four groovy minimal tracks

the first release comes from lose ends. 4 beautiful minimal funky house cuts. worth to check!

juicy house beats by colter carson. tip!

hip hop / rnb

remastered vinyl re-release of the “kamchatka ep” from garo.

p2s is back with a second break beat maboul edition by dj clif. including breakbeat, scratches & acapella!

raoul k is known for blending the sounds of real westafrican instruments and modern electronic clubsounds into one mesmerizing soundscape. this time, he takes a new approach: the original mix is produced without the use of any electronic instrument. just pure african sounds, chopped and melted together into one groovy slice of contemporary clubmusic. this is the first release in a series celebrating the tenth year of baobab music… which will lead to a new raoul k album. electronics aren’t completely left out. the blending, however, was left to the remixers this time: irfan adds a good measure of energy in his mix, setting up some analog synths with raoul’s beats. watch out for the break… kaito delivers a very dreamy remix which seems to lose its kickdrum but does not lose its groove. dance into the sunrise. choose vinyl, please

paris-born, nyc based dj/producer j hart and tokyo producer budamunk, teamed up for a very limited edition 45’s (only 250 units pressed) featuring masta ace, chris rivers, hdbeendope and rim. this numbered blue collector vinyl includes 2 exclusive songs: ‘trinity’ produced by dj j hart featuring chris rivers, hdbeendope, rim and ‘cool’ produced by budamunk feat. masta ace and dj j hart. these 2 tracks were featured on j and budamunk’s double dragon cassette tape, which was released exclusively in japan by jazzy sport music label earlier this year. the 2 sides cover artwork was crafted by painting artist, alexander grahovsky.

p2s is back with a new project of hip-hop / breakbeat / scratches / accapella!

two mixes of mr raoul ks opus break your chains and return to botswana. kaito takes a step back and uses parts of mr raoul ks tricky beats as a rock solid base to build his soundscapes on. his mix is like the soundtrack to a movie dealing with alienated individuals who try to escape imprisonment through an endless desert.

the third and last twelve inch of the still living in slavery remixes series.

triple lp includes the cd version - limited 100 copies only!

the next part of mr raoul ks album >still living in slavery<. it is delivered in a picture sleeve that will hold all three records and will also look very good on your record shelf. musicwise, the first side features all three chapters of >dounougnan magni< stretched over almost eighteen minutes. pure afrofunk bliss with beautiful keyboards played by kuniyuki takahashi. the track also features the vocal talents of hamed sosso who accompanies the listener throughout his journey. an emotional trip, starting in hot desert plain and ending on cloudy hilltops.

this twelve-inch is the first in triple that will make up the vinyl version of mr raoul ks album still living in slavery - his first album on his own label. the second twelve-inch will be release in a picture sleeve that will be able to hold all three records.

this release should have an all natural ingedients sticker on it. all sounds you hear are from traditional instruments - recorded on various occasions in ivory coast. it took mr raoul k quite some time to get his hand on all the raw materia he needed. he then cut it in bits and pieces and rearranged the sonic puzzle to a slowly evolving track. join his journey that starts in the cold of a desert at night. the temperature rises with the sun. when things heat up too much, you have to take a rest in the shadows beneath a tree. meet some fiends, talk and relax - but dont get lost. keep you groove alive and head toward your destination. choose vinyl, please!!!

evolution takes a lot of time to achieve the best results. in his track, mr raoul k uses the concept of evolution to travel with you through this musical journey. every section of the track seems to evolve. simple patterns grow into complex patterns. more instruments join in. some stay, some are dropped after a few bars. listen closely and you can follow mr raoul ks on his path along the production process. the only sound, that accompanies you throughout the track is the choir that chants in an ancient african language - the world is nothing without humanity. the track closes with some minutes of beats for your mixing pleasure. choose vinyl!

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

in classical geometry, the triangle is the simplest polygon. the one which can be used to construct all other polygons. the root of them all. three points define a plane in space. thus resulting in the phenomenon that a tripod always has a safe and solid stand. three musicians teamed up to produce the triangle peul. in addition to the well known mr raoul k rollercoaster ride through moods from contemplation to euphoria, producing as part of a team adds a new dimension of dialog to his work. itÆs no longer just the communication between him and the audience, this time the communication that happened during the production process shines through. the fun, the deep concentration and the energy that everyone felt and committed is recognisable for the audience with ease. unsurprisingly, the triangle peul comes in three different mixes including a drum laden beatstramental for those who still like to mix.

as some of you may have already noticed, each release of mr raoul ks >peul< series features a specicific african instrument as its main sound. this time its the balafon - a kind of sticcado, which uses calabashes as resonancebodies and is often handcrafted by its player. here, the balafon is used as a rhythmic and a melodic instrument. after a long intro, the track gathers momentum and takes off for one of those long buildups. when the tension is released, in come the vocals! rising from a sparse chant to an energetic vocal that empathically pleads for unity. then you get your beats back and off goes another african-european joyride. for those of you who arent that much into vocals, a less vocalized mix is provided on the flipside. enjoy another mr raoul k special treat

dark and demanding high class housemusic in raoul ks signature style. despite the somewhat strange title (jenseits meaning >afterlive< - originating from a play of words in the baobab music office), the record delivers in real life! rich instrumentation, including traditional african instruments as well as long build-ups and a dramatic breakdown. and a shimmering atmosphere to get you in the right mood. all you can ask for in a contemporary housemusic release. especially enriched with the special mr. raoul k twist, just the way youd expect it

with his second release on baobab music, producer mr raoul k heads into new territories. like he did on his first release >le cercle peul<, he combines traditional african instruments and the african approach to rhythm with european production techniques and soundscapes. this time he examines the depths of sound of dubtechno. this effort results in an epic musical journey, an almost soundtrackesque piece of music that accompanies the travelling mind as easily as the dancing body. mr raoul k manages to stay focused troughout this long trip through the land of haunting grooves and irie sounds with ease. driving, yet calm at the very same moment. and full of surprises, too. the flipside delivers – besides a condensed edit of >himalaya< - a grooving piece of afrofunk-goes-house, perfectly fitting in the sunnier time of the year. fellow ivorian doungous delivers the infectious vocals to round up this track

still living in slavery is mr raoul ks third album. it is, however, the first one that will be released on his own label baobab music. he thought for quite some time about to shift the african instruments and african rhythm structures that uses in his production processs into a more dominant, more exposed position. giving them a role of there own and freeing them from being bound to a groove coined by a four-to-the-floor kickdrum. while using dominating drumsounds when producing records aimed for the dancefloor seemed reasonible, they werent needed for the storytelling concept throughout this album and are left to the accompanying remixes.

o-wells aka lennard poschmann

nice price deal !!! formerly of bbmak christian burns has also worked with tiesto on the massive elements of life already doing the rounds with the j magik remix now data unleash another quality remix package from my digital enemy / dave robertson & filthy rich