16 track album from aston family man barrett & the wailers band released by dub store records

psychick visions from a dystopic parallax, closely mapped and cognate to the occupied plane we recognise but littered with nuanced distortions, twisting certainty just past the assured facade of familiar... for its inaugural release mirror zone unveils a repressing of an overlooked ep from uk artist memphis way back when in 1994. we re delivered complex, mystic rhythms nodding to the likes of pwog, paradise 3001 and sabres of paradise, the unique breakbeat-tweaked, tribal-trance epitiomising early 90s output from labels like kk, go bang!, dream and esp records.

the 20th volume of our flagship eccentric soul series has all the boxes checked: guntoting, skip-tracing record producers, child stars, rip-offs, the worlds greatest bail bondsman, swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. helmed by the ojays bobby massey, saru was a creative vortex that pulled cuyahoga countys greatest talent in, making a strong case for cleveland to contend with detroit, philly, and memphis as americas soul music’s capital. includes obscure and unknown sides from the out of sights, the elements, pandella kelly, david peoples, sir stanley, the ponderosa twins + 1, ba-roz, bobby dukes, and of course, the o’jays.

animals onpsychedelics is a label out of cleethorpes, run by dj carl h. through a combination of name, artwork and musical output, animals on psychedelics focuses on the more tripped out, spacey side of electronic music. release 003 comes from memphis who has had these tracks hidden away on his dats files since the early 90s, jane fitz who contributed to the 1st release over at aop helped un earth and make this ep happen, you know its going to quality with janes involvment.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

der legendäre dj, musiker und produzent andrew weatherall adelte die aus newcastle stammende formation warm digits mit den worten: -machine funk kraut-a-delia - it’s rather lovely!- was man darunter verstehen darf? elemente von neu!, kraftwerk, giorgio moroder, my bloody valentine und boards of canada, welche die beiden musiker andrew hodson und steve jefferis mit hilfe von geradliniger percussion, elektronischen basslines, gitarren-riffs im stil von keith levene (the clash) und viel analoger wärme zu einem -krautophonic blizzard-wave- verbinden. das brachte den jungs schon supporttouren mit goblin, modeselektor, esg, st. etienne und dem moon duo ein. für sein drittes album hat das duo seinen sound weiter geschärft: -wireless world- wartet mit einem dutzend knackiger, treibender und melodisch reicher songs auf. zum ersten mal in der bandgeschichte kam es bei den aufnahmen zu kollaborationen mit lieblingssängern und -sängerinnen wie peter brewis (field music), sarah cracknell (saint etienne), devon sproule und mia la metta (beards). das album möchten hodson und jefferis als kommentar zum aktuellen weltgeschehen verstanden wissen, das ihrer ansicht nach auf der kippe zwischen feier und untergang steht.

mit treibenden grooves, jubilierenden gitarren, zackigen breaks und einem großen sack voll zündender ideen setzten sich die dutch uncles auf ihrem gleichnamigen debüt 2008 ganz selbstbewusst zwischen new wave, postpunk und pop in szene. das album erschien beim hamburger label tapete, anschließend dockte das quartett aus manchester beim heimischen imprint memphis industries an. dort erscheint nach “o shudder” von 2015 auch “big balloon”, das mittlerweile fünfte album der art-popper.
die vinyl-lp erscheint inklusive downloadcode.

*raunchy sugar* ist der 5. teil der sugar-serie und erscheint nun mit einer auswahl von 32 highlights der 75 aufnahmen der gleichnamigen 3-fach cd zusammenstellung von rock-n-roll-songs aus memphis. die zusammenstellung wurde vom produzenten und musikhistoriker stuart colman durchgeführt und enthält einige super-rare titel der rock-n-roll-geschichte. das limitierte doppel-vinyl erscheint im klappcover.

remastered neuauflage eines der besten deep southern soul-alben aller zeiten von sandra bright aus memphis, später nashville, aus dem das stax-sublabel truth kurz vor der stax-insolvenz leider nur einige 7 inch singles auskoppeln konnte. 1989 erschien es dann bei demon records und wurde zur begehrten rarität.

analog hardware transmission from memphis tennessee. deep acid, sweltering techno and the sound of 808s and 303s sippin sizzurp. on the a side is larry heards protege ben jenkins with his cavernous acid lines. on the flip side, memphis rave mastermind adam arthur emerges with his first original production and mystical label boss jackson lee brings his signature crushed roland drums under a layer of drugged up and downsampled memphis soul. dont drink and drive.

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

in september 1985 four of the greatest musicians of the 20th century returned to the studio in memphis where it all began: carl perkins, jerry lee lewis, roy orbison and johnny cash went back to sam phillips sun records studio to record an ode to elvis presley & the city they all loved.
it was their goal to reassert the vitality of their art outside the often stifling definitions of the music industry and to reassert the vitality of memphis as a music-making centre of great potential.
>memphis rock & roll homecoming<, with its mix of jazz, blues, country, gospel, rock n roll and soul, is now a proud part of the legendary citys legacy!
re-issue on 180 grams audiophile vinyl.

presley begann seine karriere 1954 als einer der ersten musiker der rockabilly-bewegung, einer fusion von „weißer“ country-musik und „schwarzem“ rhythm & blues. seinen durchbruch hatte er 1956, als er zur kontrovers diskutierten identifikationsfigur der rock-’n’-roll-bewegung wurde.

having subtly seduced us all with their debut single, ants, london based duo elephant return with their second seven inch offering on memphis industries. french-by-way-of-pontefract chanteuse amelia rivas met christian pinchbeck back in may 2010, since when they have been quietly creating some hauntingly fragile songs with a sense of mystery and history that belies their teenage years. so side a, >allured< strips away layers, to produce a pure expression of the confusion of love (and lust). amelias disjointed lyricism speaks of anatomy and of carousels, hinting at both the poetics and mechanics of unrequited desire. and on the aa side >actors<, elephant explore the tension of attention, both the craving to be noticed and the desire to melt away into the crowd.

the band recorded cadenza last summer locked in a salford basement experimenting and stretching their songs into new and unexpected shapes. produced by brendan williams and phil bulleyment they’ve created an album that, whilst drawing on the eccentricities of sparks, the piano methods of steve reich and the unhinged prog-pop of the cardiacs, has at its heart a real pop pulse.

>105< is banjo or freakouts debut single for memphis industries. comes in white vinyl with >dead in the snow< on the b side.

fragrant is the debut single for new memphis industries signings, manchesters dutch uncles.

includes get ya money up feat dr dre and hustla on the flipside

the debut album from baba ali on cd.

perhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is parlor greens, a fresh organ trio on colemine records!

rock

reissue of the 1999 duster 6-track ep / mini album. limited mostly ghost white vinyl edition.

reissue of the 1999 duster 6-track ep / mini album. classic black vinyl edition.

25th anniversary reissue on black double vinyl.

pressing on translucent green & white split-coloured vinyl.

blue marbled double vinyl in gatefold sleeve.

red double vinyl in gatefold sleeve.

pop

reissue

metallic coloured double vinyl indie edition !

celebrating legendary jazz singer nina simone with this triple vinyl box. 2023 edition.

a collection of blues classics on triple vinyl in a collectors box. 2023 edition.

limited 20th anniversary edition on black double vinyl.

180gram