playlist: steve bug, gabriel ananda, mathew herbert, jaumetic, ... after the massive success of their 12s on force sense and on opoosum, rosario gennaro a.k.a. gennaro rossi hits again with >iperio< on dimmer. the original mix on the a side is a brilliant brilliant mixture of minimal grooves and a hypnotic electric atmosphere which gets bigger and bigger through the hole track. perfect tool that could be played in nearly every set from minimal to house to electro. on b 1 you find >tigerskins subtile peeanus interpretation< of >iperion< which takes the track a little bit into old skool vibes

ltd sales pack part 1 & part 2

following on from the under-the-radar success of mick wills edits of ale mania on sbz001, sign bit zero strides onwards with a set of punishing dancefloor interpretations of forgotten industrial gems handpicked by hamburg s wosto and label head honcho, kilian krings.

3rd release in the vault series

following markus suckut debut on the label, its now the first time on be as one for eduardo de la calle, one of the most interesting and passionate producer weve had the pleasure to work with, a master in its own craft: deep, melodic and thoughtful techno. for this release weve picked up two very special cuts from eduardo, pushing eduardos limits to the next level.

after releases on several other labels such as room with a view, freerange - and remixes for omar, phonique, tracey thorn, darko esser, etc. andre lodemann returns to his own label with his 4th release.

long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.