after releasing with chris moss acid on shipwreck in 2014, drvg cvltvre is now back with a full ep of his own on dutch label cos_mos. since 2009, vincent koreman a.k.a. drvg cvltvre has been churning out his own acid, no wave and experimental house on labels like viewlexx and permanent vacation and now kicks off the new year in style with three more inventive offerings. new earth army is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. we have become the filth of the universe is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. it’s a warehouse sized track that will reduce the ‘floor to a writhing mess and finally possessed is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. once again here drvg cvltvre proves he has a raw sound all his own.

land of confusion is one of the most seminal chicago acid house records. originally released in 1987 on bam bam s westbrook imprint and produced by the legendary armando gallop it marked the start of a recording career that would make him a household name among house and techno aficionados. to say land of confusion is raw is an understatement, it consists of a handful of elements but its impact when played is incendiary. armandos tb-303 acid lines sound possessed and unruly while the primitive drum machine patterns stagger around the track giving it a feeling of out of control urgency, a truly lo-fi piece of crazy chicago acid that was popular with many djs in chicago(including ron hardy at the muzic box) and around the world and continues to be influential today. an essential record for any discerning house or techno fan.

sheila hylton is no stranger to pop success, a veteran ja singer who has graced the charts on several occasions. nyc native robbie busch aka dj mcboing boing is a true local legend possessed of deep deep crates. frances waxist selecta - the same. separately but in a moment of intense cosmic serendipity, they each reworked two of sheilas classic but heretofore under the radar tracks, and through the bountiful wisdom of the cloud of sound, sheila heard them, united them and showered them with her blessings. golf channel is very proud of its 50th release! mcboing boing fires the lasers far into the chamber and sets coordinates for the furthest reaches of space. waxist takes sheila for a funky romantic afternoon stroll around the park. the air is full of love!

-i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

radiophonic folk in continual accelerando for geoffrey jones via the stockton & darlington railway composed by station master donald fraser & performed by members of steeleye span…teased from 75 state-of-the-art electronics & pulsing like a possessed mallard…mm buffer a headphone remmix on the dlr & donald fraser ghosts a version into the sidings…ticket pleads…ibm

known for his past releases on nation, l.i.e.s, and cititrax, chicagos beau wanzer delivers a 12 track lp of archival material culled from tapes stored away from years past, the tracks in question being plucked between 2002-2008. wanzer has stuck to his grotesque guns over the years, keeping his music personal, grating, and down right bizarre. each track takes a narrative of its own, from the languidly vocaled, yet uncannily catchy *mob boss* to the possessed murmurs of *love tone*, wanzer has created a completely unique collection of music which engages the listener all the way through.

this is time collapsed. his eyes glazed over for a moment as he retreated deep inside himself. dont you see? he exclaimed, wild-eyed, looking as though possessed by some silent anomaly of his own making. dont you see what this means?

squarehead is the latest young producer to sparkle on shabby doll, with his *bats & stuff* ep delivering yet more bump and wallop for the discerning house head. otherwise known as oliver ledger, squarehead is possessed of a precocious talent – his debut *keep it moving* ep on bad taste was a juno download number one, while his records have won hard-earned airplay on radio one thanks to supporters like toddla t and skream – and with dj appearances across europe plus his own 5andseven label, he is right at the heart of sheffields current underground scene.

statt einer kollektion ungleicher kuenstler erscheint after dark 2 wie eine produktion >johnny jewel & friends present<..die den idib sound auf heutigen stand bringt, ohne dabei den energischen neon-charme einzubuessen, der weiterhin ein immens attraktiver modus dieses labels bleibt

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

a yawning desert covers and oppresses a distant daemon-sphere pregnant with the stuff of a thousand earths. clouds of the same hue and attitude as the infinite sands gradually dominate the sky, possessed of a malign intelligence. a trans-generational caravan cuts an unforgiving line through the dunes in a fruitless mission to close its great mad circle, forever missing by just miles. it is a roving, innumerable harem in liege to an unsexed tyrant who sings them this song, reproduced here by resonant hole emissaries jeanne vomit-terror and ed sunspot, as the caravan commits the abominable act of transgressing the horizon into the infant sky-desert “above.” carl calm’s “gulf of night” mix is a monster, as is the great mike simonetti’s perverse interpretation!

often overlooked in american techno history are the weird and wonderful flavours to have emanated from the mid-west over the years. no two finer exponents have there been than minnesotas paul birken and freddy fresh. their contributions date back to the early nineties when freddy was exploring the possibilities of extreme techno (via labels like labworks, experimental and his own analog) - an activity that paul took up a while later after debuting on woody mcbrides renegade communique label in 1996. teaming up for the first of two collaborations on this 12 inch, paul and freddy open with >the fate of thirty eight< - a belting slab of analogue techno, where machines shriek and squawk like possessed animals on the loose.

played by ricardo villalobos, original released in 1994... da war die welt noch in ordnung :-)... naja ansichtssache. keine frage hingegen bei diesem klassiker: da hat medizinmann van helden ein meilenstein der extraklasse hingelegt!!! special backstock !!

usa license including historical sample...!!

4 tarck hardcore ep !

pop

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations.

choir of young believers, led by jannis noya makrigiannis, garnered an imposing number of accolades in their danish homeland for a debut full-length. that release, this is for the white in your eyes, signaled the arrival of a powerful new talent, possessed of a fully formed vision, arch compositional ingenuity and a tenor to die for. while white in your eyes racked up overwhelmingly positive international press, it can practically be seen as a soft launch for choir of young believersÕ masterful rhine gold.

mit death s prozession erscheint das vierte album der kalifornischen stoner-metal band saviours. nach crucifire (2006), into abaddon (2008) und accelerate living (2009) lassen es die saviours scheinbar etwas ruhiger angehen. strotzen die drei ersten alben nur so vor anleihen aus dem black,- doom,- und death-metal-bereich, besinnt man sich nun wieder auf seine wurzeln und laesst verstaerkt den stoner und doom-einfluss in den vordergrund treten. oder wie schlagzeuger scott batiste erklaert: -der haupteinfluss auf dem neuen album war, dahin zurueckzukehren, wo wir herkommen: black sabbath, iron maiden, motoerhead, thin lizzyÉ- trotzdem ist der sound immer noch unverkennbar der der saviours, roh, laut und scheppernd.