mood ii swing displaying thier talents here with three mixes of this soulful vocal number on defected offshoot soul heaven 2 of these mixes are on the deep ny garage mode and the dub is a full on tough club pounder original mix is pretty cool too and combines a smooth vocal with a big low slung bottom end and some deep chord patterns

unique delta design from holland around the clone imperium, rockets from bottom to the top

unique delta design from holland around the clone imperium, rockets from bottom to the top

unique delta design from holland around the clone imperium, rockets from bottom to the top

unique delta design from holland around the clone imperium, rockets from bottom to the top

a really firework! music made with heart and soul. beautiful, this deep brocksieper mix - its flow is one of the finest. a2 - a romantic lump, who will reel filled flews in, after having thrown his seductive bait on the >love fish sea bottom< of the club landscapes. and yet, there is someone else!? someone else, who is mixing the vocals in the finest manner on b1 - as always - an airy inciting and pushing mixture for a t_time of doozy. use your arms, marcel knopf! if your legs might be a bit weak after the first three mixes, you can swing your arms right now into the air and sink into a rocking broken beat after a gap that hardly can be reached

dubsided does it again with a techy, bottom heavy cut-up track. on the flip jesse rose mashes up a boogie cut and then closes this ep with a blissed out, rhodes driven downtempo cut

the dark ego is chirstian vila, with a stunning remix coming from climbing producer loic b. ok some of you were lucky enough to get some of the promo s we had in on this electro house number from rick pier o neil s electroclash imprint and if you did u will know exactly how good this one is...it s based around a very moroder-esque synth sound with an hypnotic vocal and a well heavy bottom end.added to this a remix from loic b who once again delivers the goods, straight dancefloor material packed with energy

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

smooth electro disco works for the floor. three tracks with a positive club vibe. 'taboo' is a cosey clubby track which just makes things ok as they are... effective for everyone!. 'seduction' is darker and bottom heavy. but the most outstanding track on this ep is defenitly 'taboo 2'. this is the kind of track that brings the party to another level! great electro disco-tech for everyone who likes to party

the original is smoking, with bumping jazz piano samples, vocal snippets & strong beats. watch out for boomty man dj sneak as he truely gets the party started with this jackin mix adding a heavy bottom end thats sure to wreck speakers!! no assembly firm add their touch of jazzy weirdness into the mix, chopping up the piano samples, throwing in crazy rolling drums & nuff fx edits & trickery to mess with your head while your body works it out!

2002 release by chicago vet mazi the man behind audio soul project comes with a bottom heavy tech house funker

finally back in : 'made 2 play' jesse rose's own label and made just for the dance floor. it's not about gaining hype in the press. made to play was conceived as an outlet for quality dancefloor tracks, that you chuck in your bag and play. pure and simple. so this is what you get minimal and chunky, super bottom heavy steady glitchy house tracks dubsided/freerange/frontroom style. #6 in groove top 50 sept / oct 2005

ultra hot minimal cut up out of canada. eckig & intelligent !!

part 1: a skanking, minimal tour de dub with a heavy bottom end. part 2 starts out with a nicely floating riddim variation that mutates into a heavy stepper with the towering bass taking the lead. frenetic, sizzling hi-hats and a stronger >oomph< on the bass drum give part 3 a euphoric classic house slant before the script gets flipped again on part 4: sparse deep techno with fine offbeat rhythm

freex squeex is old school acid house..punchy beats, big ass bottom end and infectious 303 lining. flip for see saw, a catchy vocal with solidbeats, throbbing bass, nice pads and keys..

grinding electro techno & breakbeat madness from the depths of detroit. the a side has a brilliant retro dark wave feel while the flip has a sinister electro gem with typically demented bottom end and nasty beats

classic

ltd gold edition !

album

cd digipack, silver pantone

yellow tape 2 is the follow-up to key glocks 2020 debut album

telefon tel aviv is finally back with the 4th album.

two and a half minutes of drums rolling under a whirlwind of cranky guitars and vocals arguing from the bottom of a 1990s boom box, thats 51 black super. 11 tracks and 30 minutes to cross the usa, from california with pavement and weezer to ohio with guided by voices and the raspberriesÉ 51 black super isnÕt a band to get lost on its way, or in futilities. written, composed, recorded in an emergency, with short and intense sessions, the debut album by 51 black super is made in the image of its creators: spontaneous and eager to get things out there. sounds like the strokes with less cocaine and more facial hair, said a californian rock critic after listening the two first few tracks

alland byallo has crafted ten unique tracks for the mighty uk imprint. bones, flesh stands out for its distinctive vibe and groove. from the opening track looking long to the closing singularity the album stirs and flexes, flies and touches down with elan, sounding raw, alive, organic and original all though. all the while being a record that moves the mind and the body from start to finish

with over 10 years worth of experience and a number of releases on labels such as emi, p-vine, and freestyle, uk funk & soul titans the baker brothers land at record kicks with their seventh, and latest musical opus -time to testify-. in the new album the baker brothers pick things up where top singles -once i had a friend- and -patience- left off. the result is -time to testify-, a brand new album that sees the baker brothers hitting their stride as they mix elements of modern soul, jazz, funk and everything in between.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

slamming luke solomon cd with phunky chicago influenced definition of house

>to share and to increase the love, to let the soul speak through the music, is a feeling which can hardly be described with words. with loving, i want to embrace the whole world, because this journey to the origins of electronic dance music in between modern detroit, high tech soul and house is coming from the very bottom of my heart.< (johannes heil, 2010)

for the fourth year running cocoon recordings gives a forecast on the upcoming ibiza season with the latest in its summer mix series. after having such renowned djs as dubfire, loco dice, andre galluzzi and chris tietjen, the cocoon team were able to play another well-known dj ace from their sleeve: marco carola.