somatic suspension is the new album from stockholm based spanish composer and pianist hara alonso. emerging from a classical contemporary background, her current work fuses electronic and instrumental music along with interactive works. file next to: klara lis coverdale, ryuchi sakamoto, alva noto, kelly moran released on white cassette with artwork by néstor torrens and design by goldmoth media. mastered by dominic at declared sound.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

the second release from producer eomac’s new dublin-based label eotrax comes from nomadic irish producer lair. this is an exciting step for the label, moving away from the dancefloor into more diverse, eclectic territory. lair is a producer far from the norm, especially for those releasing on an electronic music label. she classifies herself as a composer, producer, vocalist, artist, sound-healer and yoga teacher. with a diverse background that includes singing classical and traditional material shes expanded her artistic approach into a diverse web-like multi-disciplinarian approach in keeping with her nomadic life. currently she creates electronic music, contemporary classical music and healing music under a variety of alias including laura kilty and luminousounds (for healing music). she is also in the duo noeverything with eomac. in her words my lair music is how i see the world - this one and others channeled - expressed through layers of my vocals which i shape electronically. the music has elements of mysticism, sacred geometry, energy, sound with intention and just sounds i love formed to make music i love. i see music as i create it. i work with lots of layers - for me its like creating an aural representation of the image i see. these layers of sound can be found in her debut self-titled ep in the deep, ritualistic drones of invoke and meld on the a-side, and the more concise rhythmical patterns of searching in circles on the flip.

born as the daughter of two opera singers josin grows up constantly surrounded by music. for herself josin draws a lot of her inspiration of the northern world, which is as rich in contrasts as her music. it is rough and cold but full of nutrients and life. and if you wish you can exist in it and slowly but certainly and then forever recognise its beauty. currently the musician is working on her first album and new songs. although josin likes to choose a way between elegance and minimalism, the first tracks of the new recordings present themselves with a power that presses forward more determinedly. her producing also appears more open and experimental with electronical and classical elements. yet she maintains her natural otherness and intensity in a timeless way.

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

the phrase >tropical< is currently getting used to describe a lot of different music, some good, some bad, some ugly. to save on confusion senseless went out and travelled the world to find some music from the actual tropics, venezuela to be precise. somewhere buried deep in the mysterious rainforest, or possibly just in a studio in caracas, they found pocz and pacheko. it?s so near the equator maybe we can ditch the ?tropical bass? tag and go for something new, >equatorial bass< perhaps? maybe not. pacheko, francisco mejia, will be familiar to some for his solo releases on lo dubs, murder channel, seclusiasis and for his work with legendary venezualan expat cardopusher. his partner in bass pocz (carlos majoral) is a classically trained musician and production engineer. along with a select few others they run abstractor, a collective of producers, artists and designers, who promote parties, run a blog and do a fine job of representing bass music in venezuela pretty much solo. the collective includes graphic artist design or die who is responsible for the incredible artwork and pretty special video for >zarbak<.

after the classically inspired, yet devilishly modern tech-house statements on his last e.p for dessous, comes this too-hot-to-trot release from uk young blood burnski. building on the solid, no-nonsense aesthetics of his previous work he presents his unique vision of today‘s club sound. quite the picture of current hybrid trends, between old vs new, ‚draw your sword‘ infuses classic chicago jackin‘ beats with a soaring, building anthemic hook. the track builds insistently with a tough, pushing house flavour yet reminds us not to get too carried with a tense and teasing breakdown structure. smart stuff that‘ll have you reaching for the rafters, in a moment of freshly spun dance music euphoria. ‚sleep‘, on the flip side maintains burnski‘s clear love of the deep, jacking grooves of our american cousins, painting a vivid and bold picture of modern, teched-up soulful house music. an irresistible nu-jazz-house riff slides between the silkily sharp drum accents, building throughout and once again providing the dancefloor with some serious moments of tension and joyous resolve.

after an online ep on kitty yo, combination records now releases three new songs by dillon in a timeless classical pop format which i find ideally suited for her: as 7 inch single. ausgabe 11, contact us and on repeat present the spectrum of her possibilities: it has this sensitive cheekiness, it has this aggressive vulnerability, it has the adrenalin beats for kids, and it has some dramatic chords - a great package. and thats only the beginning. we are currently witnessing a rising star!!

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

czech born dj lucca is currently the most popular east european female techno dj and producer.. now she delivers a classical straight 4x4 funky track with gradual development and graduating energy! incl marco nastic remix 08.05.2006

jo‹o paulo esteves da silva, m‡rio franco and samuel rohrer together combine all the qualities that are currently making this most classical chamber-music format of jazz so successful. intuitive understanding, transparent flows of communication between the musicians, their actions and reactions, soloistic sequences that continue the balanced flow of sounds, as well as musical culture and noblesse. this trio does not boast but trusts the spaces between the notes. yet its music develops a pull, gently insisting, that becomes ever more plausible

the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbeliefÉ all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the futureÉreflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hellÕs strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night.over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musicÕs lifetime.

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.