sweet 7 inch on studion barnhus

introducing the leave the man in peace with his kit summer banger. a healthy dose of 909 and 303, garnished with italian bassline expertise. and post malone. pressed on a shiny 160 gram vinyl record and complemented with a sticker. cheers!

axel boman and petter nordkvist of swedens studio barnhus momentarily shine a mirror ball onto their usual punch-drunk house for their debut release as man tear. a collaboration with vocalist j. jonason, outside amore is a trilling slab of spacious disco, the loping drums and chiming synthesizer accents pirouetting in tandem with jonasons tremulous delivery. the yearning vox of the original are kinetic on their own, but the dub further accosts jonason with all manner of interplanetary commotion and shards of tambourine.

the best of reggae legend gregory isaacs.

classic black 7 inch vinyl.

sea glass blue coloured 7 inch vinyl.

reissue

ltd black vinyl

reissue

rubadub welcomes club glow, the collective and rave label run by borai, denham audio, lmajor & mani festo.

first single from the upcoming chico mann album “double life”.

repress

the debut album from ernie hawks on translucent yellow vinyl.

erstmals auf vinyl: raritäten, b-seiten, demos und alternative versionen in 4lp-box.

aretha franklin’s debüt für das atlantic label ist eines der klassiker einer künstlerin, die man sicherlich auch als die soul-diva schlechthin bezeichnen kann. Über 75 millionen verkaufter tonträger sprechen eine deutliche sprache. 1987 wurde sie als erste frau in die „rock and roll hall of fame“ aufgenommen, dazu kommen insgesamt 18 bisher gewonnene grammy awards. ach ja, nebenbei hat sie auch die meisten chartnotierungen einer weiblichen künstlerin im us-billboard vorzuweisen. beeindruckend.
und das album? eine eruption des soul und des r&b. eine kompetente begleitband (legendäre musiker von muscle shoals und den atlantic studios), mit jerry wexler ein legendärer produzent und eine künstlerin, die beseelt, gefühlvoll und ausdrucksstark singt, ausgezeichnet klavier spielt sind dafür verantwortlich. das album beginnt mit dem bahnbrechenden hit -respect-, (wurde auch für otis redding zum superhit), danach folgen weitere großartige songs wie das titelstück und das gefühlvolle -do right woman - do right man-, tolle cover wie ray charles -drown in my tears- oder sam cooke’s -good times-, um nur die wichtigsten zu nennen.
original mono-aufnahmen, gepresst auf 180 gramm vinyl.

second instalment by music mania reprise gives belgian 80s synth classic crocodile tears a new life. music mania is proud to present the next instalment in their reprise series. following the highly sought after classic elle et moi (mmr001), comes the blissful belgian synth pop anthem ‘crocodile tears’ (mmr002). the track was one of the first singles of kuruki, the minimal wave project spearheaded by ghent-based musician gerry d haeyer and alain bureau (sally joy). in an age of electronic sequenced experimentation, the band managed to find a distinctive sound that easily puts them between the likes of telex. the original ep such a liar was released in 1981 and clearly echoes the new wave of its time. the scenes described by vocalist sally joy as well as the melancholic keys of the main track crocodile tears breathe tristesse. nevertheless, it has a playful sound full of catchy synths. a dualism between such beauty and melancholy: this track was undeniably made in belgium in the eighties, but should also appeal to lovers of italo disco. be aware: for their second reprise music mania managed to include an exclusive instrumental version of this belgitude. even more synths for your listening pleasure.

east man is a new project from anthoney hart and its material predates his previous work as basic rhythm. his unique take on grime reduces the sound to its steely fundamentals, bringing in influences from dancehall, drum and bass and techno to gird the voices of the mcs he works with. his own name for this hardcore continuum mongrel is hi tek.
anthoney struck a friendship with the academic and theorist paul gilroy, who wrote the album introduction below, after starting personal research on representations of working class and mixed race families. he asked paul for some help after coming across his work via stuart hall, paul’s mentor. their discussions and friendship developed, and it dawned on anthoney that his research and the east man album had some synergy, so he asked paul to write a piece conveying that.

the 1967 album from aretha franklin back on 180 gram viny.

holland-based planet rhythm usuals dubiosity and pjotr g return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. “a man is no island” opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. “die in a forest” is a more traditional techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. “poisening the well” is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. “tears in the rain” is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

futureboogie roll into spring with a heavyweight release from dastardly duo, ron & neil, aka ron basejam, and neil diablo, who between them bring years of musical chops and (most importantly) the funk to the table, and dont disappoint here. in its original mix, pedre son Éclatis a breezy yet sturdy slice of atmospheric synth dance, resplendent with swirling riffs and stammering bass

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

superb debut release on a new label dedicated to showcasing cutting edge new japanese dance music. all four artists each deliver quality tracks that are quite different from each other in style in a refreshing but not abstract way, and make this a very interesting and soon to be sought-after release.

savor musics second 12 inch release follows a rockin record by papol and ekkohaus. we are proud to present today some raw future classics that will quite simply tear the floor into pieces. lucas mari is a hard to catch butterfly that spreads his subtle wings on few carefully selected projects. a resident of the city of rosario in argentina, lucas mari appeared occasionally on the very fine argentine label greener, german imprint stock 5 and on us labels adjunct and airdrop. in true early 90s chicago fashion, the two original cuts feature some serious drum machine action, building a sturdy way to allow for some exquisite chord relief to flourish. gez varley, absolutely stunned by listening to the originals, decided to contribute to the release with a simple and hypnotic remix that only he, the one and only g-man has the recipe for.

spring 2009, david vunk s moustache records delivers you the new moustache featuring: a1 electrick dragon - breakway. this dark emo-electro track will rock the planet. a fat electronic beat along with talking vocoder synths and beautiful chords. produced by the best kept secret producer from rotterdam. a2 lucy montenegro - lucy loves hairy boys. lucy is hott and she rocks, we all know that. in this electro italo-influenced track lucy is dreaming about hairy boys playing jupiter synths and programming dancable disco beats. b1 alden tyrell - what your eyes can do. a very emotional tearjerker all the way. an italo influenced decadance synth track for people who like to dance hom ealone in front of their mirror and cry of happiness. b2 elitechnique - minirimini. we are going back to the future. high energy fat tube compressed beats with arp synths and theatrical italo lines. we re back in rimini, 1986, if only for 7 minutes

nice price deal !!! dark and dirty electro pop with mixes from sharooz, digital dog and funk manouver

2024 record store day edition, mud green marble vinyl

nice price

volume 1 to commemorate the 10th anniversary of his passing

volume 2 to commemorate the 10th anniversary of his passing

limited deluxe edition triple vinyl, coloured in 3 different sdhades of green. comes with download code.