jimpster serves up the first single entitled crave from ahead of his forthcoming silent stars lp complete with remixes from atjazz and flabaire.in its original form crave, which features the vocals from hotly-tipped londoner florence rawlings, is an emotionally charged electronic torch song guaranteed to get inside your head from the very first listen. the spacey chords and punctuating string stabs bring hints of the 80’s to mind whilst florence’s gentle vocal floats in the air like a fresh sea breeze. in addition to the mesmerizing original we present two brilliant and contrasting remixes from one of the uk’s legendary producers atjazz as well as paris‘ rising star flabaire whose d.ko records has been dropping gem after gem since 2013. atjazz spins crave into outerspace with a fat, driving groove and twisted sonics making for an incredibly deep and forward-looking slice of aural gold. in contrast, flabaire looks back to the early 00’s for his classic soulful house rework which calls to mind the sounds of spinna and vintage naked music. closing the release we have another original track entitled where you are featuring berlin based us native khalil anthony. here we find jimpster doing what he does best, creating a sublime late night club track with his deft musical touch making this one that will stand out in the crowd

the folks at passport to paradise deliver more exotic sounds from the farthest reaches of earth and beyond, for your aural pleasure. your concierge today is cosmic disco maverick loud e, taking us from 123 to 456 to 789 in a masterclass of disco edit wizardry. step inside the elevator. the doors close. loud e welcomes you with 123 , flicking gears and switches while offering you a space mojito. it s a smooth ascension, suddenly, the elevator wobbles and the lights blink to the beat of 124bpm. still with us? we land on 456, and the doors creak open to reveal the orange surface of mars. space dust floats around a disco ball, strobe lights penetrate the atmosphere. by 789, you re seeing stars - literally. loud e takes us from nought to sixty in the blink of an eye, or perhaps the stamp of a passport. three cosmic cuts for the more enlightened of dancefloors. join the passport to paradise ride, but be careful - you might never come.

munich based producer sven christ releases the sea ep, a jubilant record melding the most groove-laden strands of detroit techno and house. the four tracks for varying dancefloor moments. and combines the warm moving feel of christ s most soulful techno grooves and the diverse innovative production techniques.

a new year brings with it a new anoma. our third aural artifact is crafted by multi-faceted artisan radiq and features the vivacious vocals of do mi. the japanese artists composition hovers in the ether between jazz and electronic music and is coaxed through the scales in radiant fashion by miss mi. the groove and sonic elation of side a s used world propel the listener to a luscious cloud where you float on the voice to a destination unknown. follow-up track sugar roads is a saucy adventure down a brazen path that twists and turns with rhythm and a touch of vulnerable desire. etched onto the b-side is a drum-heavy statement enveloped in rich phonic elements and bolstered by a spectacular keys performance. raza bounces headstrong into an effervescent dome of glee, guided by the whisper of spoken words. laucolos colourful splash -verts- is the leaf-like mural that shrouds the 12inch vinyl treat.

akkord return with their first original music since june 2014s hth020 ep. obelisk is a study in rhythm and frequencies, suspended in space. on the minimalistic monolith, a single element is moulded into a 3-dimensional sound sculpture, an aural illusion of a lead weight that floats away into the ether. in contrast, megalith has a pulsing gravity, drawing in laser-guided blasts of bass, broadsides of pitched-down jungle, and echoes of distant birdsong and telecommunications as it journeys through the static of space. presented on heavyweight 10inch vinyl. cut & mastered by matt colton at alchemy.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

ffms premium label for deep & minimal sounds qualitative high above standard dance stuff is back from the summer break. traditionally lnz mastermind pascal feos himself lights the lnz release oven and adds his label cataloque with two endurance track runners. it may surprise, how airly the runner with starting number 1 floats through the colourful wood of golden october, cheered on by moogy mild hookline that strokes the drum body. from time to time the race track passes some clearings, the chilling atmosphere of pascal feos side-project aural float waves at the horizon. but then he trots on and on embraced by the feeling of runners high. with the racing number 2 the >generator child< starts athletic but thoughtful on his tom tom-dymanic soles, more and more leading into an 808-hypnotic run on black asphalt. a >generator child< speech sample trails off in the dusk and an lfo-spiralled veil of mist twirls over the head of the scared kid.

spacig floatiger deep house mit techy qualities, coole lp

greyscale s next full-length release come from german based artist audhentik. titled hypno , this album encompasses 14 pieces that dive deep into a heavily-based synthetic world of atmospheric ambient and dub. imagine if you took some amazing pictures of a desert island then put on a pair of ambient dub filtered glasses on. a picture-esque nature beach scene has been processed so heavily that they evoke memories of a place you have been before. this is a true artistry in ambience. perspectives combines a wonderful balance of field recordings with washed out chords of grandeur. breathtaking and majestic like looking down on to a city from an amazing view off a mountaintop. period explores an off-kilter dub rhythm while feeling stuck in a languid moment of disorientation as the track disperses the tension near the end. that astounding build leads perfectly in to the title piece. hypno is a 9+ minute journey deep into the abyss with a track of pure aural pleasure. epic is an understatement here. a standout among many other standout s here. infinite edit is one of the key interlude s that link the tracks together on the album. this one provides a thinner airier stratosphere then the previous ones giving you a chance to catch your breath as you prepare for another trek into the depths of static . this one has you feeling adrift in a nautical theme of optimism through the arduous recent events of a shaky future. a wonderful storytelling is evolving on hypno ...