audiomatique welcomes uros umek! his reputation as slovenias hottest dj & producer didn t remain unnoticed, as he is receiving glowing praise from djs all over the world. amongst a growing following of international admirers, his excellent and beautiful rocking tracks can be heard on nearly every dancefloor.>akul< kicks off with a percussive rhythm before a dark synth and a charismatic chord are driving the piece along. > complikator< is a relentless and dramatic backing of severe synths, rising pads and swirling noise. the bass is similarly intense, throbbing away before developing for a melodic break. it s quite a head-turner and will create a buzz in the clubs. welcome to audiomatique, umek

for fans of loco dice, mathew jonson, m_nus, ame, matthew dear, dimbiman, dan bell !!features 3 new unreleased songs from billy dalessandro (force-inc, force tracks, resopal, kompakt) brian ffar (gourmet, tic tac toe) & slutbox…. hot stuff! billy dalessandro known for his bumpy dancefloor productions and driving dj sets, he returns on his newly formed site holder label to lead us through a symphonic slice of minimized and maximized techno. an untouchable hit for the few djs that possess it, all three songs on the ep are tracks that deliver. with intoxicating slow-build introductions which all seem to rise to the perfect point, breaking over with deep sine shaped basslines and beats that kicks the night into the afternoon. the slutbox tune pops and pulses along a more minimal excursion with deep tones, deep bass and melodic key stabs which seem to lock together as the rhythm evolves, propelling a sketch of minimal movement to another, out-there dimension. yes, do believe the hype and look out for site holder

j. wink classic back in stock.. fat bass heavy techno monster in two mixes

slamming chicago tech trax collaborations between q ic & danny c, ronald v and coone not to be missed

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

electro house track with powerful electro bass, fat beat, an effectice vocal guinmick ,long emotional break and sensual spanish voices in duet with a ragga on the a side. all this ingredients in a pure french touch style, a very hot track recommended for the dancefloor b side feat a remix signed michael kaiser, queen and fg resident (paris), an electro tribal dub mix especially studied for the dancefloor!

latin flavored funky house bomb with a great piano and trumpet riff and a massive kick ass slapped bass flip over for a soulful disco flavoured funky affair

track 6 and 7 in alex baus credo series.. the 2 tracks have a perfect blanace with the a side being a barnstorming piece that builds around a simple nagging synth line and driving groove. on the flip there is a blissed out minimal masterpiece with dubbed out maurizio like chords and deep bass.

ein rockiger, pumpender e-bass, platte des monats in der raveline !!! sphärische klänge und eine sanfte stimme, die einem eine erotische hook in den kopf haucht. der bass wurde eigens live von sebastian flach, seines zeichens gern gesehener gast in den xavier naidoo/herberger-studios, eingespielt. incl remix von groove rebel rmx (great stuff artists)

dark phreakin techno & electro to drm n bass clubber

here we probably have the flagship of modern day techno music. the planet rhythm label was founded by glenn wilson and has been one of the leading icons in harder, underground club techno. stigmata member andre walter teams up with chris hope for a juicy collab. resulting in their trademark pounding beats and destructive bass-heavy productions..

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

for the 3rd release on his own herzblut label stephan teamed up with mr. systematic marc romboy and what they deliver is simply outstanding! puck is a masterpiece based on a simple and incredibly modulated bass tone on top of basic drumming. the dark atmosphere and the consequence in this track reminds of plastic mans best productions, this will make you shiver! io is another of those epic classics. techno blues. a beautiful bass synth melody is the core of a journey thru old tekkno ground and new production styles.. supported by garnier, tiga, roman fluegel and charted by hell

swedish techno talent johan fotmeijer, with releases on adjunct, kailash and mitek, brings us the 3rd aesthetik release. he takes us down a darker and mysterious road with mental driving basslines, throbbing beats and some healthy jacking funkiness. dancefloors will tremble to mystikkal s fat bass and critters s dark atmospheres and vocals. bass addicts will stand in line for their fix. for deeper journeys female robot will provide the necessary juice for warming up dancefloors like it should. hakan libdo s remix of critters takes it down to a more twisted path with restless fat basslines and a dose of dancefloor madness. if you re looking for an ass shaking experience, here it is!

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

awesome electric guitar sound spiced with touches of electro, the track being remixed in exclusivity by mox codeta (liftos) clubby and powerful funky love is a savant electro/funk mix on which fred de f confirms us his influences of the 80s. big kick, huge electro bass line with a sampled like vocal

sci fi electro tracks includes jackal and exzakt vs dynamik bass system mixes

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

all original tracks written by sutekh and twerk classic 2000 double 12 compilation with cool reconstructions by kit clayton, stewart walker mick harris and many more

who are the rancho relaxo allstars? this cast of touring djs + musicians is led by abe duque, john selway, dietrich schoenemann, susanne brokesch, jason bpmf szostek and prozac. >cowboy< begins with adr series house rhythms. stacks of analog pulsations, basslines and sequences hover around the beats. quirky cowboy based vinyl manipulations add into the blender. back room house gem. >cajosisa< shows the true colors of rancho relaxo. ambient laced atmospheres intertwine right before the galloping bass hook appears. 808 electro madness takes over. the soft transitions like a rancho party

african people is a shivering pearl of maxmimum electric minimalism guided by those bleeps & blurps we love so much about trentemoller! the track is basicly driven by a twisted noisy heavily modulated drum loop. jokke ilsoe strips the track down to it s bones & brings in modern electronic deepness combined with some bass action from below

incl. rmx by nick & danny chatelain founders of bcnrec , alex brinken & mischa völzke a.k.a tactik are in charge of the third release of the label. two tracks of techno with same soul but different vibes, tweeked and stressed analog in the bass-ment studios. includes a remix from the creators of one of the biggest hit of last year >is killing me< nick & danny chatelain

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

the 2nd release of carsten schorr s label on records is prod. by micha klang, the nürnberg based dj legend. this is minimalbut nevertheless melodic. a special highlight is the remix of tony rohr (cocoon/hidden agenda/dipolter records), one of the most popular live acts of the world, which will brighten up the early morning hours in the clubs! a comment of speedy j: track is the bomb… been hammering it last few weeks!

eleven tracks, split across two vinyls, hd explores every style, from downtempo, idm to acid, electro, techno, breaks and drum & bass, everything painted with hds unique style

another spankling new signing on the illustrious dirty dancing imprint, the belgian band, marcus. choice picked for your pleasure by cosy mozzy! they deliver2 harsher pounding electro techhouse workouts. check >f-bees< with its sizzling athmospheres & superbe rocking bass, a wicked & wild anthem on the dirty floor for quite some time now. turn over to the flip for more manic harshness drawing influences from some gigolo releases to come up with this late night stomper called >mystique<

the first part of the x-zel compilation series comes with techno, drum n bass and dirty electro by dj bold, david x, component and lxk !!

bass heavy vocoder electro..

rejected is joris voorn and edwin oosterwal. after their massive underground hit >for the people< on sound architecture records, rejected is back with the debut single on their own new label simply called rejected. this first release features two great tracks. on the a-side we find sl3, a track with a compelling bass-line, funky beats and driving stabs, a future classic! the track on the b-side is called cliché, a bouncing minimal techno track with strong percussion and a break that makes the crowd go wild. both tracks work great on the dance floor! you will definitely hear more from this label in the future. joris voorn has had releases on respected labels like green, sino, keynote and sound architecture. sl3 written by joris voorn and edwin oosterwal. produced by joris voorn. cliché written and produced by joris voorn

la place au soliel returns with a stunning minimal techno adventure. >leave me alone< is a deep bass n beats driver with a vocal from jorg bruckschen (eintakt04). the a2 track >simple< is a totally chilling downbeat track with warm atmosheres and a cheeky 303 sound. msq on ob the b-side represents the darker percussive side of frank hellmond and dieter krause. last but not least, >pussy cat< puts a fat smile on your face while listening and moving your ass to the dubby, easy house beat!

the 2 masters of tribal grooves got together and tributed with 2 trax each. boriqua tribez on the a-side is just the funkiest of shit you could imagine. the first track with a monster groove and after almost 2 minutes, the bass drops in and what a bassline! this is just massive. and after a white the beats comes in again. on the flip you find the other master of tribal techno, cave.

played: steve bug, djulz, a. schneider, jay haze, dan curtin – huge hit ! moon harbour has good news for you: a new artist joining our family – welcome samim! after big success with his projects >samim & michal< and >fuckpony< (together with jay haze) he debuts on moon harbour with his 3-track-ep. the bass line of -eco- (b1) paces through deep frequencies as samim throws in sharpedged snares, wistful dub-synths and an elusive vocalsample: this track is so catchy that it deserves the rare honour of a long b-side – its strong vibe just would have swallowed up any other tune accompanying it. skks (a1) will get you from a different point of view: forget about dub and minimalism, this one is a rhythmical display of fireworks. samim goes in for the full, tictac go the claps and vocal-samples jeer and jiggle everywhere. this track got guts, man!..

hot on the heels of the first remix package comes these new versions of >darko<. the latest and last single to be taken from booka shaden s acclaimed >movements< album, these remixes will have maximum dance floor impact! first up are brothers ali and basti schwarz, aka tiefschwarz. always at the forefront of house music, their treatment is based on a stripped back, stuttering rhythm and resonating blips and bleeps. it s the perfect track for when the club is locked onto the dj s groove, and the chiming bells make it sound even more trance-like. booka shade themselves are the next remixers, and their >le grand noir< is their live version of >darko<. retaining the original track s epic, infectious hooks, the remix uses a pumping bass-heavy groove tailor made for peak time or festival usage

justin martin is currently recording his debut album for buzzin fly and here is a taster >the fugitive<, a sick underground groove skewered with grunts, grinds and sub bass that finally launches into a gorgeous spring-loaded nu-techno ride. on the flip, more of the same, dastardly.

uh hugh, this side of the record is a story that tells its self. dirt mixed with crunchy melody and excitement, makes this mix of bouncing bubbly blobs an irresistible must have. low end sub loving bass lines and analogue riffs all together with a voice that tells it like it is >uh hugh<. this side also holds the fort as far as the oldschool is concerned. deep, lush and full on non stop madness. jump in and roll in it. viography. this vibrant electro pumper is another one of pig&dan s more positive good time tracks that has made the duo name more present in the boxes of the less techno orientated dj s. it s feel and vibe still hold the electronic imprint to be expected of their previous works, but with a melodic edge that is unique and has a smile appeal that reaches peaks of musical bliss. this production has its little twists that give it an acid vibe and a feel which was present in the oldshool

on the way, joey negros mood house piece echoed shades of the jungle wonz from the late 80s with its retro chicago house vibes and a rolling marshall jefferson style bassline. the original player 1 cut is already a rare underground classic with props from the likes of chicken lips, giles peterson, jimpster etc magik j adds a metro area/booka shade vibe to this dope bass heavy electro jam giving dance floor appeal for both deep and minimal heads

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

new label from sven palzer called puzzle traxx and the intention is to deliver soulful floor tools !! the first vinyl comes with a deep but bass-heavy psychotic tune by random play.. alex under makes an amazing remix with a big portion more drive !!! excellent label start

we are the grand kru and who are you?!? dirty maximal house rebellion track from berlin. dark analog beats clunking out of a 606 drum machine mixed with deep bass hits. long approach before the chant begins. long synth stretches highlight. a late night epic. ep is complete with instrumental mix and accapella. limited 450 pressing

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

jupiter black show their love for giorgio moroder. a rocking track with live percusion and of course the trade mark moroder bass lines by this new project from dusseldorf (john jupiter & michael black). comes with two remixes by elitechnique! they dropped a great remix with a balearic feeling! the dub version of their mix is also lovely. a nice smooth new york disco-ish version that slowly builds and changes into a funking disco monster. this works like crazy!

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours

as the first 3 maxi releases were focused on a hypnotic and percussive style, this one is an amazing new variation of his sound. >cant get enough< is an ingenious produced dub track as its best. it works up to the middle and unloads irresistibly in a percussive bass. >sunset< seems to be one of those detroit influenced rays, as theyre well-known being played at the end of pascals famous after hour sets..

the new enliven music release comes with a minimal clubtrack that is ruled by a rolling bass and some wooden sounds that will power up the melancholic voice and some mysterious special effects resounds out of the autumnal foggy woods. the mobilee and einmaleins artist pan-pot supplies this release with a bit more aggressive remix

top notched production again coming from franck roger featuring top musicians currently playing for maw & the likes, fantastic vocals by female singer zonkes.produced, edited and mixed by franck roger.lead and background vocal by zonkes.recorded by franck roger & bruce at oskido s studio, johannesburg south africa.drum programming by franck roger.rhodes & synth lead by olivier m sellem.bass by gene perez.guitar by mike ciro. additional production by mike ciro.

pumpin french bass groovy ! cool vocal sample !

..... if minimal was this summers techno then metric is this winters scarf and mittens. warm, subtle & enticing deep house, >holding< is a concoction of pulsating pads, strings and deep grooving bass. on the flip dani koenig provides an excellent compliment with a haunting remix darker, edgier whilst still relying on the lush strings and pads from the original