kool spheric techtrac w/ phat beats

vier freaky techtracks von g. ananda, coordinates, r. breitbarth & pan/tone

ultra deep minimal cologne traxx

vielschichtige durchtriebene platte die nie langweilig wird, promise

brill minimal spheric tech burner !!

matt und mark thibideau, zusammen sind sie repair und veroeffentlichen ihre zweite sub static scheibe.. feat the nice voice of dawn lewis.. und die geht unter die haut

rene breitbarth mit einer seiner besten veroeffentlichungen !!

matt thibideau mit seinem sub static deb?t release ..

der tongut labelchef zu besuch bei sub static !!

sub static goes to more minimal with the 'clicker' lump !!

das erste sub static release von der labelchefin aus koeln..

das vierte sub static release vom chef persoenlich und er zeigt wiedermal was den sub static sound ausmacht.. diese ep gehoert mit zu den besten !!

grandioser titeltrack von erik moeller aka unai !!

spookiger techno mit einer menge feingefühl & einem formvollendeten groove. da braucht's auch keinen luciano remix mehr

heckmann power on two tracks.. shadow dancer has a clever beatstructure and a nice hoovered melody hook.. cellar doors has a magic break in the middle and the swirling snaredrums, just to kick off even more and let the crowed flip straight away..

bolcher are two newcomers from hamburg and they create a noisy mayhem and a funky disaster styled up to primetime stompers.. rattle'n'roll like no-one else

nicht erschrecken - ihr habt nichts verpasst. die release nummer stimmt. repair geben ein klares statement ab & sagen ja zum song. 8 tracks techno pop mit weichem glanz

amazing deep detroit / electro infected tracks

number ten in the sub-wave series is a minimal/ acid bomb with a deep and brainfrying basshook and swirling psychosounds with a little more herbs from 303. on the bside youll find a deep acid-monster that will make the ladies want to sit on the speakers

grosses comeback des plus 8 krümelmonsters fred gianelli. souverän kratzt er an deiner gehirnrinde

cool obital sounds very similar to the latest carl craig release!! not to be missed // axis records sub label

not new but so hot, pure timeless classic!!! megaphat minimal dubby basic channel influenced

john spring, rené breitbarth, metope und golden red versammeln sich auf diesem luxuriös ausgestatteten 4-trackers um dem bratzen auf höchstem niveau zu huldigen

amazing deep detroit / electro infected tracks

sub static's hoheit der tiefen floorfiller, auf noch tighteren frequenzen als gewohnt. schluss mit der dünnflüssigen entropietrommelei - hier kommt m.i.a. und nimmt uns sachte mit in ihre welt

die thibideau brüder & dawn lewis mit einer zeitgemäßen techno pop vorstellung & richard davis mix

excellent minimal clickin & spooky techno !! expect maximum support from: daniel bell, richie hawtin,john tejada, dinky,…

the a-side is kickin in with the rack summer bells, that will surely ring in your ears on the dancefloors around this planet and the b-side is a more mellow track for

der dispodancer Überzieht wieder kräftig das limit. unheimlich lockere grooves zum abheben

scharfkantige musik-wracks die zu einem Äußerst hinterlistigen house-alien hochgezüchtet wurden.

der crispe holzfäller ist zurück und er hat was ganz besonderes geschnitzt: zwei echte wald-schrate, schnaubend und stampfend alles aus dem weg räumend, was bei drei noch nicht den whiskey angesetzt hat. in bester tradition führt pan/tone seine erste killermaxi “green bottles & teen models” fort.

the main mix theres another subman version with stripped down vocal and slightly filtered and tweaked instrumental, the beautifully floating all-instrumental take plus a dub version by lil devious who infuses a more electronical sound plus that special magical french filter touch. big one that will make it easily to the next ibiza season!

super+ totally re-freaks the track into two electro-punk versions with energetic distorted guitar riffs and enough effects on the vocals to give them a whole different slant. lil devious main mix cuts out the vocals and is more hypnotizing than hanussen with its spiraling loops. for those who like it sweet n mellow theres also a pleasurebar remix working those strings to great effect.

nach einigen fingerübungen im clicks n cuts-milieu verabschiedet er sich jetzt vom hornbrillentragenden rumstehen deluxe und hantiert lieber mit schwerindustriellen bassmonstern nebst böse rockender effektartillerie rülps n jump statt künstlicher intelligenz !

slammin deep minimal !!

ex f-com artist mit einem detroit sommer sonnen tune ! emotionaler sequenztechno

fette minimal tracks on double 12 inch, fortschritt for home and floor tipp!!!

deep house masterpiece by omar s

longtime friend of the dabj crew delphi (who is also one half of tiger & woods alongside marco passarani) debuts on their neutralizer sub-label with four shining examples of forward thinking machine driven funk.

brought to you by two of the sharpest selectors in the western us, origin peoples #6 simultaneously captures the essence of a period when dancefloors were not yet divided into a million sub-genres, when all that mattered was a groove that made you move. it also skillfully showcases the kind of refined beat mining we find today, when increased freedom of information makes even the most seasoned crate diggers bow down in amazement at the sheer weight of great music yet to be discovered.
across both sides, we find the combined talents of san diego based legends bernie “dj inform” fishman (side a) and mike “marsellus” wallace (side b), former roommates who first met while record hunting, eventually cementing a bond centered around the endless pursuit of quality sound. their respective collections are among some of the most respected worldwide, and the knowledge and flair on display in their dj sets is something to behold.
for those not yet fortunate enough to have caught fishman and/or marsellus out in the wild, you now have these recordings to enjoy - so turn those volume dials all the way up. a sure sign of the gifted dj is an ability to educate and entertain in equal measure, whether on the floor, in your crib, or on the street. to have two such selectors on a format that fits in the pocket is a treat that can’t be beat.

mit fast 50 veröffentlichungen auf vinyl und in digitalen formaten, remix-serien und sub-labels sowie limitierten merch-editionen hat sich das label in seiner langjährigen geschichte von hypes, trends und moden abgesetzt. als plattform für hochwertige produktionen von künstlern aus der ganzen welt hat sich blue hour music einen eigenen namen in einer landschaft gemacht, die sich mit rasender geschwindigkeit weiterentwickelt.

limited edition white vinyl with printed innersleeve

dub techno at its best! merv makes a comeback to kontakt with two exceptional dubtechno masterpieces. >inwards< highlights an unmistakably merv-esque style, characterized by rich chords and a solid sub-bass, while >suspended< delves into deep, resonating chords that persist for nearly ten minutes. limited coloured vinyl.

dub techno at its best! merv makes a comeback to kontakt with two exceptional dubtechno masterpieces. >inwards< highlights an unmistakably merv-esque style, characterized by rich chords and a solid sub-bass, while >suspended< delves into deep, resonating chords that persist for nearly ten minutes. limited coloured vinyl.

raw but sophistaced deep techno, clearly schooled in the classics, lands courtesy of dublin’s 393 records. label owner philip galvin jnr opens proceedings with two effortlessly grooving cuts. “sub osc” is powered by purring 101 bass & chiming synth tones & “lapping” lets it’s ear wiggling sequence modulate underneath lush pads. on the flip, the parallel cranks up the energy levels with the acidic thud of “voyager” before closing the ep with the dreamy & rolling breakbeat cut, “ascender”.

después de la muerte (after the death in spanish) is an ep of four cuts of the barcelonian producer headbirds and the first release in vinyl of the ochomel label.

on the a side, the tracks have a dub scene with deep house influences of minimalist cut and sub basses at very low frequencies, with flashes of light in their arrangements.

on the b side, the first track is a flow of increasing energy, a melodic passage with a cosmic air and a deep bass drum. the second cut is a beautiful piece of art, a story of 5 minutes of deep melancholic sensation with an intense riff, a techno flavor of the 90s.