headless ghost presents its wicked 1st ep on sthlmaudio recordings. the 12 inch is packed with full groove and hooking you up themes and melodies. backend ep is made of a perfect balance between straight club monster like >the journey< and sweeter grooves in the likes of >forever deep< headless ghost backend ep is the weapon of choice for all true house grooves lovers out there..

gez varley aka g-man delivered this track in 2001, made in his unique subtle pushing style, intense and floating at the same time. reinterpretations come from s.r.i., t.p. heckmann and stewart walker.

first vinyl release by geoff white, made in 2000 for force inc. music. 3 sharp edged, steady building technotools.

upcoming talent from detroit and moscow meet on this first remix ep, based on the jason fine album, our music is a secret order. first out is the grandson of moscow - anton zap, with a remix of the track half. in the hands of anton, the original is present but with a major zap stamp on it. bent and quirky sounds, warm harmonies and baseline are edited into great house music. it is not often a remix out stands the original, but this time it might be the case. on the b-side luke hess gives his blessing to the dub track midwest_n. as the name implies we are going for a deep techno ride to detroit. with scientific perfectionism, hess approaches the dance floor, mixing warm sound-scapes and dub-cords with driving melodies, cymbals and claps. the result is once again elegantly produced mind transforming dance music. anton zap made his entrance to the house music arena through jus-ed and his underground quality label

sascha dive , los hermanos & ricardo villalobos playlist !!! after the original mixes on nightvision 13, here are the remixes exclusively made by chez damier himself

edition #2 of the german noise concept by cem oral (jammin unit) and roger cobernus (kerosene), made in 1996 for mille plateaux. 2 times 30 minutes and 30 seconds of electronic noise-ambient. infinite feedback activated.

the ten incredible faces of ljud, made audible by andreas tilliander with the help of imps in machines and a little electromagic in 2001.

ltd pic disc !!! iggor cavalera is recognized throughout the world as a master drummer and former member of none other than brazilian heavy-metal band sepultura. however, he is as much familiar with turntables and mpcs and he is with a drum kit, taking his credo of hard beat beat and applying it to other projects. as mixhell, he and his wife, laima leyton, combine dancefloor and hard rock sensibilities for dj sets and their productions (just check their great remix for clp, previously on boysnoize records, which is a mix of brasilian baily and rave) for this release bnr bring back young star brodinski, who did his first remix ever for d.i.m. back in 2007 on bnr. he has made a name out there with great productions (turbo, mental groove) and remixes (radioclit, ed banger, bonde du role), supported by a wide range of djs like sven väth, laurent garnier, erol alkan and the ed bangers - to name a few. he has touched mixhells song “highly explicit” and made it to the perfect spring house hymne. he took the balearic elements of the original combined with a classic house arrangement and when it comes to the massiv break the track reveals a clear message: this is a hit. a must for every house or techno dj in the upcoming spring and summer season

pumping tooltechno by oscar mulero, made for kobayashi in 2000.

sweeping and crackling minimal techhouse 3-tracker, made by crane a.k. for force tracks in 2001.

a few months have been gone since the last release on abschuss records: va, all you can beat. but no worries.. the new abschuss hits the stores now! made by no other than brachiale musikgestalter, this 12inch will seriously kick ass. their sensational 5th rank in the recent raveline reader poll speaks for itself: these guys are hot, hot, hot!

pushing discohouse on release #25 of force inc s us imprint. made by eric wesenberg in 1998.

reinterpretation of the classic high energy -theme by yoko mono, made for force tracks in 2002.

pulsating, bleeping & sweeping minimal soundambience, made by frank bretschneider for mille plateaux in 2001.

pumping minimal deepness, made by benjamin wild in 1999.

deep floating and purling techhouse that creates wide open soundscapes even in tiny rooms. made by imp for force tracks in 2002.

3 moving techhouse-tracks by jürgen paape aka care, made for force tracks in 1999.

quality techhouse/minimal tech 4 tracker made in italy!!

teardrop returns with their second release! after the epic gentle ep by lovebirds that made it into every house and deephouse djs wallet (or box) the other labelboss, vincenzo is revealing his secrets now!

2 of the most respected names in the scene come together for 2 futuristic slabs of hardcore techno. these tracks were made by both producers using the internet to send the files back and forth. each artist has still managed to bring their unique style to each track. an epic collaboration with devastating results. this is one not to miss.

pounding techno 3-tracker by wes herche aka dj locutus, made in 2001 for his detroit-based bipolar imprint.

support by superman, spiderman, batman, catwoman, captain america, rambo and all the super heroes on the earth…. ali kuru (8 bit / plak records) for his debut on kailash delivers 3 tracks really complete! beats sophisticate and percussive with a deep house touch!!! delete aka sergio munoz (safari electronique) made a dancefloor remix 100% techno. just wonderfull and powerfull ep!!!

3 dark electrotracks, made in 2000 and delivered by new yorks atak records.

release #7 for bipolar (or 00111 in the binary system) brings us 2 tracks of power and 1 groove of mood, made by the sense. and these guys really do have a sense for music.

dosed #2 is made by michigan techno pioneer kikoman. always on the edge between techno and house with a fresh minimal attitude.

another 2 great artists featured on naked lunch records. mark williams is one of the most respected artists from the uk. he is truly a veteran, and he has paid his dues over more than two decades on the scene as a dj and producer. he released a staggering catalogue of quality tracks on some of the most respected techno labels in the world including: tortured, dark house, pure plastic, phont, primate, and carl cox?s ultimate trax imprint, to name a few. this time on naked lunch, he delivers 2 huge tunes, funky & hypnothic just how we like it. at this moment axel karakasis is internationally recognized as the best known greek techno dj for his full of energy 3 decks sets and featuring rigorous musical selection that portrays his style.after many years of hard work in the studio and together with spiros kaloumenos he launches omega audio recordings. having made omega audio a very respected label in the scene, axel is now channelling all his energy into his own brainchild, remain records. for naked lunch he specially prepared tetris & rebellion, both beeing played out by many djs, receiving great feedback.

winning release with uplifting afro grooves, made of tribal percussions, catchy basslines and a detailed melody!

the 3rd gecko release, made in 1999, comes again from andy bowman. he delivers functional & floating techno with subtle vocals and hovering sounds, that create a moody, soulful and yet pushing atmosphere.

2nd release for polish label currently processing, made by its founder marcin czubala. classic productionsfull of mood, with deep basslines and sparkling sounds.

solid duvante release, made in 2002 for canadian deep departures label.

dj pierre kicks off the creators of deepness label with a massive tune, made to raise the roof of any club. on the flip phuture 303 add their own amount of underground funk.

4 funky technoweapons, made by dj erase for his electromechanix imprint in 2001.

laurie first made waves on the house/techno scene with his first release with then studio partner carl faure (formerly of blackgrass). the ep was released on brightons most notorious label catskills and was remixed by sian (pokerflat). after branching out on his own with a couple of highly well received releases hairy claw is pleased to offer his latest offering. low slung grooves and deep android beats are the order of the day. hairy claw head man kotey in his ko-t guise parners up with yam who to keep the dub factor high, whilst the swiss master alex attias keeps the minimal dudes happy

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

lukas beats back with 2nd part of audio developments and hits us with a triple-techno-package, where a minimal sound-amount lives up to maximum force. made in 1998 for swiss d3 records.

straight outta switzerland comes this straight techno 4-tracker, made by luca tavaglione and walter albini aka d-ex in 1998.

#9 is the last release from andy bowmans gecko series. once again he presents 4 techno-tools with just the right amount of soul, made for maximum impact.

toolish and functional minimal techno by mr bowman, made for gecko in 2000.

strong techno 2-tracker, made by peter sliwinski aka echoplex in 2003 for myles serges dosed recordings.

what a limited release .. great elektro stuff ultra limited to 77 handnumbered copies .. be fast ... made with love handsprayed alphalogo on each vinyl

momentum welcomes another hot shot on the label. rickzor from ibiza delivers 4 fresh and amazingly clear productions on the flagship-label. he made his name with his outstanding release on chris liebings spinclub recordings in late 2008 and this ep catches up with it, no doubt

kaufe musik proudly presents jesse rose, riva starr and zoe xenia! three tracks, three singular styles, each treading on the fine line between genius and madness

satellite religion. spacetime 2009 - the world needs to prepare for the drone tunnel. one of the most dark andimpressive tracks comes out on the statik entertainment – label, made by the brits grit and sen. this is the discovery of warm feeling, enveloping depth and icy cold isolationism. it is dub-techno – endless endless, beautifulendless

big with: reboot, vera, federico molinari, frank lorbeer, dorian, meat, karotte, gregor tresher, lauhaus, sebbo,?below is proud to introduce two new talented artists from italy alex moments & matt brown aka alessio mommi & mattia bruni showing, there is hope and always a reason to listen to demo files! this guys are gonna rock your booty! influenced by such artists like reboot, luciano, ricardo, markus fix, alex and matt found there very own style to hijack the dancefoor. showing to be able to deliver the full range of clubmadness they made with yakamoz an epic, bassdriven tribal bomb with ethnic vocals. rupert is paying his tribute to chicago where bee bop is taking advantage of deep basslines and beats combined with pure italian funkyness. but as always, we dontt want to waste your time trying to explane how these tracks sounding just listen by your own!

4 dark and industrialized technostomper by labelhead of rodz konez steve bailey aka makaton, made in 2001.

dark and hypnotical technogrinder, made by makaton for his rodz-konez label in 2000.

strong techno 4-tracker, made by sebastian kramer for his own content imprint in 2005.

having made his debut in 2006 on rip n burn recordings and also appearing on hadshots 10 year anniversary complation in 2007 under his alias audiolizer, israeli producer matan arkin has forged a style for himself that is both heavy in its orchestral audio mentality while keeping enough low end bounce and grime to be aimed squarely at maximal dancefloor effect. angels strikes a balance directly between sentimental yet bounding tech house and bass driven electro house, creating an end result that is both melodically enthralling and rhythmically grabbing. bordering on the edge of emotion, the simple melody carries the track till its end while an unwavering bass makes itself known without ever dominating the forefront. black is beautiful utilizes the sultry vocals of selecta beats recording artist elisete as the theme around which a slow, simple and naughty groove is built. with the lyrics deviously weaving their way around an ever-transforming musical backing, the song creates itself as a sweltering escapade that doesnt abandon its charm until the last second. mipt shows matan digging deep into his studio dexterity to mold a wildly distinctive piece that borders on the edge of melodic abstraction while still stealthily keeping its grip on a distinguishable degree of mesmerizing harmony. never losing its way through a complex maze of synths and squelches, the song serves as a vivid and vibrant highlight that reminds that plain simplicity isnt the only way to guarantee success on the dancefloor

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!