounds and samples

good song writing and a keen melodic ear set ludo and his new emotive composition apart. hectorine is a womans name and from the sounds of it ludo is in lust. remixes are served up by new school minimalist alland byallo and in house jet setters audio soul project. alland keeps the epic pads from the original weaving in and out of his surgically designed bouncy groove. on the flip asp get down to business with a remix that would’ve been right at home on their seminal community lp. the song is essentially re written with new music and drums. this rendition could almost be mistaken for a track on one of todays fashionable labels except for its lack of dogma and cliché

tough subliminal workout from harry choo choo romero featuring ramona. electro funky sounds for the dancefloor. morillo is all over this

new kanada follows up adam marshalls >black snow ep< (nk01) with a killer set of remixes from the hottest canadian talent this side of berlin. the a-side is a seriously advanced workout of minimal funk from cynosures mike shannon, who remixes >black snow< into a stripped-down house groove. on the b-side, we have jeremy p. caulfields treatment of >mission<, which continues into the dark and precise mood set up so well on his dumb-unit imprint. ending things on b2 is j. hunsbergers delicate and beautiful rework of >hot spring<. jay spices things up a little with vocal snippets and rocked-out drums, and hints at the sounds he just unleashed on steve bugs audiomatique label<

boriqua tribez stands for expressive sounds of rio productionz, presented from one of austrias national heroes in the electronic music community. with this committed project dj i.q. underline his prevailing interest for disco,funk,old skool,tribalelements and takes it to another level by creating a particular connection to techno music nowadays

after last month s superb ep from burnski, up steps label boss simon baker. it sounds like a lost acid-era classic, as cheeky fxs pan back and forth as the track builds into a rolling mass. ivan smagghe, ralph lawson, funk d void, paul woolford, dj hell….

the breaks godfathers are back! while the mad in sicily parties are literally burning catania blatta & inesha have now ready two new super tracks. first one, afraid is rooty and funk at the same time with sprinkles that make it wink to houz lovers. on the flip, the result of a meeting with friend dj afghan, funk siciliano is the sum of traditional sounds mixed with black and dubby rhythms. nothing more fresher after this very hot summer

electro breaks with funky synths & sc-fi sounds !!

box jams remixed part 2. after marcus mixx its p79s turn to get remixed. daniel wang comes with a sweeet new-york disco version with warm sounds and an even warmer groove... very nice! major swellings (aka prins thomas) comes with a nice long building dubby remix with a great additional bassline and loads of percussion added... works like crazy (like basicly all the things he and his buddy lindstrom are touching at the moment). and a new bonus edit by the finnish wonder boys themself. slightly different from the original with a more loose feel.

nice price deal !!! thomas penton and jerome robins deliver the a side remix, with a vocal that sounds like sunglasses at night and a grungy backing track with plenty of dirty guitars. the original mix is a darker affair with gritty stabs and chunky tribal percussion

after a long while heres a new release from clairaudience with music provided by label head anthony nicholson aka miquifaya. taking a bit of a departure from anthonys standard deep tribal sounds he seems to go back in time to 90s chicago conjuring sonic images of classic labels prescription and balance. the a side keeps things moving with a grunty scat and grind of the organ while the flip stays straight chuggy with spacey synths and detroit esque strings. a perfect move forward for that deep soulful tech sound dominating of late

very glitchy & groovy the fourth output from the vitamins family.. incl a track for electronica & trip hop fans

hailing form oslo ost & kjex first got noticed on the planet noise label. their tast for flashy costumes, cheesy handbag house and fucked up electronic sounds caught the attention of crosstwon rebels and dialect, who now release this wonderful combination of crunchy beats like >milano model< which is a modern day new yor-style house anthem with a european electro twist or >foodchild< that is a melancholic piece between deep techno and minimal house. support laurent garnier, d julz, mike monday, jef k and more

c.i.t. is the newest project of lars wickinger from berlin and michael skelton from hamburg !! the >tomboy ep< is an incredible cocktail of rough techhouse, raw basslines and thumping beats. there are sweet poptunes and funk as well as highend sounds and underground techno !!!

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

trenton labelboss aspros and duplex 100 member reynold with two tracks between old school detroit techno and minimal electro sounds orientated to the floor but always in a deep way.. incl holger flinsch & nielson remix

underworld strike back & who better to take the helm on remix duties than the king of the alternate groove paul woolford. he delivers two dance floor friendly, quirky, bumping electro mixes. this also contains the underworld riverun breaks-style version that sounds ultimately dirty, grubby & altogether fresh

acid-ish and pumping dancefloor action beats with spiced up with fresh sounds and super intricate arrangements

a1- carlos durán >radars< shows his most vanguard electronic style with a very deep bassline + a very groovy and hipnothic sounds. a2- sergio castilla >inside process< it´s a big track for the dancefloor with tech house rythms, a beginning in the cirez d way with a fantastic break. b2- albert larra >animal dream< dark and tech house tune with analogue retro sounds and a very interesting electronic voice..

after some 12inch for their mates of goodlife (the hacker & oxia label) or ozone (kiko label), the twice friends give us two titles as a tribute to their favorite cult tv serie of their childhood >galactica<, with an unstoppable killer remix by thier close friend the hacker. a side, « loss », start as a classical oldschool techno track with an acid flavor, big deep ravy voices & hypnotic twisting groove and finish with an emotionnal & melancolic melody . b side >galactica< revisited by their neighboor the hacker, is immediatly identified as a classical sound of the famous worldwide producer : a sharp of straight oldschool electro, a zest of acid, square beats and post new wave sounds for a killer dancefloor result. then the original, to close the 12inch is a classical combination of a big kick and hi-energetic sounds for a cutting vision of contemprary dancefloor techno

the sixth sequel in the traffic signs series convinces once again with its special signature sound. dry, acid-driven, stripped down but featuring enthusiastic structures and well-chosen sounds, this is what traffic sounds is all about.>coming down< on the a-side is a lively acid-packed track. opening and closing filters, delays and loads of nice effects make this a more than useful peak time weapon! >back on crack< on the flip brings a heavy dose of pushing chords, fizzing open hi-hats and cracking snares all around. don t take the track s title too seriously!

lee jones, nicolas hoeppner and carsten klemann are my my (playhouse) and deliver this vibrating 4 tracker packed with crazy bouncing, stumbling cut up beats and bubbly sounds sometimes reminding of a friendly chaotic, free spirited atmosphere in a anti authorian kindergarten !!

the legendary pcp producer hypnoitzer now completes his move to the new direction. the title song >electronic erotic< is a gorgeous and haunting masterpiece. >never come back< sounds like tom waits lyrics over a heckmann track. >in the cold< is a minimal vocal story of loneliness..

archipels brand new sublabel brings you its second weirded out slab of wax with uli kunkels singing with rod. uli kunkel,however,is not one single artist. it is comprised of lee curtiss, maayan nidam (miss fitz) and shaun reeves.the record starts off with leethophobia which is an hypnotic breaks like piece of dark insanity laced drughouse very much inspired by the perlonian sounds which have been coming from germany as of late.drugpigs is fat, wobbly, and just as hypnotising as leethophobia and commands that the freaks come out to dance from the shadows of strange early morning corridoors.the flip takes a more direct approach and is fiercely lead by arrival which is an hypnotic take on dancefloor drive influenced tracks and is laced with clever edits and lysergic percussion.sing like rod is a totally weirded out and just as lysergic early morning rhythmic smoothy. kalimari is set to release quality weirdness and here it stands tall from the rest.

modern dance whizz kids treat stephen malkmus to a spin across the dance floor. the original >kindling for the master< came from the acclaimed stephen malkmus album >face the truth<. the guys at domino thought that the arthur russell-esque bubblings of the song would suit their more disco-minded remix friends. they have pulled together an a-list of remixers, the norwegian dance god prins thomas in his major swellings guise, the analogue psych-freak of the emperor machine modern pop group hot chip and the crazed sounds of canadian sandro perri aka polmo polpo. ·the mixes have been picking up fans across the dance spectrum, including mylo, erol alkan, jonnie wilkes (optimo), fc kahuna & unabombers.

hot tribal sounds!!!

heavy on the beats and vocoders with man parrish, sounds like early hip-hop and electro disco pop.. dub version on the flip !!

inc. stian klo rmx , right now, Özgür can is getting a lot of attention worldwide with his music. his storming productions and explosive dj sets have already made him one of the most respected figures on the electro/ tech scene, and he is touted as being one of the most forward thinking talents, both as a dj and a producer! his interest for sounds, tones and beats developed during the years as he spent his time listening to everything from trance, house and techno to pop, hip hop and alternative music