strong and kicking techno traxxx

follow up to are you sure you want to know me> quizz and el nigno team up again on this track >the monster is in town< . besides the freaky orginal version, you ll find the 2 winners of the remix competition organised by i-dj : toby tobias (rekids, bearfunk, hi phen..) is stealing the show with his slow burning electro disco behemoth that sets an hypnotic atmosphere before kicking into a groovy rework of the main theme. philippe autuori has music to be released on the german biggie poker flat, his mix is funky electro-techno rework with plenty of mean synths stabs and a smart use of the vocals. club material

a massive robert natus production.. some tracks combine pounding grooves with epic melodies, others are just plain kicking floorburners. but all with the typical whirling percussion productions..

superb electro house with oscilating synth sounds, kicking bassline and shocking electro sounds

next monstertune at bondage-music from tino schmidt aka stereofunk (karatemusik/klang gymnastik) incl. a superb dole & kom (death by disco) remix. powerful and kicking beats, witty sounds and his constant factor of recognition are highlighting this ep........played by trick & kubic (great stuff rec)

released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking

amnesia resident paco osasuna shells out another gloomy minimal, kicking double-header proving he s well versed in the art of moving butts. the aplty titled >move< pulls his pressure from the distorted whipping snare rolls that frantically step tumble all over the clicking beat. on the flip paco injects some funk with a short, dangling guitar lick stabbing into a busy beats, a growling bassline and nervously shuffling beats. dj support: dj t (get physical): >a1 is nice moody, it s in my case.<, laurent garnier: >nice funky a side. will play it out! <, tobi neumann: >fette techno nummer, sexy und hart. full support!<

the incredible ibiza mega club hit of 2005 and 2006 returns with two brand new remixes from no one else than martin eyerer and paul woolford! martin eyerer shows us a completely new shade of the track as he puts the distinctive vocals into a driving and very reduced but still kicking drum pattern. definitely something for never ending dc 10 nights. however paul woolford demonstrates that the trentemøller remix of 2004 is not the only version for peaktime action. >wooly< is succeed in giving the track a stark new and fresh kick..

heavily supported by m.an.d.y., dj t, david duriez, konrad black, tom clark, sasse!! update 2.0 of woodys already successfull >whatever< series. minimal not minimal is the name of the game here! open produced and very fresh and full sounding the two to long and intensely reduced tracks are immediately touching, thrilling and are much thicker cut than your ordinary berlin click track. you could almost call it >maximal< , hehe .again side a is a kicking stylish electronic build up theme – reduction with just the right punch(the one that is missing so often these days,hehe)and great compressed bliss that simply rocks unstoppable once you get hooked into this unique below the line killer groove. 8 minutes that just fly by like a >hot rod< and youre immediately tempted to stay >tuned< , hand the keys over to wood and let him do the driving for the next 10 hours or so! >dakini< is more dark and mystical in appeal with a sturdy bassline and wicked nervous infrastructure making the whole gem as another two double a side 12inch. next stop woody

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

following up to the fantastic earth beats remix ep (with hendrik schwarz and chateau flight) here comes kuniyukis new strike >sekai no ichiban<.. kunis new tracks are pure blissful musical drifts through wonderfull future jazz, ian obriens remix is a thick cut percussive detroity deep house voyage, atmospheric and kicking and symphonic. beautiful release !!

huge funky house tune with a great trumpet line and a kicking male vocal sample all backed with nice drums and percussions not to be missed

new get physical sublabel !! these tracks are powerful and somewhat sinister affairs that make most sense when experienced as a blinding strobe light cuts through the back drop of dry ice in a darkened club.marsha sets a completely different tone. its still based on the same blend of windy city funk and intricate electronic rhythms, but the way that the seductive, chiming chords and dreamy break down unfold over the steely drums suggest that einzelkind has fallen in love. certainly, itll be hard not to be seduced by this layered, evocative track, especially if you hear it after a long night spent listening to intense techno.so there you have it: get physical has dragged a new label, kindisch. kicking and screaming into this world: let it be the place where you go to get all your teenage kicks!

nothing too jacking nothing too banging this ep rides a nice midtempo groove right into the sunset with an old school deep house vibe mixed with some funked out cut up sample work loads of nice slapping bass and disco fied samples kicking things off right on while closer to mine goes for some hypnotic loops bouncing percussion and snazzy synth work lots of nice instrumentation and grooves throughout this ep definitely a feelgood record for the heather ecb and lawnchair general fans without a doubt

her comes the first 12inch after soulphictions >state of euphoria< album-release on jazzanovas sonar kollektiv-imprint. and it differs…!!! back home from a safari with his son in kenia, he is kicking his atmospheric tracks to the limit, you can literally feel the vibes of the mara down africa! >masai mara< drops some lovely spring-flavoured arpeggios on massive wardrums, layering it to an absolute climax, …the good side of trance! >keekorok< on the flip is a sunriser, with its sliding synthstabs and old-school but totally up-pushing beats..

a straight and kicking housegroove with beautiful rythmetic surrounding chords. smart fading acidlines keep this track in motion again and again. he deversifies the arrangement with an alternative basslinepart, nice breaks and gimmiks. >rumores de amor< by paulo olarte on a2 is a pumping and ringing track. based on an irresisteble basline mr olarte is playing and building up smart percusive elements on and on. warm stabs and sub bass add the syncopation to the tough, bouncing groove. dj hausmann presents his new track on the flip

experimental four tracker kicking of with an electro flavoured downbeat with sick male vocals followed by heads or tails flip for a more minimal my print and scales of passion

four rollin kicking and great traxx that will work on the dancefloor, played by ivan smagghe, tiga ....

fieber hits the stage – boom ! here it comes.. breaking through, sharp, kicking & catchy.. a really funky and pushy first vinyl part of the album >fieber<

this is the very first release of audio parish records, a label founded from a german/french dj and producer duo playing and producing true but raw kicking techhouse and electronic mover. the opener comes as a 4 tracker called the we put a spell on you ep. based on warm, ass shakin kicks tharau & decaine work with weird sound snippets, cool basselines and classic house elements bringing down everything to a dancefloor focused electronic groove

kicking electro house track about the p word including two tek house mixes !!!

c64 core protection which was already played by all important djs from the album features three driving and kicking new interpretations of frank kvitta, rob acid and robert natus himself in their formidable styles the guys go creasy on this 12 inch hard techno monster!!

a new label from gera.. peter schumann is known from the traumschallplatten compilation intercontinental 4 and now he is the first one to publish on his hometown label elster records !! three superb kicking minimal mover in a round package .. mandy - get physical music, berlin: a1 is the track we like from this record. chloÉ - karat,gomma,crack&speed, paris i love stay! :great track!, anja schneider - radio fritz,mobilee, berlin: a1 ist super!!!!!, laurent garnier - fcom, paris: nice stuff, will play!

fat breaks monster three tracker with nice and well known kicking ass vocal samples flipside with a big electro touch (sb)

the new eyerer single is one of martin eyerer's upcoming new tracks that will definitely rock the floors..incl phat ass kicking dj naughty remix !!

2nd bionic ep on defected offshot cyphon kicking things off with a hard hitting soca tip followed by a classic disco sounding fresh take flip for the nice latin flavoured hormeache (sb)

absolute peaktime disco house track with this well known samples and male and female vocals kicking you to the max (sb)

kicking hip house with great raps and nice scratches

epy are back, once again playing it by their own rules: bleepy funk and advanced sound design meet powerful 808 beats - four kicking tracks to inspire your ears, engage your feet and take electro one big step beyond the usual

huge disco stomper with cool vocals and a kicking ass guitar riff flipside with an electro house mix with some acid vibes to kick you on the floor

kicking tribalistic progressive house tune with the voice of ron williams to see you sweat

groovy progressive a side with a nice female vocal and kicking bassline flipside with a more deeper cut

superfunky slice of kicking house with fat driving basslines and wicked beats flipside with some disco flavoured samples of one of our fav classics

definitely one of his finest production to date, delivering a hypnotic kind of balearic peak time action. a huge b line stumbles through the a side track and makes clear why you get that tripy feeling unless the breakdown pulls you back and kicks you off again. the b side track is even more driving and rides on a great tech house groove with a never ending hook! you like it kicking - get this one!

saray is one of the best djs in southern spain..superb remix by julio posadas as well as the kicking original!!

lead guitarist for the freaks unleashes a solo effort with a bit of help from luke solomon. kicking off with 'old school jam' a funky mid-tempo track with percussive drums to get down to. 'on the telephone' stands out with its disco sounds & funk stylings

a quirky thick basslined dirt crewstyle, full on groover, dry , kicking and effective with a great break - made to play i would say!! flip over for shyza minellis mix , tuningspork styleee acid research and check out marco palmieri and terry-ann frencken from und / turin (trapez) ,who contribute a fragile minimal funker with over dubbed female vox. let this mobile move you

repress !! one of the hottest anthems of the back-to-the-80s movement on a 2x12inch pack with the original, the woody remix, a new woody edit and a westbam remix, that keeps most elements of the woody mixes but puts slight changes to the arrangement and adds a few kicking beat elements.

dj preach with a hard funky, grooving stuff as rock hard 'n dark material! on the flip you will find some more ass-kicking material… whilst waldhaus fires a deadly projectile onto the dancefloor, young rising star carl max finds a perfect combination of throbbing aggression and funky rhythm

sensual kicking electroid tech-trax

jt turns out two rock-solid floor-moving cuts on this ep, kicking the hypnotic filtered groove of 'makin’ music', a bumping cut that’s got farina and dj heather written all over it. for the flip jt drops the deepness on 'movin’ around', working the funky guitar licks, spacey synths and warm chords...

the a-side track >hyoscyamin i< comes pumping, loaded with minimal groove throughout the catacombs.in the a2-track <hyoscyamin ii< gabriel ananda develops a quite deep, housy, step-by-step binding groove.side-b finally sexes thing up with >atropa belladonna<. kicking & ultraclubby this one is formed by a creaking acidline and morphs towards a euphoric sweeping stomper.oha: >a track taylor made for sven väth< says de:bug!

2cd mix set, cd 1 by klaus stockhausen , cd 2 by boris dlugosch

kompakt releasing t.raumschmiereÕs new, epic solo full-length heimat. it presents another side of his work which was always there, but never got that much airtime: the artist, the author, the composer with the crystal-clear sound. heimat is a stunning techno album that neither excludes ambient, nor gets reduced to constant ass kicking. it s perhaps the best recording so far from this man who asks so deeply, so extensively, so much. and at some point even answers.

the complementary duality that is ichinen is the raw expression of roberto bosco and kiny. 2017 sees them return with the proven form of their alliance, kicking things off with the dual craters album.

all this is for a jump cocoon recordings presents: p! who would have thought of this at the beginning of this compilation series? itÕs letter p everybody, which means this is one of the longest running techno compilation series around! loaded with power and purity the latest edition of our series offers you a great selection of freaking crazy and kicking techno tunes.

der legendŠre, britische produzent andrew weatherall bereist auf seinem neuen soloalbum -convenanza- seine musikalische sozialisation mit einflŸssen aus post-punk, new wave, punk-funk, dub und synth-pop und vermengt sie mit warmen basslines von heute. garniert mit seinen echo-vocals im stile von the clash, ist das ergebnis ein ereignisreicher trip durch dekaden britischer wave- und clubmusik.

for the second installment of their mixtape series, hospital records has turned to devonian duo fred v and grafix, who epitomize the label s festival-friendly outlook. they don t disappoint, either, dropping an action-packed mix that shoehorns 32 tracks into an hour of non-stop dancing fun. after kicking off with the guitar laden hip-hop wooziness of cyantific s high water mark and dimension s tear-out beast whiplash, they variously touch on liquid, hospital style disco drum and bass, and harder flavours. happily, they find room to include eight exclusives from a variety of producers, including a previously unheard vip re-work of their own summer smash major happy

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench