the 4th release on john henry come from the label boss himself: zoo brazil. everybody knows zoo brazil from various releases on many many labels including music for freaks, get physical or harthouse… bitch boys is their latest elaboration of electronic dance floor dynamite… synthetic dance music with fierce basslines, simple synth licks and kool drum programming with a certain dose of funk. digital garage culd be the name of the game!

played by james mowbray, jeff samuel, john tejada!! news from the anti claves-biter fraction: sub static-label boss falko brocksieper follows suit and warms up for the next album-quantum-leap, however, as a finger exercise first, there is this small, fine ep with three elegantly knitted smashers for the dj from world. as usual this man simply shakes the funk out of the sleeves, so he can afford to pass big music already for the aperitif, which is always best for the meal, right? >esque< builds up the break culture quite high, without falling however, as the pleasantly massaging bass foundation stands firmly against wind and tide. this is the club counterpart to the lightning rod, bundling the crowd s attention perfectly and focusing it to one point, between a glass of vodka (located at the dj-booth) and the horizon (in the head, man, in the head!)

kalle is in good shape again and delivers with his this place ep 3 brilliant tracks under the flag of suomi smacky & techy electronic music outa the deep & dark forests of scandinavia

fumalab is here, a new special venture, a real laboratory for all things more musical, slightly different and off the beaten paths, a playground for all expecting more from their music but plain 1 minute usability. starting with three autotune tracks that are >classic< in the true sense of the word. check alone side a >influensa< a chuggling superdubby almost detroit deep house like bummer of the highest calibre. influensa flows non stop, full of warmth, high sound presence and with an unmistakable feel for groove, rhythm and structure.wicked, eruptive, intense and here to stay. we easily grant you a patent for these recipes mr. laboratory engineer! more please

joaquin durrieu aka paradoxxx is a producer hailing from buenos aries, argentina that already has a reputation for music that is freshly electronic and futuristic in its appeal. this is definitely one of the strongest 3 track eps to surface in the progressive house genre offering an upbeat approach that is all about zooming fx, layer upon layer of synths and melody sweeps anchored by crisp, crunchy beats

rennie foster delivers a dynamic, high tech, knock out for the long anticipated return of xplor music. three detroit influenced techno tracks in his typical style. >monochasm< was previously released on soiree records !!

soething between disco and jacks house a side is a jacking piece of music with a cool 303 line flip over for remixes by patrick pulsinger and alexander robotnik

once again toby tobias drawing on a number of influences and styles to create a deep, meandering but still upfront and totally danceable piece of music. quiet village, like mr tobias, are connoisseurs of the experimental side of electronic music and are well known for their deep, rolling, spacey grooves that are loved the world over. they deliver just that, a mind-blowing 10-minute journey into deep space! big.

in 2005 estroe had her debut on less is more recordings, and several stunning releases and remixes on bio elements, 7th sign, magneton, eevolute etc. followed. for connaisseur, estroe has contributed a real pearl of detroit-influenced timeless techno music.. jamie jones pacific mix dresses >driven< into a more deep house-oriented motorcity outfit.

great v/a between detroit, tribal and rollin techno for fans of question and co.. tracks by dj misjah, allan banford and simon coyle

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions..

top electro 4 tracker to please fans of digitalism, justice, para one and the likes.magnetic disorder is an indie label born in 2004 in the city of marseille/france. for their third release, md strikes back with tracks from the best european artists. you will find music for your brain and legs here

feel good (tv=off) sounds like an hommage for the 90s filtered house thing, as hes a true lover of the roule imprint, but its 2007 electronic tech house music. shinichi osawa from mondo grosso, tokyo, has made a special edit for the song (remember his edit for christopher just popper)

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

>suicide< is the third of the four ep series representing the more groovy side of radiqs music after >quadrille< (log 048) and >rip, rig & paniq< (log 051). with this ep radiq offers 2 wealth and extremely dominate tracks

jambi is known for his releases on district of corruption, turning spork, textone, and junion. after developing his roots in the us scene, jambi has taken his personal synergy to the berlin scene and has been working with jay haze, dan curtin, tobi neumann, and dinky. >lost< is the first horizontal release from jambi and a very well balanced ep. great package that has the musical range of high energy, peak time to heady after-hours grooves

on >pause< a rich, analogue lead line underpins the whole groove, slowly evolving, flitting between octaves and driving the track forward. at only 122bpm there is real feeling of space, allowing the carefully balanced drums and highly detailed percussive loops to add urgency and detail. soulful yet haunting chords are worked into the arrangement, intertwining with the lead line to reach a sweaty, euphoric peak. isolée deconstructs wills chords, initially only using two from the full sequence, allowing him the musical freedom to switch effortlessly from lush melodic pads to acid laced stabs. isolees unparalleled attention to detail creates a slow burning and truly hypnotic deep house groove that is as much for the head as it is for the feet

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !

crinkle-dub with a drollery factor is his thing. after his recent debut album on jay haze s future dub label, arttu snellman aka lump returns to the mothership karloff, where he already contributed polka paradox, a classic of the label s catalogue. the finn who lives in london and works there as an animation cartoonist, also has a liability to comic-like aesthetics in his music, where he reaches his very own kind of deepness with a dodgy-ironic sound design. with an airy easiness the 4 tracks of crazy stereo are still bopping between spooky house and discoid miniature - a crunchy hot chimney fire for your turntables!

lophi is the combination of loth de luca & philip flindt, they met eachother at a n.y.e party in 2001. they quickly found out that they shared the same passion for dirty electronic music. the sound that makes up the rather unique lophi sound, is a mixture of de lucas long lasting love affair with the darker and more minimal beat. combined with flindts flair for dancefriendly music and his craving for the melodic themes, you are left with pure audio eargasms

phreaky minimal bassy monster! growing up in a small town in southern germany, joachim landesvatter s main musical influences came via his older brothers in the form of bands like zz top, lynyrd skynyrd and uriah heep. these narrow boundaries could not contain his ever-evolving tastes, however. he soon found himself enthralled by german acts bap, die rodgau monotones and the scorpions, to name a few. the real turning point came in 1991 when he discovered the techno music being played by local djs in the small, rural clubs in and around his hometown. using techno as a springboard, he jumped ever-deeper into the quickly evolving experimental electronic scene and all of its various permutations

satoshi fumi is one of the most exciting producers from japan.. with his new maxi on forcetracks, he explores the field of house music again, somewhere between funky electro techhouse and moody detroit sound. satoshi adds energetic electro house grooves to sensual sequences accompanied by sweet strings.. perfect sounds for urban clubbing

the latest release on haiti groove recordings is from the italian star producer & dj joe montana. well known for his legendary dj-sets on the fashion weeks in milano (italy) and his many releases on reowned labels like strictly rhythm, stickman records or deep touch records. five stars is coming with 3 brandnew remixes as well as the original mix from 1999. packo gualandris provide us with an ultracool electro-big beat version and tom newman, well known through his remix for martin solveig s rocking music, comes up with a electrohouse version. side b contains a deep house remix by the us superstar dj vitamin d and the original version last but not least

excellent electronic techhouse , incl eclat & prudo rmx (mood music, music for freaks, morris audio

steve rachmad, has taken the global techno scene by storm both as a producer and as a much sought after remixer. his dj exploits is second to none. for many, he is considered a father of detroit techno in the netherlands, respected in the world of electronic music for his deep, groovy sounds that tend to rest on impressive strings, melodies, funk and soul.his first single from his forthcoming album >neo-classica< on sino exemplifies the efficient combination of sonic subtleties and frenetic nuances found in his productions. energy abound with an unwavering level of production quality, this single is yet to be another modern day dancefloor classic

house music producer, songwriter and vocalist roland clark aka jesus jackson/urban soul must have felt the 50 degrees heat of dubai that influenced him to deliver such a quality & deep vocals and chose the right label for it from dubai. raisani&guidera of dubai rework on the single & deliver the right stumping new york vibe deep club remix that has been everyones favorite & a perfect dance floor anthem.

frenchman frederic faupain(aka fuzz) is a veteran of afro, latin and mediterranean sounds. under aliases such as sofian rouge, mr.fuzz and jack in da box hes recorded for labels such as deep touch, filtered, soulgroove and grab recordings. here,he drops the mr and just becomes fuzz for tropicanas 2nd single. on the a side, the original highlife mix is deep down and discofied afro house. imagine nile rogers & chic getting down in lagos. classic discohouse beats with juju style guitar and vocals for an uptempo and feel good mix.on the flip, fuzz takes us down into the rainforest, with a deeper and darker mix, while still retaining the musicality of the original version

i cube is one of the most respected french producers of sophisticated electronic music and one half of chateau flight with his friend and versatile records owner gilb’r. karma shares the honour of being remixed by him with people like daft punk, leftfield, joakim and phonique just to name a few. i cube takes karma on a long distance run from paris to lazise, setting the pace in a hypnotic slow motion stomp. cosmic disco cubism at its best!on the b side awaits you another special titbit colognes jazz connaisseur and multi instrumentalist pascal schäfer is given a carte blanche to do a remix and karma wont have to regret this. best known for his output on the karaoke kalk, pascal manages it like only a few other producers to translate jazz aesthetics and structures into electronic grooves and patterns

equipped with the past, celebrating the future was always an effective artistic strategy of creating striking ensembles. six years after their debut album >future< and four years since the last maxi >errorist< (both available on disko b), artist unknown, germany s cloak-and-dagger electro project is performing on anthony rother s datapunk label, which is currently expanding its content of electro music in all directions, like no other platform at this time. artist unknown covers itself with regards to their biography and presents selected pilgrim travels to kathmandu, guitar roadie performances for oasis and video stores in turku as its highlights

entered buzz charts this week, huge hit expected for this end of a year. after making a name for himself as the hottest young producer on the block (bloc party, maximo park, the rapture to name a few) paul epworth finally releases his own much anticipated solo material as phones. for those familiar with his floor slaying remixes under this alias for artists as varied as new order, goldfrapp, roxy music and black strobe, sharpen the knives and worryin hit the dancefloor hard. sharpen the knives is an agitated, visceral monster that climbs to a breakdown, leaving you begging for mercy, but with a huge grin on your face. >worryin< is a slower affair, still dark and digital and ever so slightly menacing. both tracks are a taste of great things to come from this prolific talent, leading into an album some time in 2007

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

uh hugh, this side of the record is a story that tells its self. dirt mixed with crunchy melody and excitement, makes this mix of bouncing bubbly blobs an irresistible must have. low end sub loving bass lines and analogue riffs all together with a voice that tells it like it is >uh hugh<. this side also holds the fort as far as the oldschool is concerned. deep, lush and full on non stop madness. jump in and roll in it. viography. this vibrant electro pumper is another one of pig&dan s more positive good time tracks that has made the duo name more present in the boxes of the less techno orientated dj s. it s feel and vibe still hold the electronic imprint to be expected of their previous works, but with a melodic edge that is unique and has a smile appeal that reaches peaks of musical bliss. this production has its little twists that give it an acid vibe and a feel which was present in the oldshool

tribal four tracker a side feat casablancas cafe sucre with its great grooving bassline flip over for the electro flavoured the music by tribals and the funked up tribal driven kannibal

funked up soulful piece of music includes 3 very nices remixes this is special music for special people

mh records is the restyled follow up of the well known techno imprint mhonday music. the label is run by mhonolink who was also responsible for the previous and first release. for the follow up mh presents tor loewenkrantz, a man you will probably know by another name due to his stunning release on adam beyers drumcode. here you are served with two smoking trippy techno grooves with the trademark swedish touch...

gunjack, brian gibbs moves to tokyo in 2001 and begins to release music through the british sheep label under the >gunjack< moniker. after spending more time in madrid/ spain, working with a local record distributor and releasing hard-edge pounding techno he returned to la in 2005. bas mooy, over the years bas has been a resident and member of organizations such as exposure of sound, compound, strictly techno, phaze!1, resonance and inside. the last couple of years he has been working the decks at established dutch venues/parties such as awakenings (graansilo, gashouder), de effenaar, doornroosje, 013, waterfront, het paard van troje, nighttown and simplon

nice price deal !!! long awaited self titled, full length album from land shark a.k.a. lance desardi on coco machete will shake up any preconceived notions held by fans of all dance, rock, electro and alternative sounds. the land shark project is an edgy departure from lances previous projects as an underground house music mainstay. still deeply rooted in dance rhythms land shark takes derailing hard left turns into the sonic realms of industrial, punk and electro. definitely for fans of dance rock crossover acts such as blackstrobe, soulwax, the rapture and dfa. an album that sounds like an album not a compilation of lumped together twelve inches

ireland s legendary fish go deep duo team with the unique soulful singer songwriter mary cigarettes for this killer two-track vocal release >chemical god.< don t be fooled by the name - mary is a guy with a rugged, scratchy flow that reallyshines through on the main mix, highlighted by the tight percussion and key stabs of the track. definitely an appealing vocal for the ben watt and buzzin fly heads. on the flip the dub strips things down nicely with some disco strings and a tight hypnotic groove. not your usual generic house musicmessage but a real powerful song. great stuff on this one

fabrizio and marco d arcangelo share their love for synth generated music. fond of electronic music since the british new wave invasion of the 80s, the two brothers were keen on embarking onto early experimental music through the aid of affordable samplers and pcs. in the early 90s they joined dj max durante in the asu project on hot trax, a hard techno venture which saw the release of three eps, culminating in their live act at the zurich energy 93. in the following years, two deliberately distinct projects were born, centuria city and automia division, dividing the techno and melodic edges

andre crom is dj and producer and the new artist on memo. his music is twisted as well as rocking, always aimed at the dancefloor. andre crom plays a mixture of house, minimal house and minimal techno. on memo 05 he does perfectly well what bpitch controls sublabel memo stands for - minimal that rocks

here comes chilean deep minimal music power with miguel tutera (handheld, sub-static), receptor (sushitech), dani casarano and musex

a twisted piece of modern electronic dance music for druggy dancefloors… on the flip you have an astonishing remix from >man from another planet of the year< : radio slave, who tweaks and paste the original elements with thunderous results, hell yeah!

this is the second 12 inch taken from the latest album of this boy wonder. more insane action music for excessive parties with mad melodies, tweaked and off killer basses and killer arrangements..

dubsided has created a name for quality club music with an edge, and growing an audience of discerning music buyers. >see me< features three tracks of funked up fidget house at its best. from the boompty acid house of the title track to the wobbly jackin third cut this is a well-rounded, peak-time 12inch

from boston in the us, the bald & the beautiful duo have been making firing, futuristic house music together for only a short time, but their productions have already been put to acclaimed use by dirty bird records (us) and utensil. the bald & the beautiful have recently remixed jt donaldson and cpen s >take u back< on utensil records earlier this year, the huge club hit by claude von stroke s >whos afraid of detroit< for dirty bird records, and swags -85- for version music. receiving heavy rotation from jesse rose and claude von stroke, this killer four tracker sits >beautifully< alongside forward thinking uk labels like dubsided and made to play. odori has an established fan-base and reputation as an outlet for quality forward thinking house music

top notched production again coming from franck roger featuring top musicians currently playing for maw & the likes, fantastic vocals by female singer zonkes.produced, edited and mixed by franck roger.lead and background vocal by zonkes.recorded by franck roger & bruce at oskido s studio, johannesburg south africa.drum programming by franck roger.rhodes & synth lead by olivier m sellem.bass by gene perez.guitar by mike ciro. additional production by mike ciro.

nice price deal !!! as the name of the label suggests this is really bumpin house music 2 great mixes by style of eye and lil mark are included a must have for all you bump lovers

next cadenza killer ep !! the four cuts on this doublepack are monsters all, between eight and 13 minutes apiece. coming hot on the heels of similarly sprawling releases from ricardo villalobos and luciano & thomas melchior, they confirm cadenza s commitment to stretching electronic dance music s form to fit a more expansive frame. these are anthems, but they re anthems of a different sort. while too many hits beat their riffs like dead horses and treat their listeners little better, loco dice turns their attentions to gauzier, wispier elements: ghost melodies, feathery percussion, iridescent timbres that flash once and are gone

nice price deal !!! played by heiko mso, scratch massive, toni rios, diringer, sweetlight….. margeir, a.k.a. jack schidt, produces his music under jack s name, together with his friend phil harmonic. though you may not yet know jack schidt - that may soon change. jack schidt s music appears on gusgus s record label pineapple records, for whom margeir djs as well. jack schidt prides himself with the fact that he was the first dj in the world to stage dive into the crowd. any other stage-diving djs interested in following mr. schidt into the record books are encouraged to contact the pineapple records legal department. check the fantastic remix comes from holmar flipsson who is 1/2 of thugfucker, 1/3 of mr negative and 1/1 of holmar filipsson